Rolling Stone's Scores

For 4,546 reviews, this publication has graded:
  • 56% higher than the average critic
  • 3% same as the average critic
  • 41% lower than the average critic
On average, this publication grades 0.6 points higher than other critics. (0-100 point scale)
Average Movie review score: 65
Highest review score: 100 The Wolf of Wall Street
Lowest review score: 0 Joe Versus the Volcano
Score distribution:
4546 movie reviews
  1. Despite a shaky framework, the magic works. It's a chance to see Ledger one last time in the act of doing what he loved. Take it.
  2. You don't have to feel guilty for lapping up this froth. Just don't expect nourishment.
  3. Tone-deaf but thunderously exciting.
  4. Rob Marshall's flawed but frequently dazzling Nine is a hot-blooded musical fantasia full of song, dance, raging emotion and simmering sexuality.
  5. Even when you know what's coming, Crazy Heart haunts you like a classic country song. It's a mesmerizer. So is Bad Blake. This dude also abides.
  6. Eastwood's modest approach to these momentous events shames the usual Hollywood showboating. In a rare achievement, he's made a film that truly is good for the soul.
  7. All this is conveyed in the remarkable performance of Ronan, an Oscar nominee for Atonement. She and Tucci -- magnificent as a man of uncontrollable impulses -- help Jackson cut a path to a humanity that supersedes life and death.
  8. The film belongs to Firth. Uncanny at showing the heart crumbling under George's elegant exterior, he gives the performance of his career.
  9. One-word reaction: bravo.
  10. The film itself, energetically directed and written by Michael Hoffman, can't always rise to the level of its two dynamo stars.
  11. No trite, tear-jerking cliché goes undrooled in the script by director Kirk Jones.
  12. In this haunting portrait of America as no country for old men or young, Hillcoat -- through the artistry of Mortensen and Smit-McPhee -- carries the fire of our shared humanity and lets it burn bright and true.
  13. What do you say about a movie that proves Zac Efron can act, introduces a master thespian in Christian McKay and launches a charm assault that is damn near irresistible? I say, see it.
  14. Any resemblance between this Bad Lieutenant and the 1992 Abel Ferrara landmark is purely in the head of the dude who thought up the title.
  15. Cruz exudes a sensual aura of mystery that holds you spellbound. And Almodóvar, a true poet of cinema, creates images -- horrifying and healing -- that live inside your head like a waking dream. You want to miss a movie like that? I didn’t think so.
  16. Ever since "True Blood" glamoured me, Twilight seems even more sexless and toothless. I prefer my undead with a little life in them.
  17. An adventure in pure imagination that plays to the smart kid in all of us.
  18. Beware 2012, which works the dubious miracle of almost matching "Transformers 2" for sheer, cynical, mind-numbing, time-wasting, money-draining, soul-sucking stupidity.
  19. Its truths are personal. It means to shake you. And does.
  20. The boat nearly sinks from character overload, and Curtis brakes when you most want him to gun it. But there’s no denying the comic energy of the cast.
  21. Claireece "Precious" Jones, played by Gabourey Sidibe, 24, in an astounding debut that brims with grit and amazing grace.
  22. The go-for-broke performances help make all this paranormal activity too much fun to care.
  23. What a shame that Kelly's pacing doesn't run as fast as his imagination. Instead of sweeping you along, The Box just sits there like something unclaimed at lost and found. Damaged goods.
  24. Watching his struggle is illuminating, unnerving and unforgettable.
  25. Depending on your reaction to the cinematic outrages perpetrated by Danish director Lars von Trier (remember Dogville?), you might want to add or subtract two stars from the halfway (half-assed?) rating I just gave Antichrist.
  26. There’s not a real or spontaneous minute in it.
  27. Jammed with story threads that don’t cohere, Cirque commits the cardinal sin for a vampire movie: It’s bloodless.
  28. Jonze has filmed a fantasy as if it were absolutely real, allowing us to see the world as Max sees it, full of beauty and terror. The brilliant songs, by Karen O (of the Yeah Yeah Yeahs) and the Kids, enhance the film's power.
  29. Jeez, did the "surprise" climax have to be this eye-rollingly stupid?
  30. An Education is remarkable for the traps it doesn't fall into. Jenny, for all her naive impulses, isn't a victim.

Top Trailers