Rolling Stone's Scores

For 4,546 reviews, this publication has graded:
  • 56% higher than the average critic
  • 3% same as the average critic
  • 41% lower than the average critic
On average, this publication grades 0.6 points higher than other critics. (0-100 point scale)
Average Movie review score: 65
Highest review score: 100 The Wolf of Wall Street
Lowest review score: 0 Joe Versus the Volcano
Score distribution:
4546 movie reviews
  1. Farmiga expertly guides a large and gifted ensemble cast and proves as fearless a director as she is an actress. She lights up Higher Ground and makes it funny, touching and vital.
  2. With Del Toro's name in the credits, standard chills aren't enough. We want imagination to run riot.
  3. Our Idiot Brother comes off as a blueprint for a smart script no one really made. Now that's what I call dumb.
  4. Amigo is combustible filmmaking, something that stays with you long after the final credits. In an entertainment universe of escapism and short attention spans, Amigo is a rousing antidote and a cause for celebration.
  5. This tear-jerking twaddle, adapted by David Nicholls from his 2009 bestseller, is nearly as bad as Anne Hathaway's British accent, which is heading for infamy.
  6. Menace and mirth can cancel each other out. But the combo clicked in 1985's Fright Night (banish the 1988 sequel), and it clicks again in this frisky 3D remake.
  7. The cheap thrills wear off way fast, and we're left with atrocious acting, feeble writing and clueless directing (from first-timer Steven Quale). The horror! The horror!
  8. The movie plays like an evangelical prayer meeting, though I'd hold the hallelujahs. The characters we came to admire as vulnerable misfits hit the stage like visiting royalty and with a nonstop perkiness that makes the Von Trapps look like manic-depressives.
  9. Fleischer isn't much on details. It's all about the zigzagging rush of the ride. Fair trade.
  10. A deeply touching human story filled with humor and heartbreak is rare in any movie season, especially summer. That's what makes The Help an exhilarating gift.
  11. The film swings from melodrama to sermonizing, both blunting the human drama that needs to come to the fore.
  12. Here's a movie that starts in your face and, amazingly, keeps coming at you. That's a good thing.
  13. No matter Bateman and Reynolds make The Change-Up seem a lot better than it is. Each earns a star in my review. The movie would be literally nothing without them.
  14. The movie rises and, at times, even soars. This is all - and I do mean all - thanks to what human actors in league with computer technology can now achieve to bring the apes to life. No more guys squeezed into monkey suits and talking in posh accents. Performance-capture makes all the difference.
  15. This is a breakthrough star performance from a terrific actor getting a chance to let it rip.
  16. It's hot, fierce, funny, vicious and ready to bite, baby.
  17. What makes Crazy Stupid Love a cut above is actors who let pain seep into the laughs. Here's a comedy you really can take to heart.
  18. It looks slick, pricey and starry – Indiana Jones teams up with James Bond for a gunfight with space demons. But even Harrison Ford and Daniel Craig can't save a movie that's all concept, no content.
  19. Another Earth offers imagination and provocation to spare.
  20. Here's the funny thing: Despite all the Captain America rah-rah in costume and indestructible shield, the movie is at its best when the story sticks with skinny Steve.
  21. Their banter is fun at the start until it becomes relentless.
  22. What an exhilarating gift to watch Harry and Company go out in a blaze of glory and amazing grace.
  23. Larry Crowne is more than a missed opportunity. It's alarmingly, depressingly out of touch.
  24. Here's a hit-and-miss farce that leaves you wishing it was funnier than it is. Why? Because it wussies out on a sharp premise.
  25. The dialogue is witty and spiked with delicious malice. At least it is when Pierce delivers it.
  26. Transformers: Dark of the Moon - high on any list of the worst blockbusters ever - is a movie bereft of wit, wonder, imagination, and any genuine reason for being. Watching it makes you die a little inside.
  27. This movie will get under your skin.
  28. Lasseter is back behind the wheel, and you can feel his love for all things automotive in every frame. No humans blot this anthropomorphic romp. Cars do all the talking.
  29. Bad Teacher keeps running away from its combustibly nasty premise. Damn shame.
  30. Page One is a vital, indispensable hell-raiser.

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