Rolling Stone's Scores

For 4,534 reviews, this publication has graded:
  • 56% higher than the average critic
  • 3% same as the average critic
  • 41% lower than the average critic
On average, this publication grades 0.6 points higher than other critics. (0-100 point scale)
Average Movie review score: 65
Highest review score: 100 The Wolf of Wall Street
Lowest review score: 0 Joe Versus the Volcano
Score distribution:
4534 movie reviews
  1. Here's a movie that starts in your face and, amazingly, keeps coming at you. That's a good thing.
  2. No matter Bateman and Reynolds make The Change-Up seem a lot better than it is. Each earns a star in my review. The movie would be literally nothing without them.
  3. The movie rises and, at times, even soars. This is all - and I do mean all - thanks to what human actors in league with computer technology can now achieve to bring the apes to life. No more guys squeezed into monkey suits and talking in posh accents. Performance-capture makes all the difference.
  4. This is a breakthrough star performance from a terrific actor getting a chance to let it rip.
  5. It's hot, fierce, funny, vicious and ready to bite, baby.
  6. What makes Crazy Stupid Love a cut above is actors who let pain seep into the laughs. Here's a comedy you really can take to heart.
  7. It looks slick, pricey and starry – Indiana Jones teams up with James Bond for a gunfight with space demons. But even Harrison Ford and Daniel Craig can't save a movie that's all concept, no content.
  8. Another Earth offers imagination and provocation to spare.
  9. Here's the funny thing: Despite all the Captain America rah-rah in costume and indestructible shield, the movie is at its best when the story sticks with skinny Steve.
  10. Their banter is fun at the start until it becomes relentless.
  11. What an exhilarating gift to watch Harry and Company go out in a blaze of glory and amazing grace.
  12. Larry Crowne is more than a missed opportunity. It's alarmingly, depressingly out of touch.
  13. Here's a hit-and-miss farce that leaves you wishing it was funnier than it is. Why? Because it wussies out on a sharp premise.
  14. The dialogue is witty and spiked with delicious malice. At least it is when Pierce delivers it.
  15. Transformers: Dark of the Moon - high on any list of the worst blockbusters ever - is a movie bereft of wit, wonder, imagination, and any genuine reason for being. Watching it makes you die a little inside.
  16. This movie will get under your skin.
  17. Lasseter is back behind the wheel, and you can feel his love for all things automotive in every frame. No humans blot this anthropomorphic romp. Cars do all the talking.
  18. Bad Teacher keeps running away from its combustibly nasty premise. Damn shame.
  19. Page One is a vital, indispensable hell-raiser.
  20. Hal claims that a Lantern's only enemy is fear itself. The thought of a sequel to this shamelessly soulless Hollywood product scares me plenty.
  21. This movie, a true beauty, will put a spell on you.
  22. Blazing performance will burn in your memory. Same goes for the film.
  23. Ayoade, the British comic making a remarkable feature debut with his adaptation of Joe Dunthorne's 2008 novel, blends mirth and malice with deadpan brilliance.
  24. McGregor goes bone-deep in a performance of shining subtlety. And a never-better Plummer is simply stupendous, refusing any call to sentiment as he shows us Hal's resonant lunge at life. Mills works the same way. Beginners is one from the bruised heart.
  25. In this cheerfully perverse origin tale of Magneto, Professor X and their mutant team, Vaughn delivers a fireworks display of action, smarts and fun, plus a touch of class from actors who can really act.
  26. Like its predecessors (Badlands, Days of Heaven, The Thin Red Line and The New World), Tree delivers truths that don't go down easy. No one with a genuine interest in the potential of film would think of missing it.
  27. How could a 2009 raunchfest that slapped a grin on my face I couldn't unglue degenerate into a cold dish of sloppy seconds?
  28. What's fresh about Midnight in Paris is the way he (Allen) identifies with Gil's idealization of the past, of the Paris that represented art and life at their fullest.
  29. Marshall deserves props for putting the "show" back into the Pirates business. But face it, he's polishing a giant turd.
  30. As played by the spectacular Joseph Gordon-Levitt, Hesher is the id run rampant.

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