For 4,534 reviews, this publication has graded:
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56% higher than the average critic
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3% same as the average critic
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41% lower than the average critic
On average, this publication grades 0.6 points higher than other critics.
(0-100 point scale)
Average Movie review score: 65
| Highest review score: | The Wolf of Wall Street | |
|---|---|---|
| Lowest review score: | Joe Versus the Volcano |
Score distribution:
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Positive: 2,923 out of 4534
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Mixed: 982 out of 4534
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Negative: 629 out of 4534
4534
movie
reviews
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- By Critic Score
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Reviewed by
Peter Travers
The movie crawls hypnotically into the skin of this global assassin and astonishes you with its brazenly violent and sexual audacity.- Rolling Stone
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Reviewed by
Peter Travers
This is crap as we know it, a 113 minute package of romcom suck.- Rolling Stone
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Reviewed by
Peter Travers
I don't blame you for backing off a movie that focuses on a suicidal teen who learns warm life lessons by spending five days in a Brooklyn hospital's psych ward. Stop worrying. It's Kind of a Funny Story, based on Ned Vizzini's semiautobiographical novel, breaks the jinx.- Rolling Stone
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Reviewed by
Peter Travers
If it's hip to be square, then this racehorse movie is the ultimate in cornball cool.- Rolling Stone
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Reviewed by
Peter Travers
Johnson doesn't resemble, much less embody, Lennon, but he does catch his distinctive glint of mischief tinged with pain. Duff and Scott Thomas are both exceptional, revealing how John's relationship with these two clashing sisters marked his character.- Rolling Stone
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Reviewed by
Peter Travers
Keep your eyes on Garfield - he's shatteringly good, the soul of a film that might otherwise be without one. The Social Network is the movie of the year. But Fincher and Sorkin triumph by taking it further. Lacing their scathing wit with an aching sadness, they define the dark irony of the past decade.- Rolling Stone
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Reviewed by
Peter Travers
Reeves plugs in a live wire to play Abby, the girl vampire who's been 12 for, well, a very long time. That would be Chloë Grace Moretz, an acting dynamo (see Kick-Ass) whose mesmerizing performance goes deep.- Rolling Stone
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Reviewed by
Peter Travers
Maybe money never sleeps, but this missed opportunity of a movie will have audiences dozing.- Rolling Stone
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Reviewed by
Peter Travers
Ninety minutes of being buried alive with Ryan Reynolds: Didn't we all suffer that in "The Proposal"?- Rolling Stone
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Reviewed by
Peter Travers
This movie isn't just a necessity (listen up, do-nothing politicians) - it might change your future.- Rolling Stone
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Peter Travers
Affleck and Hall make this unlikely love story palpably moving. And Renner (The Hurt Locker) is dynamite - he radiates ferocity and feeling.- Rolling Stone
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Peter Travers
There's more killer suspense and shocking intimacy in this one-of-a-kind documentary than you'll find in a dozen thrillers. You'll laugh hard and cry too.- Rolling Stone
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Peter Travers
The jokes are hit-and-miss. But Stone is one sassy babe and a breakout star who nails every zinger and brings genuine warmth to her scenes with her parents, played by the priceless Patricia Clarkson and Stanley Tucci. You mean girls can eat it.- Rolling Stone
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Reviewed by
Peter Travers
The movie stays alert to the dreams and disappointments of four average people on an emotional roller coaster. It's a sublimely acted movie, hilarious and heartfelt.- Rolling Stone
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Reviewed by
Peter Travers
The melancholy attached to the impermanence of life and love suffuses this film, making it memorably haunting and hypnotic.- Rolling Stone
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Reviewed by
Peter Travers
Affleck's provocative, postmodern take on JP as half-joke, half-victim is the damnedest plunge into the dark heart of our "reality" culture since Sacha Baron Cohen invented Borat.- Rolling Stone
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Reviewed by
Peter Travers
I wanted Paquin, who deserves better than this, to call on her vampire pals from "True Blood" and yell, "sic em!" Oh wait, they're already bloodless.- Rolling Stone
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Peter Travers
This unholy mess replaces the artful ambition of "The American" with torture, blood spray, kinky sex, twisted fun and a bizarro critique of U.S. policy on illegal immigration.- Rolling Stone
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Reviewed by
Peter Travers
A sappy-sweet romcom that seems to have been invaded by a screenwriter - one Geoff LaTulippe - with delusions that he's David Mamet.- Rolling Stone
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Peter Travers
Some may enjoy the slapstick, which plays like "Harold & Kumar Go to Old Peking," but this bloodless Coen crib job is simply not my cup of noodles.- Rolling Stone
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Peter Travers
It's a tale so used, abused and broken you can hear it wheezing.- Rolling Stone
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Peter Travers
For a movie made from spare parts - take "The Exorcist" and attach to "The Blair Witch Project" and "Paranormal Activity" - The Last Exorcism delivers the heebie-jeebie goods.- Rolling Stone
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- Rolling Stone
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Reviewed by
Peter Travers
This documentary succeeds triumphantly on so many levels that its full impact doesn't hit you until you have time to register its aftershocks.- Rolling Stone
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Reviewed by
Peter Travers
Piranha 3D ends the summer on a note of shamelessly entertaining B movie bottomfeeding.- Rolling Stone
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Reviewed by
Peter Travers
Scott Pilgrim is a breathless rush of a movie that jumps off the screen, spins your head around and then stealthily works its way into your heart.- Rolling Stone
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Peter Travers
So why oh why is The Expendables such a limp-dick bust? Because Stallone forgets to include non-spazzy direction, a coherent plot, dialogue that actors can speak without cringing, stunts that don't fizzle, blood that isn't digital and an animating spirit that might convince us to give a damn.- Rolling Stone
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Reviewed by
Peter Travers
The movie left me with the feeling of being trapped with a person of privilege who won't stop with the whine whine whine.- Rolling Stone
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Reviewed by
Peter Travers
Writer-director David Michôd catches you in a vise and squeezes - hard.- Rolling Stone
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Reviewed by
Peter Travers
Ferrell is effortlessly uproarious. And watching hardass Wahlberg, in his first starring shot at farce, shake his sillies out is not to be missed.- Rolling Stone
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