For 4,534 reviews, this publication has graded:
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56% higher than the average critic
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3% same as the average critic
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41% lower than the average critic
On average, this publication grades 0.6 points higher than other critics.
(0-100 point scale)
Average Movie review score: 65
| Highest review score: | The Wolf of Wall Street | |
|---|---|---|
| Lowest review score: | Joe Versus the Volcano |
Score distribution:
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Positive: 2,923 out of 4534
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Mixed: 982 out of 4534
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Negative: 629 out of 4534
4534
movie
reviews
- By Date
- By Critic Score
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Reviewed by
Peter Travers
Ferrell delivers a performance of implosive intensity that rings true in every detail.- Rolling Stone
- Posted May 12, 2011
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Reviewed by
Peter Travers
Kristen Wiig is an indisputable goddess of comedy. And this rowdy fem-friendship movie she stars in and wrote with Annie Mumolo is infused with the Wiig brand of wicked mischief.- Rolling Stone
- Posted May 12, 2011
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Peter Travers
The half-star rating goes to John Krasinski for heroically rising above this vile dung heap of a movie.- Rolling Stone
- Posted May 5, 2011
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Peter Travers
Moralists, beware. Hobo looks like a garish cartoon puked up by a filmmaker overstuffed with cheap thrills and celluloid scuzz. What's not to like?- Rolling Stone
- Posted May 5, 2011
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Peter Travers
The Beaver, directed by Jodie Foster from a script by fearless first-timer Kyle Killen, is operating on a plane far above multiplex formula. This flawed but heartfelt movie has the power to sneak up and floor you.- Rolling Stone
- Posted May 5, 2011
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Peter Travers
Hemsworth, an Aussie actor with a vocal command to match his heaving brawn, doesn't just play the role, he owns it. I'm expecting both sexes will feel his impact.- Rolling Stone
- Posted May 5, 2011
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Reviewed by
Peter Travers
Fast Five will push all your action buttons, and some you haven't thought of. So what if you hate yourself in the morning.- Rolling Stone
- Posted Apr 28, 2011
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- Rolling Stone
- Posted Apr 28, 2011
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Peter Travers
A devastating mystery thriller from Quebec filmmaker Denis Villeneuve that grabs you hard and won't let go.- Rolling Stone
- Posted Apr 21, 2011
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Peter Travers
A brightly-colored, dizzying pinwheel of 3D animation in which nothing much happens. Sounds like summer is here early.- Rolling Stone
- Posted Apr 21, 2011
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Peter Travers
Spurlock says he's not selling out, he's buying in. I'm buying into Spurlock. As ever, he makes you laugh till it hurts.- Rolling Stone
- Posted Apr 21, 2011
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Peter Travers
It's all in the telling. Gruen provided grit and pungent detail. The movie settles for gloss.- Rolling Stone
- Posted Apr 21, 2011
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Peter Travers
Between a diabolically funny start and a surprise climax, Scream 4 offers nothing more than a series of gory deaths that grow tiresome with repetition. The rating is a hard R, but Craven and Williamson keep it soft at its core. "Scream 1" is still the only keeper.- Rolling Stone
- Posted Apr 15, 2011
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Peter Travers
Who's the idiot responsible for this fiasco? You can't blame the Tea Party, an organization of 9 million that the film's producers are exploiting to get butts into seats. There's an object lesson in objectivism for you.- Rolling Stone
- Posted Apr 15, 2011
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Peter Travers
The film pivots on McAvoy's powerfully implosive performance as a man trying to grow beyond his own prejudices. His scenes with Wright, under Redford's nuanced guidance, give this film its timely resonance and its grieving heart.- Rolling Stone
- Posted Apr 15, 2011
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Peter Travers
Reichardt has crafted a haunted dream of a movie to get lost in.- Rolling Stone
- Posted Apr 7, 2011
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- Rolling Stone
- Posted Apr 7, 2011
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Peter Travers
Gordon, who died shortly after the first Arthur, never had to see the luckless 1988 sequel that made his beloved characters seem like strangers. The new Arthur, insipid when it should be infectious, leaves the same deadly impression.- Rolling Stone
- Posted Apr 7, 2011
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Peter Travers
As Hanna confronts her past, the movie becomes like nothing you've ever seen. I'd call it a knockout.- Rolling Stone
- Posted Apr 7, 2011
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- Rolling Stone
- Posted Mar 31, 2011
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Reviewed by
Peter Travers
Working from a tight script by Ben Ripley, Jones creates scary, hairy, high-octane tension. Disbelief? Suspended, until the logic lapses kick in later. It's a small price to pay for a ride that starts at wild and accelerates from there.- Rolling Stone
- Posted Mar 31, 2011
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Peter Travers
Here's a better than average spook-house movie, mostly because Insidious decides it can haunt an audience without spraying it with blood.- Rolling Stone
- Posted Mar 31, 2011
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Peter Travers
The performances are uniformly terrific, finding the specific details that create a universal truth.- Rolling Stone
- Posted Mar 25, 2011
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Peter Travers
Looks aren't everything. Case in point: Sucker Punch, a dazzling visual design that goes tone-deaf every time it opens its dumb mouth or makes claims to profundity.- Rolling Stone
- Posted Mar 25, 2011
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Peter Travers
Rogen is a nonstop hoot, but it's the byplay between Frost and Pegg that roots the laughs in characters we care about. That's right: characters. No anal probes.- Rolling Stone
- Posted Mar 18, 2011
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Peter Travers
This is rock-solid entertainment. McConaughey, a cunning mesmerizer in the courtroom, steers this Lincoln into what could be a hell-raising franchise. More, please. Soon.- Rolling Stone
- Posted Mar 18, 2011
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Peter Travers
It's a wet dream for anyone who's ever dreamed of getting an edge on the information highway. The worst side effect is that you won't believe a word of the damn thing in the morning. Fair exchange.- Rolling Stone
- Posted Mar 18, 2011
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Peter Travers
This movie wins you over, head and heart, without cheating. It's just about perfect.- Rolling Stone
- Posted Mar 10, 2011
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Peter Travers
Fukunaga, son of a Japanese father and a Swedish mother, is a filmmaker to watch. He has reanimated a classic for a new generation, letting Jane Eyre resonate with terror and tenderness.- Rolling Stone
- Posted Mar 10, 2011
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Peter Travers
Even wild man Gary Oldman, as a priest ready to eighty-six the wolfman with silver nail polish, can't liven up this humorless hogwash. And it's just sad to see the legendary Julie Christie stuck playing the grandmother.- Rolling Stone
- Posted Mar 10, 2011
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