For 4,534 reviews, this publication has graded:
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56% higher than the average critic
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3% same as the average critic
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41% lower than the average critic
On average, this publication grades 0.6 points higher than other critics.
(0-100 point scale)
Average Movie review score: 65
| Highest review score: | The Wolf of Wall Street | |
|---|---|---|
| Lowest review score: | Joe Versus the Volcano |
Score distribution:
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Positive: 2,923 out of 4534
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Mixed: 982 out of 4534
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Negative: 629 out of 4534
4534
movie
reviews
- By Date
- By Critic Score
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Reviewed by
Peter Travers
A Separation is a landmark film. No way will you be able to get it out of your head.- Rolling Stone
- Posted Dec 29, 2011
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Reviewed by
Peter Travers
At times, Jolie rises to the pulpit when she should stay on the ground. Her theme is too complex for her scattered screenplay to encompass. It's as a director that Jolie shines.- Rolling Stone
- Posted Dec 29, 2011
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- Rolling Stone
- Posted Dec 22, 2011
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Peter Travers
Damon is extraordinary. He's heartfelt performance has a tough core of intelligence and wit.- Rolling Stone
- Posted Dec 22, 2011
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Reviewed by
Peter Travers
The movie comes at you in a whoosh, like a volcano of creative ideas in full eruption.- Rolling Stone
- Posted Dec 22, 2011
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Reviewed by
Peter Travers
From him (Fincher), we get – what? – a faithful adaptation that brings the dazzle but shortchanges on the daring.- Rolling Stone
- Posted Dec 22, 2011
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Peter Travers
The film version of Carnage hasn't just lost God from its title, it's lost the laughs from the play that brought it life.- Rolling Stone
- Posted Dec 16, 2011
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Peter Travers
So the sequel, A Game of Shadows, is more of the stupid same. It wouldn't matter so much if Downey and Jude Law, as the bromantic Dr. Watson, didn't look so ready to turn on the cerebral dazzle. Instead, Ritchie treats them like action goons out of his "Lock, Stock and Two Smoking Barrels" basement.- Rolling Stone
- Posted Dec 16, 2011
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Reviewed by
Peter Travers
It's implausible as hell, but no less fun for that.- Rolling Stone
- Posted Dec 16, 2011
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Reviewed by
Peter Travers
In this tale of stunted development, Theron is a comic force of nature, giving her character considerable density and humanity despite her monstrous aspects.- Rolling Stone
- Posted Dec 8, 2011
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Peter Travers
Oldman gives a performance that is flawless in every detail.- Rolling Stone
- Posted Dec 8, 2011
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- Rolling Stone
- Posted Dec 8, 2011
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Peter Travers
Michael Fassbender delivers a bold and brilliantly immersive performance as a sex addict in Shame. He is so raw and riveting you won't be able to take your eyes off him.- Rolling Stone
- Posted Dec 1, 2011
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Peter Travers
The actors give it their all, especially Knightley, whose jaw- jutting, heavily accented and unfairly criticized portrayal gives the film its fighting spirit.- Rolling Stone
- Posted Nov 21, 2011
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Peter Travers
The luminous Michelle Williams goes bone-deep here. Monroe's beauty was one of a kind. No one, not even Williams, can act it. What Williams does, with fierce artistry and feeling, is illuminate Monroe's insights and insecurities about herself at the height of her fame.- Rolling Stone
- Posted Nov 21, 2011
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Peter Travers
Scorsese builds Hugo in the Méliès manner, creating a complete, ravishing Parisian world on a soundstage in England and reveling in the sheer transporting joy of it. Hugo will take your breath away.- Rolling Stone
- Posted Nov 21, 2011
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Peter Travers
The Muppets slaps a smile on your face you won't want to wipe off.- Rolling Stone
- Posted Nov 21, 2011
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Peter Travers
The Artist encapsulates everything we go to movies for: action, laughs, tears and a chance to get lost in another world. It just might leave you speechless. How can Oscar resist?- Rolling Stone
- Posted Nov 21, 2011
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Peter Travers
Start hating me now, Twihards, but the sexless, bloodless, padded and plodding Breaking Dawn, Part 1 is the worst Twilight movie to date. (I don't get it either.)- Rolling Stone
- Posted Nov 17, 2011
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Peter Travers
Payne's low-key approach only deepens the film's intimate power. Want a movie you can really connect with? The Descendants is damn near perfect.- Rolling Stone
- Posted Nov 15, 2011
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Peter Travers
Von Trier draws us inexorably into the web of these characters. He loses us in a dream of his own devising. That's filmmaking. Now if he'd only learn to shut up at press conferences.- Rolling Stone
- Posted Nov 10, 2011
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Peter Travers
A total bust, a stupefyingly unfunny and shamelessly lazy farce packed with cringe-worthy jokes and overt product placement.- Rolling Stone
- Posted Nov 10, 2011
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Peter Travers
Even when the film trips on its tall ambitions, you can't shake it off.- Rolling Stone
- Posted Nov 9, 2011
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Peter Travers
We're getting more of the same, but less of the impact, like weed from a bad dealer.- Rolling Stone
- Posted Nov 3, 2011
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Peter Travers
There's not much to say about a jerry-built caper comedy, except that this one has timeliness on it side, and some first-rate clowns.- Rolling Stone
- Posted Nov 3, 2011
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Peter Travers
Say this for Emmerich, he's not stuffy. And he lucks out big-time with his cast.- Rolling Stone
- Posted Oct 27, 2011
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Peter Travers
At best diverting, at worst drearily conventional, The Rum Diary is pre-gonzo Thompson, before the fusion of fact and trippy fantasy that flowered into a brilliant delirium.- Rolling Stone
- Posted Oct 27, 2011
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Peter Travers
Jones is a marvel. Sundance couldn't get enough of her. You won't, either. Her performance grabs hold and won't let go.- Rolling Stone
- Posted Oct 27, 2011
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Peter Travers
Pretty cast. Potent premise. Piss-poor execution. And so dies In Time.- Rolling Stone
- Posted Oct 27, 2011
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Reviewed by
Peter Travers
I fully expect Paranormal Activity 3 to be box office gold. But it's barely worth two stars, let alone two cents. As for future followups, I offer this plea: STOP!- Rolling Stone
- Posted Oct 21, 2011
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