Armored Princess cleans up and expands considerably on The Legend but manages to stumble over itself with a punishing difficulty curve and a few errors of its own that manage to pull the game down more than the improvements buoy it.

Long Gone Days is ultimately a case of tempered expectations. The combat and visuals have little details that show a lot of care has gone into everything. The scope of the story is where the snag comes in, as too many hard-hitting moments get lost in the brisk pace that it attempts to juggle everything, making many of them fall flat in execution. This can be disheartening as there’s a nearly constant feeling of wanting them to do more with what they’re providing. It can be a lot to get past but, taking the game at face value the story beats still flow well enough and tell a good story providing moments that players can reflect on. The adventure is quick and has fun gameplay moments, so it is a perfectly satisfactory way to experience a well-intentioned story.

While I loved Dragon Quest Heroes back in 2015, Dragon Quest Heroes II is a very safe sequel that doesn't add much to a stale formula. While this is a good sequel, it definitely has its moments where it could have ended much earlier than it did. Musou and Dragon Quest enthusiasts, of which I am both, will be easily sold on this game. Still, part of me feels that if this game had been a tad shorter and more cohesive, I would have loved it as much as the first.

Flintlock: The Siege of Dawn is an enjoyable experience, but may struggle to stick in the memory. There are some interesting ideas at play, but the execution just always leaves a little bit to be desired. While it never perhaps hits the same heights as other titles, it maintains a solid baseline that successfully holds interest for its playtime.

Osteoblasts is a dungeon-crawler that certainly doesn’t lack in originality, but is held back by the execution of some of its ideas. Players can expect a combat system that is deep and allows for many options, but that may grow tiresome when realizing that not much deviation from a comfortable build is needed to progress. Characters can be slightly endearing at best and forgettable at worst, something that the obscure plot doesn’t help much with. Osteoblasts starts with the right ideas and manages to keep up a good pace for a while, but stumbles a bit before the finish line. A single playthrough of the game doesn’t last that long, clocking in at around 9 hours, but multiple runs may cause the journey’s bumps to stick out even more, making replays hard to recommend.

As a full tome, Ariana and the Elder Codex has quite a lot of potential, but among its genre and the RPG landscape as a whole, it doesn’t stand out too starkly on the shelf. While it has some charming visuals, lore, and some good voice acting, its gameplay and story are only ever serviceably engaging, and predictable twists and excessive endgame lore dumping dull the adventure. While I found myself thoroughly charmed by the characters and having a decent time, the uneven exploration and easy moment-to-moment combat left the game feeling devoid of the substance it’s obviously capable of. If players are looking for a short, fifteen-hour light adventure with some nice charm, Ariana is not a bad pickup at all, but it doesn’t do enough to warrant a top spot on RPGamer’s reading lists.

Summon Night 6 is an odd game. As the fifteenth anniversary project for the series, the creators produced an experience that resembles a crossover title rather than a typical mainline game. There is an expectation that players will be excited by each chapter's reveal of characters from an earlier Summon Night game, but can a person have nostalgia for something that wasn't available to experience in the first place? Because of the multitude of characters incorporated, the deep connection with characters and the cute asides that made Summon Night 5 stand out are lost. Ultimately, Summon Night 6 is a visually impressive, mechanically solid strategy RPG, but the repetitive story beats, weak voice acting, and overflowing number of characters keep the experience from shining.

Unchained Blades isn't unenjoyable, and its subsystems are an inventive take on what less skilled hands would have turned into a bare slog. However, a game as long as this one needs something greater to keep the inevitable hours of filler at bay. Deeper, more nuanced characters would have been been one route. Alternately, a smoother difficulty curve would've limited the opportunities to switch on autopilot.

This is not a revolutionary title that set the Japanese gaming world on fire and crossed the Pacific with spectacular expectations. Xanadu Next is instead a game that had to wait eleven years after its original release to cross the Pacific (unless the N-Gage release played by approximately seven people counts), but at least it's a solid title. Falcom tends to deliver worthy action RPGs, and this one is definitely worth experiencing for anyone interested in hacking and slashing to victory.

Weapon Shop de Omasse boasts a great premise and for the most part it succeeds at its JRPG sitcom goals.

Monster Rancher 1 & 2 DX are a good example of useful preservation of video games. Without these remasters, it would be very difficult for gamers to properly experience the CD-summoning gambit. Not only are these titles carefully ported over with a clever fix for the primary gimmick, but they also feature substantial quality-of-life improvements which streamline the experience and improves the general presentation for a new generation of monster lovers. While some may find the graphics and sound too outdated to enjoy, players looking for a trip to the farm will find their plates very full.

Part of my muted reaction to Mistover is probably due to my inability to find a rogue-like that I actually enjoy. Borrowing so many mechanics from that type of game ensures Mistover isn’t going to capture my affections very well. Certain aspects are admirable and easy to appreciate without making me want to return to see what might await after the credits, which includes DLC for new foes and dungeons. Others in the potential audience will probably find it highly addictive.

