For 4,534 reviews, this publication has graded:
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56% higher than the average critic
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3% same as the average critic
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41% lower than the average critic
On average, this publication grades 0.6 points higher than other critics.
(0-100 point scale)
Average Movie review score: 65
| Highest review score: | The Wolf of Wall Street | |
|---|---|---|
| Lowest review score: | Joe Versus the Volcano |
Score distribution:
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Positive: 2,923 out of 4534
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Mixed: 982 out of 4534
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Negative: 629 out of 4534
4534
movie
reviews
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- By Critic Score
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Reviewed by
Peter Travers
The heart of the movie is really in Jasira's moments with her father, a mass of contradictions that Macdissi plays with comic ferocity and genuine feeling.- Rolling Stone
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Peter Travers
It's Coogan's breakthrough star performance that holds it all together. He's sensational.- Rolling Stone
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Reviewed by
Peter Travers
Lessin and Deal have made Trouble the Water a spellbinder you do not want to miss.- Rolling Stone
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- Rolling Stone
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Reviewed by
Peter Travers
A knockout of a comedy that keeps you laughing constantly. It's also killer smart, lacing combustible action with explosive gags.- Rolling Stone
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- Rolling Stone
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Peter Travers
It's a winner. And not just for oenophiles. Director Randall Miller, who co-wrote the script with his wife Jody Savin, keeps the plot brimming with spirit and wit.- Rolling Stone
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Reviewed by
Peter Travers
The new Mummy is, how can I put it? Just freakin' awful.- Rolling Stone
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Reviewed by
Peter Travers
In not knowing who it needs to please, I Want to Believe pleases no one.- Rolling Stone
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Reviewed by
Peter Travers
Starting at infantile and regressing hysterically from there, Step Brothers flies on the comic chemistry of Will Ferrell and John C. Reilly.- Rolling Stone
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Peter Travers
Reality tv, welcome to the multiplex. If "The Hills" went back to high school and developed wit, perception and a conscience, it might play something like Nanette Burstein's wallop of a doc.- Rolling Stone
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Peter Travers
No fair giving away the mysteries of The Dark Knight. It's enough to marvel at the way Nolan -- a world-class filmmaker, be it "Memento," "Insomnia" or "The Prestige" -- brings pop escapism whisper-close to enduring art.- Rolling Stone
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Peter Travers
Meryl Streep can do anything: sing, dance, do splits, act her heart out. She (almost) saves this clumsy, overwrought film version of the Abba musical that's been running on stages from Broadway to Barcelona since 1999.- Rolling Stone
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Peter Travers
A surprise package of fun, fright and untamed imagination.- Rolling Stone
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Reviewed by
Peter Travers
I don't know if 3-D could improve all movies (nothing could make "The Love Guru" funny) but it sure works here.- Rolling Stone
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Peter Travers
Murphy, teaming again with his "Norbit" director Brian Robbins, is assuming we'll all line up for lazyass toilet jokes and pay for the privilege. Prove him wrong, people, please.- Rolling Stone
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Peter Travers
Johnny Depp, who paid for the 2005 funeral in which Thompson's ashes were fired out of a cannon, narrates with just the right mix of awe and impertinence.- Rolling Stone
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- Rolling Stone
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Peter Travers
Bateman doesn't make a false move, and a stellar Charlize Theron springs her own bolts from the blue as Ray's wife. As for Smith, he's on fire. There's nothing like a star shining on his highest beams. You follow him anywhere.- Rolling Stone
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Peter Travers
The movie brims over with action -- check out Alex's run through traffic on the Paris beltway -- but Canet scores a triumph by plumbing the violence of the mind.- Rolling Stone
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Peter Travers
You leave WALL-E with a feeling of the rarest kind: that you've just enjoyed a close encounter with an enduring classic.- Rolling Stone
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Peter Travers
Brutal, sexy, built to thrill and minus a scintilla of redeeming social value, the movie -- based on a series of comic books by Mark Millar and J.G. Jones -- explodes like summer fireworks.- Rolling Stone
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Peter Travers
Director Peter Segal ups the ante on the action, aiming for Bourne more than Bond, but the stunts grow frenzied and increasingly flat.- Rolling Stone
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Peter Travers
Ninety minutes pass like an eternity. Verdict: Down for the count.- Rolling Stone
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Peter Travers
Film critics have been asked to say as little as possible about M. Night Shyamalan's new scare film about the perils of messing with Mother Nature. Fair enough. But I will say this: It's not happening.- Rolling Stone
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Peter Travers
The final confrontation between the Hulk and Blonsky, now the roaring Abomination, is like the clash of Downey and Bridges in "Iron Man," only not as exciting.- Rolling Stone
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Peter Travers
You wind up caring deeply about the affair that began in the 1950s between American teenager Don Bachardy and three-decades-older Christopher Isherwood, the noted British author whose "Berlin Stories" inspired "Cabaret."- Rolling Stone
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Peter Travers
By the end of the film, the cliché of everybody getting along is reduced to both sides working together in the ultimate monument to capitalism: a mall. Some message.- Rolling Stone
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Peter Travers
Director-writer Martin Hynes shapes his first movie into something emotionally truthful, painfully funny and vibrantly alive. It's a near-perfect road movie, since you don't want the ride to end.- Rolling Stone
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Peter Travers
This gut punch of a documentary will knock you for a loop. File it under "no good deed goes unpunished."- Rolling Stone
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