Rolling Stone's Scores

For 4,546 reviews, this publication has graded:
  • 56% higher than the average critic
  • 3% same as the average critic
  • 41% lower than the average critic
On average, this publication grades 0.6 points higher than other critics. (0-100 point scale)
Average Movie review score: 65
Highest review score: 100 The Wolf of Wall Street
Lowest review score: 0 Joe Versus the Volcano
Score distribution:
4546 movie reviews
  1. Bateman doesn't make a false move, and a stellar Charlize Theron springs her own bolts from the blue as Ray's wife. As for Smith, he's on fire. There's nothing like a star shining on his highest beams. You follow him anywhere.
  2. You leave WALL-E with a feeling of the rarest kind: that you've just enjoyed a close encounter with an enduring classic.
  3. Brutal, sexy, built to thrill and minus a scintilla of redeeming social value, the movie -- based on a series of comic books by Mark Millar and J.G. Jones -- explodes like summer fireworks.
  4. Director Peter Segal ups the ante on the action, aiming for Bourne more than Bond, but the stunts grow frenzied and increasingly flat.
  5. Ninety minutes pass like an eternity. Verdict: Down for the count.
  6. Film critics have been asked to say as little as possible about M. Night Shyamalan's new scare film about the perils of messing with Mother Nature. Fair enough. But I will say this: It's not happening.
  7. The final confrontation between the Hulk and Blonsky, now the roaring Abomination, is like the clash of Downey and Bridges in "Iron Man," only not as exciting.
  8. You wind up caring deeply about the affair that began in the 1950s between American teenager Don Bachardy and three-decades-older Christopher Isherwood, the noted British author whose "Berlin Stories" inspired "Cabaret."
  9. By the end of the film, the cliché of everybody getting along is reduced to both sides working together in the ultimate monument to capitalism: a mall. Some message.
  10. Director-writer Martin Hynes shapes his first movie into something emotionally truthful, painfully funny and vibrantly alive. It's a near-perfect road movie, since you don't want the ride to end.
  11. This gut punch of a documentary will knock you for a loop. File it under "no good deed goes unpunished."
  12. This hilarious, high-kicking nonsense cost two cents and looks it -- hell, it was shot in 19 days, but you'll laugh helplessly anyway.
  13. Money, madness, incest and murder! Just the recipe for a twisted mesmerizer of a movie, if it doesn't creep you out.
  14. Writer-director Michael Patrick King, the creative force behind the show's later seasons, can't disguise the fact that the movie is basically five TV episodes strung together (only three hit the mark). But his script is more honest about aging than anything in "Indy 4."
  15. Audiences looking for emotional resonance in Indy 4 are doomed to the temple of disappointment. Spielberg and Lucas aren't upping their creative game -- they're taking care of business.
  16. Junkies for dark humor should prep for going cold turkey, despite the efforts of director Andrew Adamson to spice things up with combat and a rivalry between Caspian and Peter (good on Moseley for showing some backbone) that Lewis never imagined.
  17. There is one high note. You can approach Speed Racer as the trippiest stonerfest since Stanley Kubrick took his space odyssey.
  18. It's wickedly amusing for a little bit -- Robbins and Hurt really get into it -- but ultimately the film becomes what it's fighting: just noise.
  19. If you don't see where this is going, you've never seen a movie. Sorry it had to be this one.
  20. All praise to acting dynamo Robert Downey Jr., who brings so much creative juice to the party that Iron Man achieves instant liftoff.
  21. Mamet is on his game, and that is a sight to see. No con.
  22. I'm guessing it's the pressure of an idiot script by Gary Scott Thompson and understandably clueless direction from Jon Avnet that forces Pacino to ham it up so vigorously that you want to garnish him with cloves and a slice of pineapple.
  23. A raucous ride through one man's pain.
  24. The acting? Common and the Game score as baddies, but Hugh Laurie as an acid-tongued internal-affairs cop is disappointingly just House without the limp.
  25. A heartfelt human drama that sneaks up and floors you.
  26. Leatherheads is most on its game when it's in the game, and in the zone of Clooney's no-bull affection for the faces of his actors.
  27. This you-are-there spellbinder is a master director shining his light on the best rock band on the planet.
  28. Run, Fat Boy, Run stays out of sitcom quicksand long enough to make you think that Schwimmer has a knack for this comedy-directing thing.
  29. 21
    21 drags itself to a climax that puts credulity in splints. So what? In a multiplex of dumb-luck hits, it's a kick to watch Spacey and a gifted young cast use smarts to deal audiences a winning hand.
  30. Don't hammer this film for trying to get inside the head of Mark David Chapman before he shot John Lennon outside the rock legend's New York apartment on December 8th, 1980. Hammer it instead for failing to do so with any depth or insight.

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