For 4,546 reviews, this publication has graded:
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56% higher than the average critic
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3% same as the average critic
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41% lower than the average critic
On average, this publication grades 0.6 points higher than other critics.
(0-100 point scale)
Average Movie review score: 65
| Highest review score: | The Wolf of Wall Street | |
|---|---|---|
| Lowest review score: | Joe Versus the Volcano |
Score distribution:
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Positive: 2,929 out of 4546
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Mixed: 987 out of 4546
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Negative: 630 out of 4546
4546
movie
reviews
- By Date
- By Critic Score
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Reviewed by
Peter Travers
Bateman doesn't make a false move, and a stellar Charlize Theron springs her own bolts from the blue as Ray's wife. As for Smith, he's on fire. There's nothing like a star shining on his highest beams. You follow him anywhere.- Rolling Stone
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Reviewed by
Peter Travers
You leave WALL-E with a feeling of the rarest kind: that you've just enjoyed a close encounter with an enduring classic.- Rolling Stone
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Reviewed by
Peter Travers
Brutal, sexy, built to thrill and minus a scintilla of redeeming social value, the movie -- based on a series of comic books by Mark Millar and J.G. Jones -- explodes like summer fireworks.- Rolling Stone
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Reviewed by
Peter Travers
Director Peter Segal ups the ante on the action, aiming for Bourne more than Bond, but the stunts grow frenzied and increasingly flat.- Rolling Stone
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Reviewed by
Peter Travers
Ninety minutes pass like an eternity. Verdict: Down for the count.- Rolling Stone
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Reviewed by
Peter Travers
Film critics have been asked to say as little as possible about M. Night Shyamalan's new scare film about the perils of messing with Mother Nature. Fair enough. But I will say this: It's not happening.- Rolling Stone
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Peter Travers
The final confrontation between the Hulk and Blonsky, now the roaring Abomination, is like the clash of Downey and Bridges in "Iron Man," only not as exciting.- Rolling Stone
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Peter Travers
You wind up caring deeply about the affair that began in the 1950s between American teenager Don Bachardy and three-decades-older Christopher Isherwood, the noted British author whose "Berlin Stories" inspired "Cabaret."- Rolling Stone
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Reviewed by
Peter Travers
By the end of the film, the cliché of everybody getting along is reduced to both sides working together in the ultimate monument to capitalism: a mall. Some message.- Rolling Stone
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Peter Travers
Director-writer Martin Hynes shapes his first movie into something emotionally truthful, painfully funny and vibrantly alive. It's a near-perfect road movie, since you don't want the ride to end.- Rolling Stone
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Peter Travers
This gut punch of a documentary will knock you for a loop. File it under "no good deed goes unpunished."- Rolling Stone
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Peter Travers
This hilarious, high-kicking nonsense cost two cents and looks it -- hell, it was shot in 19 days, but you'll laugh helplessly anyway.- Rolling Stone
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Peter Travers
Money, madness, incest and murder! Just the recipe for a twisted mesmerizer of a movie, if it doesn't creep you out.- Rolling Stone
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Reviewed by
Peter Travers
Writer-director Michael Patrick King, the creative force behind the show's later seasons, can't disguise the fact that the movie is basically five TV episodes strung together (only three hit the mark). But his script is more honest about aging than anything in "Indy 4."- Rolling Stone
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Reviewed by
Peter Travers
Audiences looking for emotional resonance in Indy 4 are doomed to the temple of disappointment. Spielberg and Lucas aren't upping their creative game -- they're taking care of business.- Rolling Stone
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Peter Travers
Junkies for dark humor should prep for going cold turkey, despite the efforts of director Andrew Adamson to spice things up with combat and a rivalry between Caspian and Peter (good on Moseley for showing some backbone) that Lewis never imagined.- Rolling Stone
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Peter Travers
There is one high note. You can approach Speed Racer as the trippiest stonerfest since Stanley Kubrick took his space odyssey.- Rolling Stone
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Peter Travers
It's wickedly amusing for a little bit -- Robbins and Hurt really get into it -- but ultimately the film becomes what it's fighting: just noise.- Rolling Stone
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Peter Travers
If you don't see where this is going, you've never seen a movie. Sorry it had to be this one.- Rolling Stone
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Peter Travers
All praise to acting dynamo Robert Downey Jr., who brings so much creative juice to the party that Iron Man achieves instant liftoff.- Rolling Stone
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- Rolling Stone
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Reviewed by
Peter Travers
I'm guessing it's the pressure of an idiot script by Gary Scott Thompson and understandably clueless direction from Jon Avnet that forces Pacino to ham it up so vigorously that you want to garnish him with cloves and a slice of pineapple.- Rolling Stone
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- Rolling Stone
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Peter Travers
The acting? Common and the Game score as baddies, but Hugh Laurie as an acid-tongued internal-affairs cop is disappointingly just House without the limp.- Rolling Stone
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- Rolling Stone
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Peter Travers
Leatherheads is most on its game when it's in the game, and in the zone of Clooney's no-bull affection for the faces of his actors.- Rolling Stone
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Peter Travers
This you-are-there spellbinder is a master director shining his light on the best rock band on the planet.- Rolling Stone
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Reviewed by
Peter Travers
Run, Fat Boy, Run stays out of sitcom quicksand long enough to make you think that Schwimmer has a knack for this comedy-directing thing.- Rolling Stone
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Peter Travers
21 drags itself to a climax that puts credulity in splints. So what? In a multiplex of dumb-luck hits, it's a kick to watch Spacey and a gifted young cast use smarts to deal audiences a winning hand.- Rolling Stone
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Reviewed by
Peter Travers
Don't hammer this film for trying to get inside the head of Mark David Chapman before he shot John Lennon outside the rock legend's New York apartment on December 8th, 1980. Hammer it instead for failing to do so with any depth or insight.- Rolling Stone
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