For 4,534 reviews, this publication has graded:
-
56% higher than the average critic
-
3% same as the average critic
-
41% lower than the average critic
On average, this publication grades 0.6 points higher than other critics.
(0-100 point scale)
Average Movie review score: 65
| Highest review score: | The Wolf of Wall Street | |
|---|---|---|
| Lowest review score: | Joe Versus the Volcano |
Score distribution:
-
Positive: 2,923 out of 4534
-
Mixed: 982 out of 4534
-
Negative: 629 out of 4534
4534
movie
reviews
- By Date
- By Critic Score
-
-
Reviewed by
Peter Travers
The infuriating cop–out ending reduces the premise to mush. I wanted to scream. Here goes: Arghh!- Rolling Stone
- Read full review
-
Reviewed by
-
-
Reviewed by
Peter Travers
With Pfeiffer, 50, radiating uncommon beauty, grace and feeling, Frears uncovers a fragile story's grieving heart.- Rolling Stone
- Read full review
-
Reviewed by
-
-
Reviewed by
Peter Travers
Transformers 2 has a shot at the title Worst Movie of the Decade.- Rolling Stone
- Read full review
-
Reviewed by
-
-
Reviewed by
Peter Travers
Whatever Works feels like something out of time and, worse, out of step. Hell, Allen wrote the script back in the 1970s for Zero Mostel.- Rolling Stone
- Read full review
-
Reviewed by
-
- Rolling Stone
- Read full review
-
-
Reviewed by
Peter Travers
If you tamp down your expectations -- those gaping plot holes are dangerous! -- there is a storm of scary fun to be had in this Scandinavian splatterfest.- Rolling Stone
- Read full review
-
Reviewed by
-
-
Reviewed by
Peter Travers
Moon is a potent provocation that relies on ideas instead of computer tricks to stir up excitement.- Rolling Stone
- Read full review
-
Reviewed by
-
-
Reviewed by
Peter Travers
Eating can be one dangerous business. Don't take another bite till you see Robert Kenner's Food, Inc., an essential, indelible documentary that is scarier than anything in the last five Saw horror shows.- Rolling Stone
- Read full review
-
Reviewed by
-
- Rolling Stone
- Read full review
-
-
Reviewed by
Peter Travers
The Hangover ain't art, but Phillips has shaped the hardcore hilarity into the summer party movie of all our twisted dreams.- Rolling Stone
- Read full review
-
Reviewed by
-
-
Reviewed by
Peter Travers
Rudolph, a comic force on "SNL," can speak volumes with the tilt of an eyebrow. She and Krasinski, of "The Office," are absolutely extraordinary. Ditto the film, which sneaks up and floors you.- Rolling Stone
- Read full review
-
Reviewed by
-
-
Reviewed by
Peter Travers
Will Ferrell and Danny McBride can find the dumb fun in anything. Too bad that Land of the Lost is so much less than anything.- Rolling Stone
- Read full review
-
Reviewed by
-
- Rolling Stone
- Read full review
-
- Rolling Stone
- Read full review
-
-
Reviewed by
Peter Travers
Stylishly shot on the high-def cheap, runs 77 potently sexless minutes. Its subject isn't erotica, it's commodities trading.- Rolling Stone
- Read full review
-
Reviewed by
-
-
Reviewed by
Peter Travers
Director Stephan Elliott uncorks a rare vintage of laughs tinged with heartache.- Rolling Stone
- Read full review
-
Reviewed by
-
-
Reviewed by
Peter Travers
The money shots of the living tableau are padded with jokes that feel embalmed before the actors get them out of their mouths.- Rolling Stone
- Read full review
-
Reviewed by
-
-
Reviewed by
Peter Travers
Bale even cedes the juiciest part to Aussie newcomer Sam Worthington, who is star material as a machine with a conscience. T4 is a mixed bag, but it's not f***ing amateur.- Rolling Stone
- Read full review
-
Reviewed by
-
-
Reviewed by
Peter Travers
Writer-director Olivier Assayas crafts a near perfect blend of humor and heartbreak, a lyrical masterwork that measures loss in terms practical and evanescent.- Rolling Stone
- Read full review
-
Reviewed by
-
- Rolling Stone
- Read full review
-
-
Reviewed by
Peter Travers
Playwright Stephen Belber (Match), in his directing debut, comes close to the sweet spot. He's not there yet. But he'll be worth watching next time.- Rolling Stone
- Read full review
-
Reviewed by
-
- Rolling Stone
- Read full review
-
-
Reviewed by
Peter Travers
Luna and García Bernal display the kind of chemistry that makes you overlook the clichés in the script by first-time director Carlos Cuarón. Sometimes good-natured fun is enough.- Rolling Stone
- Read full review
-
Reviewed by
-
-
Reviewed by
Peter Travers
A burst of pure filmmaking exhilaration that manages to pay homage to the classic 1960s TV series and still boldly go where no man, William Shatner and Leonard Nimoy included, has gone before.- Rolling Stone
- Read full review
-
Reviewed by
-
-
Reviewed by
Peter Travers
Even the great ones hit snags. With The Limits of Control, Jim Jarmsuch gets tangled up in his own deadpan.- Rolling Stone
- Read full review
-
Reviewed by
-
-
Reviewed by
Peter Travers
It's all a jumble and, worse, a damned impersonal one.- Rolling Stone
- Read full review
-
Reviewed by
-
-
Reviewed by
Peter Travers
Never comes as close as spitting distance to a laugh.- Rolling Stone
- Read full review
-
Reviewed by
-
- Rolling Stone
- Read full review
-
-
Reviewed by
Peter Travers
Memo to Beyoncé Knowles: You were so good as Etta James in "Cadillac Records," so why'd you go spoil everything with a rank cheeseball thriller that buries you in clichés and won't even help you dig yourself out?- Rolling Stone
- Read full review
-
Reviewed by
-
-
Reviewed by
Peter Travers
In the end, The Soloist isn't about BIG MOMENTS, it's about the grace notes, the kind that stay with you.- Rolling Stone
- Read full review
-
Reviewed by