The final word to describe Deiland the game is one that has been used several times already in this review: charming. Chibig has captured some of the charm and emotion to be found in the work of Antoine de St.-Exupery, mixed it with a blend of RPG and cultivation elements, and given the world another, smaller world to enjoy. Could it have been bigger? Yes. Could it have had more to it? Indubitably. But for what it is, Deiland is a nice diversion from heavier experiences in the genre, and that may well have been what the developers were aiming for.

There’s a solid narrative foundation that can be built upon in The Divine Force. D.U.M.A is an overall delight that provides the best aspects of the narrative as well as the most interesting features in combat and Bohld’or is an excellent antagonist that ties in perfectly to hammer home the intriguing themes. This foundation is weakened by the many gripes with the execution. For a game with the theme of evolution, many of the game’s systems are stuck in the past or never grew to be competent, creating an uneven experience that by the end makes it frustrating to finish.

Overall, I enjoyed much of my time with Drakengard 3, but I couldn't help think that it could have been improved in many ways.

For beast-slaying fans and non-fans alike, Toukiden should provide a decent amount of solid enjoyment, but likely won't stick in the memory for too long after.

On one hand, I am happy I finally got the chance to play System Shock, but the experience I had was mixed overall. While the storytelling, world-building, and environments were interesting and engaging, its gunplay, awkward UI, and unbalanced difficulty make the game hard to recommend outside of those who have already experienced it before. This remake retains a lot of old-school design choices but dresses them up in a new 3D outer shell, meaning it’s still the same game from 1994, for better or worse. Those who love challenging gameplay and don’t mind some stiff gunplay will find a lot to like here, but for first-timers, this game is not newcomer-friendly, and you’re better off tracking down a copy of Prey or BioShock which do a better job of being more inviting story-driven shooter experiences.

The plot is full of holes, inconsistencies, and unbelievable character actions and reactions. There are some creative moments late in the game where SMTIV presents the alignments and philosophies in a fascinating, new way, but for the most part the plot, characters, and morals fail to come together as part of a coherent setting.

Elden Ring Nightreign is not the most unusual game FromSoftware has released in its modern era, but it might be the most dense in terms of experimentation. In the spots where the team got to push at the boundaries of what its games are capable of, it’s easy to spot the new, exciting ideas at play. As a roguelike, it can’t quite support the variety expected of the genre. And yet, the core of FromSoftware’s combat is still strong enough that the game is still a blast with friends and so is still somewhat successful at what it sets out to achieve — just don’t expect it to be a big RPG.

Voice of Cards: The Isle Dragon Roars is an entertaining and creative diversion while it lasts. It certainly sets itself apart with relative ease but it does suffer a bit from diminishing returns. It’s by no means lacking in merit and feels like much could be built around its robust framework in the future. But it is an experience limited by its own arbitrary boundaries, like the negligible challenge and the disproportionate amount of time one will needlessly spend in repetitive battles for few worthwhile rewards, particularly once all skills have been learned and levels are maxed out. Still, there are many lovely ideas at work here, and the package in which they’re presented is even lovelier, leaving me eagerly looking forward to further tales of this style that can be told down the road.

It's the beginning of a potential series worth exploring further, but there is still plenty of work to be done to generate a property that deserves mention alongside the titles uninformed viewers have compared it to.

Shiness teases us with an adventure that is pure fun. The developers bring back much of the style from the early 90s games that inspired them, while successfully infusing the game with modern gameplay elements and mechanics. The world is engaging and the story presentation is great, complimented by a competent soundtrack, vivid visuals, and stylish manga-like cutscenes. The ideas behind the battle system are carefully architected and work wonderfully together to offer variety of play, action, and battle planning. Unfortunately the game seems to be a case where the realities of the world caught up with the developers' fantasy too soon. As a result, it fails to follow through on both its story and the promises of its combat system, and is marred by a lack of technical polish and bugs, leaving players with a distinctly average experience.

It provides a very enjoyable, if short, experience and offers the potential base for a good series if Arc System Works wants to take it to the next level.

All in all, Demon Gaze is a decent experience. It streamlines Wizardry-likes and provides a much more palatable experience.

Cyberpunk 2077 is currently a strange one to judge and though there are definitely those out there who will still get lots of enjoyment from the game in its current state, the caveats are major, especially for anyone playing on consoles. CD Projekt RED’s management has absolutely rushed it out before it was properly ready, and at this stage it’s very much a case of buyer beware. It’s clear that lots of effort has been put into creating Night City and the well-linked major gameplay systems, but even when putting the technical issues aside, it still feels much like many open-world games that have come before.

While Adventure Bar Story does have some rather large shortcomings, I cannot deny the amount of hours I sunk into the game, and the enjoyment it gave me.

While Final Fantasy Type-0 has a lot of problems, the game's focus on gameplay really works as that's its biggest strength.

If forced to choose between Seasons Of The Wolf and its predecessor, then Loren The Amazon Princess would get the nod purely for its more rewarding overall storyline and larger set of intriguing characters. However, Seasons Of The Wolf provides a decent follow-up, and those who have enjoyed Winter Wolves' previous excursions or other visual novels should find it well worth the fifteen to twenty hours it takes to get through.