Keeping a quick pace helps to emphasise Fallen Legion's strengths and mitigate its weaknesses. There are times where the game's interesting flavour can't quite mask the lack of substance in certain areas, but despite this it remained enjoyable to play throughout. It's certainly a title worth checking out, and should provide a good few evenings worth of entertainment. Plenty of neat ideas and an interesting, if underutilised, world mark a solid debut title for the developer and put it in good standing for future titles.

In the grand scheme of things, Alpha Kimori is neither a good or a bad game. It falls into the realm of the decidedly average titles, where it fails to impress, but is not overly flawed in any major way. All in all, if the player thinks that they are going to enjoy the story then pick it up, but don't approach it with overly high expectations.

Rise of the Ronin is defined by that divide. Its combat system and historical setting give it a strong foundation, with occasional moments that genuinely stand out. At the same time, its formulaic open-world design and weak character development fail to build on those strengths. RPGamers should expect a game that offers rewarding combat and an engaging setting, weighed down by a predictable structure, pacing issues, and an incoherent story.

Potion Permit is the kind of game that could be fantastic, if it wasn’t currently plagued with numerous bugs. For those willing to commit the fifteen to twenty hours to enjoy the content despite the mountain of technical issues, or those willing to wait for a few patches to iron out the current issues, there’s a quaint title waiting to be explored. Underneath the teleportation issues, combat problems, dialog flubs, incorrect quest text, and soft locks is a game that has managed to capture the ephemeral fun factor of a slice-of-life game, with enough RPG mechanics to keep it interesting while not overstaying its welcome.

It's a simple hack 'n' slash dungeon crawler, and at that it succeeds. But with virtually no story and a myriad of pointless, distracting side quests, the game relies almost exclusively on multiplayer for a complete experience.

Dragon Quest VII is still not a favorite of mine, but this remake left me feeling much better than the original. Its storytelling is far from the potential it could grasp, but each of the scenarios presented manages to be interesting. It's not a good idea to have this be someone's first Dragon Quest, but anyone prepared for a serious commitment will find Fragments of the Forgotten Past to be a solid choice.

Despite its issues and a perplexing plot that fails to answer nearly all of its pressing questions, ANNO: Mutationem has the makings of a strong ongoing property. The mixture of 2D and 3D works nicely with its visual style, and it establishes Ann Flores as a strong protagonist well worth spending more time with. As it currently is, ANNO: Mutationem is a solid but not spectacular title and should be able to establish a fan base, with the scope to expand it in the future.

This game is for those who love constant story beats, and don't mind a ton of it.

Despite all of the areas that The Outer Worlds could do better, it is still an enjoyable experience. Companions and the relative density of the game make the day-to-day quests by and large engaging, while the inclusion of the DLC goes a long way to raising up the interest in the setting. However, outside of it there is little to recommend Halcyon as a place to explore, particularly as players get assaulted by familiar foes more than necessary. The Outer Worlds sets a solid, if unspectacular, base that has plenty of room to improve.

It's cast from a different mould than that of Xenoblade and The Last Story, and while it may not reach the same level as its contemporaries, those looking for a decent adventure should find plenty to like.

As the debut title from a very small development team, Path of the Midnight Sun is a fine effort. It manages to find a decent spot where its visual novel and RPG trappings balance out without one overwhelming or undercutting the other, and the story and characters make for an interesting tale with enough that holds up for its length. It’s a game that allows players to take it at their own pace, to its benefit.

Cladun Returns boasts great dungeon crawling with countless options for customization and optimization to take on any situation. It features a ~25 hour story campaign as well as endless side content. While combat is simple, the controls are responsive and the dungeon design is fun and increasingly challenging. Unfortunately, the game overall comes off as one-dimensional in this respect. It lacks any semblance of a narrative, and the small piecemeal levels and lack of a cohesive world don't offer much in terms of exploration or immersion. It is also graphically unsuitable for the PlayStation 4 and large TV displays. Those looking for a pure dungeon crawl with both roguelike and standard dungeons will find that Cladun Returns delivers way more than its fair share. Players looking for a more immersive, story-driven classic RPG experience should look elsewhere.

Despite these flaws, the game as a pure tactical scenario actually manages to rise above more prominent choices on the DS such as the Luminous Arc series, delivering a unique and enjoyable tactical experience that should engross devotees of the genre.

While the story fails to deliver any sort of insight or even serve the complex subject matter it lazily employs in the opening hours, Mercenaries Blaze: Dawn of the Twin Dragons is a surprisingly layered title which lovingly borrows from the best of the genre, which is best reflected in the game’s battle mechanics. The game provides a solid if unoriginal strategy RPG experience on the Nintendo Switch for series veterans and newcomers alike.

Empire of Sin is a good game held back only by a lack of variety in ways to win, leaving most forms of diplomacy and expansion feeling useless long-term. This makes it feel like the game is punishing the player for playing slowly and methodically as enemy factions will only get stronger as game continues, though it lets players keep each playthrough unique by varying how deep they go into the intricate systems the game provides. However, the combat system is lot of fun and prohibition era Chicago has never felt more alive, so many will find it worth their time diving into the unique setting.

