For 4,534 reviews, this publication has graded:
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56% higher than the average critic
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3% same as the average critic
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41% lower than the average critic
On average, this publication grades 0.6 points higher than other critics.
(0-100 point scale)
Average Movie review score: 65
| Highest review score: | The Wolf of Wall Street | |
|---|---|---|
| Lowest review score: | Joe Versus the Volcano |
Score distribution:
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Positive: 2,923 out of 4534
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Mixed: 982 out of 4534
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Negative: 629 out of 4534
4534
movie
reviews
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- By Critic Score
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Reviewed by
Peter Travers
If you're like me, diluted Smith is still better than no Smith at all.- Rolling Stone
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- Rolling Stone
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Peter Travers
DiCaprio, in his most haunting and emotionally complex performance yet, is the vessel Scorsese uses to lead us through the film’s labyÂrinth.- Rolling Stone
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Peter Travers
All credit to a finely tuned Brosnan for packing so much intensity and wayward wit into his scenes with McGregor. Their verbal duels make for a dazzling game of cat-and-mouse.- Rolling Stone
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Peter Travers
What have you done to The Wolfman, Hollywood? It’s got no kick to it. No fun either. And no real scares, which is more unforgivable.- Rolling Stone
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- Rolling Stone
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Reviewed by
Peter Travers
As for the ladies who think any kind of chick flick is preferable to football, be careful what you wish for.- Rolling Stone
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Reviewed by
Peter Travers
Has no vital signs at all, just crushing dull repetition that makes one noisy, violent scene play exactly like the last one.- Rolling Stone
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Peter Travers
Gibson's acting has deepened. Too bad his comeback vehicle springs so many leaks.- Rolling Stone
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Peter Travers
First-time director and screenwriter Hue Rhodes shows no discernible talent for dialogue, humor and, especially, pacing.- Rolling Stone
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Peter Travers
This one means well, a kiss-of-death review if there ever was one.- Rolling Stone
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Peter Travers
The Book of Eli isn't as exciting or funny or inspiring as it wants and needs to be, and its preachy ending is an ordeal. But Washington, a movie star who can act, is one cool dude who is worth following anywhere.- Rolling Stone
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Peter Travers
There's a difference between exposing misogyny and crassly exploiting it.- Rolling Stone
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Peter Travers
While you're remembering new high-impact names, add Arnold. In only her second film, after 2006's "Red Road," she keeps the screen filled to bursting with the beauty and raw terror of life.- Rolling Stone
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Peter Travers
Daybreakers, despite the star presence of Ethan Hawke and Willem Dafoe, is a B movie, with all the disreputable low rent, lowbrow pleasures that implies. I'll take that over pompous any day.- Rolling Stone
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Peter Travers
It's a bitch telling a coming-of-age story minus clichés and sappiness. So Youth in Revolt, with Michael Cera in his best performance yet, is a small miracle.- Rolling Stone
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Peter Travers
Allen screws up his directing debut with a script that smothers his wit in a blanket of bland.- Rolling Stone
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Peter Travers
This haunting film never pushes itself on you. It trusts you to suss out the horror that lies beneath the veneer of innocence. You'll be knocked for a loop.- Rolling Stone
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Peter Travers
Ritchie is all about the whooshing and headbanging, leaving no space between Holmes' words to savor their meaning. Downey is irresistible. The movie, not so much.- Rolling Stone
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Peter Travers
You don't have to feel guilty for lapping up this froth. Just don't expect nourishment.- Rolling Stone
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Peter Travers
Despite a shaky framework, the magic works. It's a chance to see Ledger one last time in the act of doing what he loved. Take it.- Rolling Stone
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- Rolling Stone
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Peter Travers
Rob Marshall's flawed but frequently dazzling Nine is a hot-blooded musical fantasia full of song, dance, raging emotion and simmering sexuality.- Rolling Stone
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Peter Travers
Even when you know what's coming, Crazy Heart haunts you like a classic country song. It's a mesmerizer. So is Bad Blake. This dude also abides.- Rolling Stone
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Peter Travers
All this is conveyed in the remarkable performance of Ronan, an Oscar nominee for Atonement. She and Tucci -- magnificent as a man of uncontrollable impulses -- help Jackson cut a path to a humanity that supersedes life and death.- Rolling Stone
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Peter Travers
Eastwood's modest approach to these momentous events shames the usual Hollywood showboating. In a rare achievement, he's made a film that truly is good for the soul.- Rolling Stone
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Peter Travers
The film belongs to Firth. Uncanny at showing the heart crumbling under George's elegant exterior, he gives the performance of his career.- Rolling Stone
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- Rolling Stone
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Peter Travers
No trite, tear-jerking cliché goes undrooled in the script by director Kirk Jones.- Rolling Stone
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Peter Travers
The film itself, energetically directed and written by Michael Hoffman, can't always rise to the level of its two dynamo stars.- Rolling Stone
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