Rolling Stone's Scores

For 4,534 reviews, this publication has graded:
  • 56% higher than the average critic
  • 3% same as the average critic
  • 41% lower than the average critic
On average, this publication grades 0.6 points higher than other critics. (0-100 point scale)
Average Movie review score: 65
Highest review score: 100 The Wolf of Wall Street
Lowest review score: 0 Joe Versus the Volcano
Score distribution:
4534 movie reviews
  1. This hilarious, high-kicking nonsense cost two cents and looks it -- hell, it was shot in 19 days, but you'll laugh helplessly anyway.
  2. Money, madness, incest and murder! Just the recipe for a twisted mesmerizer of a movie, if it doesn't creep you out.
  3. Writer-director Michael Patrick King, the creative force behind the show's later seasons, can't disguise the fact that the movie is basically five TV episodes strung together (only three hit the mark). But his script is more honest about aging than anything in "Indy 4."
  4. Audiences looking for emotional resonance in Indy 4 are doomed to the temple of disappointment. Spielberg and Lucas aren't upping their creative game -- they're taking care of business.
  5. Junkies for dark humor should prep for going cold turkey, despite the efforts of director Andrew Adamson to spice things up with combat and a rivalry between Caspian and Peter (good on Moseley for showing some backbone) that Lewis never imagined.
  6. There is one high note. You can approach Speed Racer as the trippiest stonerfest since Stanley Kubrick took his space odyssey.
  7. It's wickedly amusing for a little bit -- Robbins and Hurt really get into it -- but ultimately the film becomes what it's fighting: just noise.
  8. If you don't see where this is going, you've never seen a movie. Sorry it had to be this one.
  9. All praise to acting dynamo Robert Downey Jr., who brings so much creative juice to the party that Iron Man achieves instant liftoff.
  10. Mamet is on his game, and that is a sight to see. No con.
  11. I'm guessing it's the pressure of an idiot script by Gary Scott Thompson and understandably clueless direction from Jon Avnet that forces Pacino to ham it up so vigorously that you want to garnish him with cloves and a slice of pineapple.
  12. A raucous ride through one man's pain.
  13. The acting? Common and the Game score as baddies, but Hugh Laurie as an acid-tongued internal-affairs cop is disappointingly just House without the limp.
  14. A heartfelt human drama that sneaks up and floors you.
  15. Leatherheads is most on its game when it's in the game, and in the zone of Clooney's no-bull affection for the faces of his actors.
  16. This you-are-there spellbinder is a master director shining his light on the best rock band on the planet.
  17. Run, Fat Boy, Run stays out of sitcom quicksand long enough to make you think that Schwimmer has a knack for this comedy-directing thing.
  18. 21
    21 drags itself to a climax that puts credulity in splints. So what? In a multiplex of dumb-luck hits, it's a kick to watch Spacey and a gifted young cast use smarts to deal audiences a winning hand.
  19. Don't hammer this film for trying to get inside the head of Mark David Chapman before he shot John Lennon outside the rock legend's New York apartment on December 8th, 1980. Hammer it instead for failing to do so with any depth or insight.
  20. Even when the script slips into sentiment, Peirce sticks with her troubled, questing soldiers, and through this raw and riveting movie, they stick with us.
  21. Call it "Apocalypto" for pussies -- a PG-13 rating, puh-leese! -- or prehistory for peabrains. Just don’t call it friendo. 10,000 B.C. will take your money, rob your time and hit your brain like a shot of Novacaine.
  22. Dull title for a juicy, fact-based caper movie that's full of surprises I have no intention of spoiling.
  23. The film's sound design, sampling Beethoven and Nino Rota, among others, links up with visual miracles performed by Rain Kathy Li and Wong Kar-Wai's noted cinematographer, Christopher Doyle (In the Mood for Love), to take us inside Alex's head. The result, a defiant slap at slick Hollywood formula, is mesmerizing.
  24. In Portman's dynamic performance you can see strength and vulnerability warring for Anne's soul. In this bedroom view of history, it's that image that sticks.
  25. Penelope is dead on arrival.
  26. Critics will score Semi-Pro on its missed shots. My guess is that audiences will do what they always do with Ferrell: remember when he killed them laughing.
  27. Gondry and the gifted indie cinematographer Ellen Kuras have fun with the amateur versions of the likes of "RoboCop," "Rush Hour," "2001: A Space Odyssey," "King Kong" and "Driving Miss Daisy." These snippets are fun but frustratingly brief.
  28. By the end, Vantage Point is such a unholy mess of drooling sentiment and sloppy loose ends that you’ll hate yourself for being suckered in.
  29. This one belongs with the leaders of the scare pack. Isn't it time that we give Romero his due? It's hardly an accident that Stephen King, Quentin Tarantino, Guillermo del Toro, Simon Pegg and Wes Craven recognize Romero as a master. He is.
  30. To sum up, Definitely, Maybe is crap with compensations.

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