It’s hard to review Elden Ring without being comparative; that’s because Elden Ring is an evolutionary step, not a revolutionary one, and one can’t help but see how it’s built on what came before. Here is a massive undertaking of a game, not for the sake of chasing trends but as the natural progression of the style the company has been fostering for over a decade. It’s amazing how smoothly the transition to open world was and how much of the Souls identity is still present. In the short time since its release, it has already left a cultural mark, no doubt a result of the game’s increased approachability. Even after sifting past all the hype and grandiosity, there’s still an excellent game left and Elden Ring is a clear showcase of FromSoftware’s outstanding expertise in the field. Elden Ring really is just that good.

Vandal Hearts is an affirmation that a small company without gobs of funds can take a game premise and turn it into a true treasure.

Theatrhythm Final Bar Line is an easy recommendation for Final Fantasy fans. The rhythm gameplay is highly enjoyable and a fantastic way for players to enjoy a trip through the musical delights that the series offers. As a love letter to the series’ soundtracks it heartily succeeds, and every play session is bound to come away with players fondly humming at least one of the tracks they’ve played through for hours ahead.

The writing is as tongue-in-cheek as it is serious, the characters are delightful but two-faced, and the world that Spearhead Games has crafted is a complete joy to explore.

Despite a few places where the retro chic gets a bit too retro, 3D Dot Game Heroes is a terrific example of how to make old new again.

Moon Hunters is a gem, and deserves to be a memorable constellation in the indie games scene.

LucasArts generally exercised greater quality control of Star Wars games than most licensed properties receive, though that didn't necessarily translate into titles that were actually good. I've played a few other Star Wars games in the past, and while the SNES platformers were pretty good, this one is even better. Knights of the Old Republic may just be the best game in the franchise, and succeeds at being a top-tier RPG even if one has no interest in Star Wars. BioWare did the license proud.

Rogue Legacy is triumphant in creating an accessible roguelike that anyone can pick up and play, and it does this almost effortlessly.

God Eater 2: Rage Burst cements the series as the best alternative to Monster Hunter, and potentially surpasses it for those looking for a narrative within the gameplay experience both series offer. All of its parts work together to make enough improvements and updates on the previous entry, while keeping its flavour intact.

For its rookie outing, Nioh shows a lot of promise and delivers on quite a bit of it. Its combat is unmatched and will carry it further than some of the more nitpicky complaints can bring it down. It's a fun game to learn, offering great incentives to explore and pore over its many intricacies. It may end up being a bit too long for its own good, but others may find this offers the replayability necessary to get that next piece of an armor set. If this is to be the foundation for a new series, which it absolutely should be, then the hard work is over and an interesting world just needs to be built around it. If it is to stand alone, then it at least does so with one of the finest combat systems ever created.

Even Disgaea fans who didn't enjoy the original game will find plenty to like here. It may not quite reach the lofty heights of Disgaea 4, but Disgaea D2: A Brighter Darkness still manages to be one of the brightest entries in the series.

Peglin is easily one of my new favourite games. It’s cleverly designed, every playthrough feels different, and there is a comedic chaos to all the insanity that is happening throughout the game. It’s a game that has made me feel so many emotions — anger, frustration, excitement, and joy. While its deceptively simple design may not appeal to everyone, there is no denying that Peglin is a triumph of genre-melding proportions. It’s the perfect time sink for someone looking for a quick game to waste time on, only to find themselves wanting to go just one more round.

While not the best title in the 3DS RPG library, it's nevertheless quite good.

Capybara Games has done a phenomenal job creating a very unique RPG/puzzle hybrid that will keep gamers happy.

The Legend of Zelda: Link’s Awakening has quickly become my favourite Zelda game to date, and the pacing is a strong reason why I enjoyed it so much. Every time I thought to myself, “I could really use an item to fill a specific need,” there it was. Combat is satisfying and it feels really good to take down a tough boss. Grabbing the Seashell Tuning Fork and trying to dig up all 50 is a fun diversion from the main plot and rewarding to boot. The gameplay is highly accessible, offering both a normal mode for newer players like myself or a more challenging hero mode for veterans. It’s the perfect game for anyone looking for just the right title to dip a toe into the Zelda universe and proves quality top-down RPGs are not a lost art.

Despite a simple gameplay loop and basic level design, Mageseeker is a joyous, and addictive game to play. The repetitiveness never wears out the combat and continues to keep the player fully engaged. While the story of revenge is a familiar one, the cast elevates it to great heights and a thrilling conclusion. The Mageseeker’s overall experience is enjoyable and it’s as very easy recommendation.

Despite some mechanics that didn't get the necessary fix they sorely needed, Yo-Kai Watch 2 definitely is stronger than its predecessor by leaps and bounds. While the recruitment system is still a sore spot, the wealth of content and freedom of exploration in Yo-Kai Watch 2 builds a much more solid foundation, making it a great sequel and a worthwhile purchase.

