For 4,546 reviews, this publication has graded:
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56% higher than the average critic
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3% same as the average critic
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41% lower than the average critic
On average, this publication grades 0.6 points higher than other critics.
(0-100 point scale)
Average Movie review score: 65
| Highest review score: | The Wolf of Wall Street | |
|---|---|---|
| Lowest review score: | Joe Versus the Volcano |
Score distribution:
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Positive: 2,929 out of 4546
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Mixed: 987 out of 4546
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Negative: 630 out of 4546
4546
movie
reviews
- By Date
- By Critic Score
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Reviewed by
Peter Travers
Enjoying this wondrous wisp of a something is easy, describing it is hard. Luckily, Charlyne Yi is an enchantress.- Rolling Stone
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Peter Travers
It's the work of a major talent. Apatow scores by crafting the film equivalent of a stand-up routine that encompasses the joy, pain, anger, loneliness and aching doubt that go into making an audience laugh.- Rolling Stone
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Reviewed by
Peter Travers
The Cove plays like a thriller. It has the breathless pace of a "Bourne" movie, but none of the comfort of fiction. This is documentary filmmaking at its most exciting and purposeful.- Rolling Stone
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Peter Travers
Laugh you will, loud and often. In the Loop deserves to be a sleeper hit. The whole cast is stellar. And it proves that smart and funny can exist in the same movie, even in summer.- Rolling Stone
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Reviewed by
Peter Travers
Toss this ugly-ass crap to the curb, along with the other multiplex garbage, and see a romance that gets it right. I'm talking "(500) Days of Summer."- Rolling Stone
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Reviewed by
Peter Travers
A different kind of love story: an honest one that takes a piece out of you.- Rolling Stone
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Peter Travers
Getting lost in the hypnotic Half-Blood Prince is what gives the movie its haunting power.- Rolling Stone
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Peter Travers
You'll hoot and holler as it strips down its targets and sticks it to them, hardcore. Baron Cohen is the pure, untamed id of movie comedy.- Rolling Stone
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Reviewed by
Peter Travers
Aiming for the heartfelt hilarity of "Superbad," I Love You, Beth Cooper is just super bad.- Rolling Stone
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Reviewed by
Peter Travers
Public Enemies comes at you like Dillinger did: all of a sudden. It's movie dynamite.- Rolling Stone
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Reviewed by
Peter Travers
Here's the Iraq War movie for those who don't like Iraq War movies.- Rolling Stone
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Peter Travers
The infuriating cop–out ending reduces the premise to mush. I wanted to scream. Here goes: Arghh!- Rolling Stone
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Peter Travers
With Pfeiffer, 50, radiating uncommon beauty, grace and feeling, Frears uncovers a fragile story's grieving heart.- Rolling Stone
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Peter Travers
Transformers 2 has a shot at the title Worst Movie of the Decade.- Rolling Stone
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Reviewed by
Peter Travers
Whatever Works feels like something out of time and, worse, out of step. Hell, Allen wrote the script back in the 1970s for Zero Mostel.- Rolling Stone
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- Rolling Stone
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Reviewed by
Peter Travers
If you tamp down your expectations -- those gaping plot holes are dangerous! -- there is a storm of scary fun to be had in this Scandinavian splatterfest.- Rolling Stone
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Peter Travers
Moon is a potent provocation that relies on ideas instead of computer tricks to stir up excitement.- Rolling Stone
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Peter Travers
Eating can be one dangerous business. Don't take another bite till you see Robert Kenner's Food, Inc., an essential, indelible documentary that is scarier than anything in the last five Saw horror shows.- Rolling Stone
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- Rolling Stone
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Reviewed by
Peter Travers
The Hangover ain't art, but Phillips has shaped the hardcore hilarity into the summer party movie of all our twisted dreams.- Rolling Stone
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Peter Travers
Rudolph, a comic force on "SNL," can speak volumes with the tilt of an eyebrow. She and Krasinski, of "The Office," are absolutely extraordinary. Ditto the film, which sneaks up and floors you.- Rolling Stone
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Peter Travers
Will Ferrell and Danny McBride can find the dumb fun in anything. Too bad that Land of the Lost is so much less than anything.- Rolling Stone
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- Rolling Stone
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- Rolling Stone
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Reviewed by
Peter Travers
Stylishly shot on the high-def cheap, runs 77 potently sexless minutes. Its subject isn't erotica, it's commodities trading.- Rolling Stone
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Peter Travers
Director Stephan Elliott uncorks a rare vintage of laughs tinged with heartache.- Rolling Stone
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Peter Travers
The money shots of the living tableau are padded with jokes that feel embalmed before the actors get them out of their mouths.- Rolling Stone
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Peter Travers
Bale even cedes the juiciest part to Aussie newcomer Sam Worthington, who is star material as a machine with a conscience. T4 is a mixed bag, but it's not f***ing amateur.- Rolling Stone
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Peter Travers
Writer-director Olivier Assayas crafts a near perfect blend of humor and heartbreak, a lyrical masterwork that measures loss in terms practical and evanescent.- Rolling Stone
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