For 4,546 reviews, this publication has graded:
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56% higher than the average critic
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3% same as the average critic
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41% lower than the average critic
On average, this publication grades 0.6 points higher than other critics.
(0-100 point scale)
Average Movie review score: 65
| Highest review score: | The Wolf of Wall Street | |
|---|---|---|
| Lowest review score: | Joe Versus the Volcano |
Score distribution:
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Positive: 2,929 out of 4546
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Mixed: 987 out of 4546
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Negative: 630 out of 4546
4546
movie
reviews
- By Date
- By Critic Score
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- Rolling Stone
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Reviewed by
Peter Travers
Playwright Stephen Belber (Match), in his directing debut, comes close to the sweet spot. He's not there yet. But he'll be worth watching next time.- Rolling Stone
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- Rolling Stone
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Peter Travers
Luna and García Bernal display the kind of chemistry that makes you overlook the clichés in the script by first-time director Carlos Cuarón. Sometimes good-natured fun is enough.- Rolling Stone
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Peter Travers
A burst of pure filmmaking exhilaration that manages to pay homage to the classic 1960s TV series and still boldly go where no man, William Shatner and Leonard Nimoy included, has gone before.- Rolling Stone
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Peter Travers
Even the great ones hit snags. With The Limits of Control, Jim Jarmsuch gets tangled up in his own deadpan.- Rolling Stone
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Reviewed by
Peter Travers
It's all a jumble and, worse, a damned impersonal one.- Rolling Stone
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Peter Travers
Never comes as close as spitting distance to a laugh.- Rolling Stone
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- Rolling Stone
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Reviewed by
Peter Travers
Memo to Beyoncé Knowles: You were so good as Etta James in "Cadillac Records," so why'd you go spoil everything with a rank cheeseball thriller that buries you in clichés and won't even help you dig yourself out?- Rolling Stone
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Peter Travers
In the end, The Soloist isn't about BIG MOMENTS, it's about the grace notes, the kind that stay with you.- Rolling Stone
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Reviewed by
Peter Travers
You won't know what hit you after watching Tyson. This power punch to the gut is one of the best movies of any kind this year.- Rolling Stone
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Peter Travers
Affleck may strike you as off-putting at first, hitting wrong emotional notes, but hang on. State of Play keeps the twists coming.- Rolling Stone
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Peter Travers
Director Burr Steers, of the terrific "Igby Goes Down," is stuck polishing clichès.- Rolling Stone
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Peter Travers
A thrilling combination of documentary and musical dazzler.- Rolling Stone
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Peter Travers
Blending humor and heartbreak in a performance that makes a small movie a richly satisfying one, Caine truly is magic.- Rolling Stone
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Peter Travers
Want to find the heart of rock & roll? You can hear it thundering in Anvil.- Rolling Stone
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Peter Travers
The most shocking thing here is the fact that Peter Chelsom directed it. His 1995 movie, "Funny Bones," is a genuinely transgressive piece of dark comedy. I can't detect a trace of Chelsom in Hannah Montana, which means he won't have to wear a blonde wig to hide his shame.- Rolling Stone
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- Rolling Stone
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- Rolling Stone
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Peter Travers
Adventureland throws a lot at us, but not enough of it sticks.- Rolling Stone
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- Rolling Stone
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Peter Travers
I can see why Fast and Furious might be a smash as audiences look for escape from a broken economy. All those wheelies and power slides are designed to obliterate thought, not provoke it. Talk about a movie for its time.- Rolling Stone
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Peter Travers
"WALL-E" had more charm, more soul, more everything. But there's enough merry mischief here to satisfy, even if you’re way past puberty.- Rolling Stone
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Peter Travers
The movie goes soft in its final stages, but Rudd and Segel keep it real. "Sweet, sweet hangin'," says Peter of knowing Sydney. The same goes for the movie.- Rolling Stone
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Peter Travers
Given the assault of devilishly clever plot twists that buzz-bomb your brain like a two-hour binge of quad-shot lattes, Duplicity goes down as too smart for its own good.- Rolling Stone
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Peter Travers
This funny and touching movie depends on two can-do actresses to scrub past the biohazard of noxious clichés that threaten to intrude. Adams and Blunt get the job done.- Rolling Stone
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Peter Travers
Audiences with a brain cell left have only one choice: Look for the first exit on the right.- Rolling Stone
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Peter Travers
Stumbles and sometimes falls on its top-heavy ambitions. But there are also flashes of visual brilliance and performances, especially from Haley and Crudup, that drill deep into the novel's haunted soul.- Rolling Stone
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Peter Travers
Let Clarkson and Fanning take you to the rabbit hole of seductive enchantment that defines this movie. And don't ask what to do -- jump.- Rolling Stone
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