Final Fantasy XII: The Zodiac Age is a game worth experiencing, be it for the first time or just for the first time in a decade. While there are touch-ups in the visual and music departments, the biggest positive change is the added Zodiac Job System, which provides unique license boards to characters by locking them into jobs. The meat of the game hasn't changed noticeably, which is by and large a good thing, with a story that is well-paced and engaging if not particularly novel or as well fleshed out as it could have been. The Active Dimension Battle system also remains unchanged, and will continue to be a divisive factor among players. Ultimately, experiencing what the game has to offer, including its wealth of secrets and content intended to extend the endgame, is absolutely worth its learning curve.

Being derivative is generally seen as a bad thing, and copy-cat games usually don't get much attention. However, Darksiders proves that being a copy-cat is alright if you manage to equal the source material in terms of quality.

Despite some mechanics that didn't get the necessary fix they sorely needed, Yo-Kai Watch 2 definitely is stronger than its predecessor by leaps and bounds. While the recruitment system is still a sore spot, the wealth of content and freedom of exploration in Yo-Kai Watch 2 builds a much more solid foundation, making it a great sequel and a worthwhile purchase.

Etrian Odyssey IV taps into the inner explorer and makes uncovering a world's mysteries captivating. Much of what it has to offer is forgiving enough to entice those without dungeon crawling experience, though that also makes the game unthreatening to people with a background in its brethren. I found the process of exploration and filling out a map from a blank screen incredibly addictive, and have no regrets for the many hours it took to do so.

The Vale offers a unique and touching experience in which sighted players will learn the unique abilities of blind people and how they “see” the world. Just as the princess encourages her companion to help as many people as they can, the game itself encourages mainstream games to make themselves more accessible to people who need assistance. The Vale: Shadow of the Crown appreciably widens the definition of video games and is not only a very welcome boon for blind and low-vision gamers, but a worthwhile title for those who seek a fresh and unique gaming experience. So close your eyes and use your ears to understand your surroundings because this game is absolutely worth the time.

Cthulhu Saves Christmas brings a lot of fun to the Christmas table. Brilliantly written and artistically designed, Zeboyd Games has gifted their fans with a game reminiscent of previous titles, but with enough new tweaks and holiday-themed fun for anyone to jump into this winter. If any RPGamers need a break from the story-heavy, hundred-hour games that we often find ourselves enmeshed in, this hilarious little breath of fresh winter air might be just what the doctor ordered.

It’s pleasing to see how strongly Star Wars: Knights of the Old Republic has held up and how well it fits on the Nintendo Switch, making one wonder just how many other classic RPGs will see new life on it. For those who haven’t played it before, the Switch port is an ideal time to find out why BioWare’s 2000s output is so highly regarded. For those who have, it’s a great opportunity to recover those fond memories on an incredibly convenient platform.

Valkyria Chronicles is considered one of the greatest RPGs of the last generation, so this true sequel coming ten years later always had some lofty expectations to look up to. The combat significantly improves upon the original and RPGamers that value interesting, strategic battles will be extremely pleased with Valkyria Chronicles 4. However, it doesn’t quite manage to emulate the same interesting, thought-provoking plot that dealt with delicate themes in a mature manner. Nevertheless, while the narrative of VC4 doesn’t reach those lofty heights, sixty hours quickly disappeared in the course of playing it. Perhaps that’s more indicative of its quality than comparing it to something it’s not.

After sinking over fifty hours into Like a Dragon: Infinite Wealth to get to the story’s end, the game is an easy recommendation. The story is over-the-top bananas in the best way possible, and the twists and turns are definitely gasp-worthy. The fresh faces do a great job cementing themselves as new favourites, and the addition of Hawaii makes for a great setting change. While there is some recycling of assets and the collision issues are still present, it doesn’t detract from the overall experience. Like a Dragon: Infinite Wealth is addictive, campy, and a game to easily lose oneself in.

LISA is grotesque in the classical sense: revelling in humanity's warts, viscera, and puffing orifices to better explore its failings. People are a collection of blood-filled sacks and floppy limbs, one second away from being stretched out and twisted like so much skin-taffy. In other words, viewer discretion is advised. This is an uncomfortable game, but worth the chance.

The game has bit of a slow start, but despite this, I thought the pacing was mostly good, especially compared to Mario & Luigi: Dream Team. Despite a few other issues like the frame rate and some mild frustration with muscle memory, Brothership is one of the better games in the series. It’s fun, it’s engaging, it’s creative, and it’s even full of heart. It may not be as laugh-out-loud funny as prior games, but for the first time, this game went for an overarching theme and a good but basic message of bonds and connections. It certainly warmed my heart. If Acquire were to continue developing Mario & Luigi games, I’d say it’s in good hands.