Overall, Hexyz Force is a safe effort, bringing barely anything new to the table, but it will be appealing for those who are not looking for something complicated, or those looking for a decent forty hour dual-story epic.

Cloudpunk is the kind of game that places importance on narrative over gameplay and one that will feel considerably better on different platforms. It offers a memorable narrative with some great characters to meet along the way, and it’s admirable just how invested one can get in them considering their existence starts and stops (in most cases) with an on-screen character portrait and a voice-over. The city is vast and beautifully designed using voxel art, though players on Switch won’t bask in as much of its visual splendor. However, it’s also a game in which the narrative trumps all, even gameplay, with the only player interaction coming in the form of somewhat superficial vehicle sections and the odd on-foot segment. It’s a relatively short ride and well worth taking, as long as one’s expectations are dialed in correctly from the outset.

Sunday Gold has a story that is set in an interesting world, but its focus on a singular plot point, while entertaining, makes other content feel disjointed. As a point-and-click adventure the game lacks stakes as everything can be completed with enough attempts. As a turn-based RPG the characters don’t get a lot of customization, and the most interesting parts of combat are how to avoid spending too much time in it, or dealing with an inventive negative state. However, the balance between both of these average experiences combine into an enjoyable experience that fills its fifteen to twenty hour runtime, but likely only for those actively looking to see the results of such an experiment.

Kingdoms of the Dump displays plenty of effort and ideas stemming from a unique premise. Combat tries something new, but ultimately feels like a complicated way of doing something routine, and the platforming bugs can irritate quickly. However, the heartwarming and remarkably designed party members and its world, with something new to see around every corner, make that irritation disappear quickly. Tone shifts between jokes that don’t always land and serious stakes of world altering proportions make the story feel too disjointed to be a win, but the passion is clear and there is still enough quaint charm to give this quirky title a worthwhile look.

If you're really itching to play another strategy game, or you happened to really love the 360 original, Blue Dragon Plus will absolutely do the trick, but otherwise it's another game that you shouldn't feel guilty about skipping.

Dusk Diver inevitably invites comparisons to both Persona and Yakuza. Yet this isn’t necessarily a bad thing, as while it doesn’t have the thematic aspirations of the former or the writing and attention to detail of the latter, the decent combat and low-key charm make it an overall pleasant experience that doesn’t overstay its welcome. Just keep in mind that it is very much cotton candy instead of a full-course meal.

Upon revisiting the world of Dragon Quest II after a long hiatus, I still found it enjoyable, yet it no longer feels like the epic tale it was long ago. A world that felt so large in its day now feels both short and sweet and somehow also prolonged with unnecessary backtracking and excessive enemy encounters. Nonetheless, the Nintendo Switch version of Dragon Quest II is a fine-tuned port of an old game, with better graphics, music, and solid gameplay. Fans of the series and retro-enthusiasts may find enjoyment with this title, but newcomers to the series may find some of the story and gameplay elements archaic and outdated.

Melding real-time and turn-based mechanics cannot be easy, but Nova-111 does it deftly, with its gameplay being the top priority. Unfortunately, this interactive puzzle game has no story or substance to make it feel like more than a collection of mini-games. The game itself is a blast to play in handy bite sized chunks, and seeing the new ways puzzles, enemies, and mechanics all combine together can be quite fun. The game’s relatively short length also adds to its grab-and-go nature. With puzzles that don’t feel too punishing, it’s easy to jump in and feel rewarded for solving each well-crafted and thoughtful area.

Ultimately, The Dragon Knight Saga is a game at odds with itself. Its solid writing and quest design has to contend with balance issues and a myriad of other minor problems such as a sporadic autosave function that feels more like an afterthought.

Experience Inc. has refined its dungeon crawling offerings, and Undernauts: Labyrinth of Yomi is testament to that. The game does not explore new ground, despite having a premise that would be exciting to explore, but it does feature fun combat and smooth gameplay. This means that despite the shortcomings, the game is one that will be appreciated by dungeon-crawling fans as an accessible title with plenty of cool enemy designs and a labyrinth worth delving into.

This is not the very rare type of licensed game that will convert non-fans of the subject matter, but neither is it an abomination. Dragon Ball fans don't have a great number of solid RPGs set in the universe to play, and this one manages at least that much.

Megaton Musashi W: Wired offers plenty in terms of a dumb, fun giant robot game. While story issues and performance issues on Switch hold it back from reaching greater heights, the depth of the mecha customization and combat is entertaining overall. The entire package is a bit of a mixed bag, but it’s one with just enough not to feel disappointed.

One thing is clear, Dusk Diver 2 knows what it wants to be and does it pretty well. The hack and slash action combat is easy to learn and master, and side content is addictive to complete. Its anime inspiration lends to a vibrant world, great character design, and soundtrack fitting for any occasion. However, the most important parts of the game don’t pack enough of a punch. Combat doesn’t have enough variety, and the story meanders for too long before it gets interesting. What keeps the game moving is the many things for Yumo to do outside of battle, whether that be helping people or indulging in a nice meal. Dusk Diver 2 ultimately isn’t an indulgence, but something one might pick up when they want something comfortable and familiar.