There is a satisfaction to be found in A-Men 2’s tense tactical puzzles, but the relentless difficulty will destroy your will to replay. This is a game designed for masochists, and while there will be a specific demographic that will undoubtedly enjoy the stiff challenge, mere mortals will just not have the stomach for it.

The story and world-building are definitely the most interesting things about Reynatis but it’s a shame everything else feels so half-baked and repetitive. It’s hard to get invested in the characters when the dull combat makes you want to get through the adventure as quickly as possible.

If you're a JRPG fan and can see past its dull dungeon design and grindy friendship system, then there is still fun to be had here, but you'll have to push through layers of tediousness to get to it. The Caligula Effect is a game with plenty of good ideas, but sadly, they're just not executed very well. It feels like developer Aquria has tried to implement so many ambitious concepts, but it doesn't actually take the time to flesh them out, and instead, repetition has been used to fill in the gaps.

Carnival Games VR is about as entertaining as a funfair organised by gypsies in a community centre's car park. The tracking issues don't help, but the actual moment-to-moment gameplay is so morbidly boring that you may need medical attention to resuscitate you from this virtual reality yawn-fest. In a word: candydross.

Whether it's that unmistakable Euro-jank charm or its commitment to providing a surprisingly robust role-playing experience, ELEX definitely has something going for it – it's just that most players will likely never make it far enough to find out what that something is. Piranha Byte's latest has ambition, but barely any of it is realised. As far as B-tier games go, this criticism is nothing new, but when so many amazing action RPGs are already available on PS4, you can't be blamed for ignoring this seriously shoddy release.

It's by no means a bad game on the whole, but it opts to float idly on the side of numbingly average rather than attempt to stand out in any way. Well, unless you're making music videos.

The game is solid — stable frame rate, the assets look as good as they possibly could without an overhaul, and the modernised controls are a demonstrable improvement. Hit detection is a little sluggish, but it's worth the price of entry for getting a peek at such an oddity. While saying the game lacks focus could be construed as an insult, it’s truly fascinating to see a game made with, for its time, such a high level of quality that wears so many different hats. And for that, we appreciate the opportunity to experience it in the modern era.

If you're hungry for a quick slice of narrative, one that's well-acted and has some smart dialogue to explore, along with a few secrets to uncover, Open Roads will feed that craving. In an age where walking simulators can be derided, though, it's a bit pedestrian in some regards, with a visual identity that doesn't cohere as it could, and some plotting that feels less than inspired. It's hard to escape the sense that the story of how this game was made will be told in detail at some point down the line, and that it might just be the most compelling part of Open Roads' legacy.

Datura holds very little challenge and has technical issues, but even in the face of these problems it's a title that is worth experiencing for its distorted narrative alone. It may not be an entirely great game, but it is at the least a push in a different direction and a breath of fresh air that makes you think – and for that, as more and more games fall victim to conformity, it deserves praise.

Sonic Forces is a disappointing step back for the franchise. Uninteresting level design and subpar gameplay on all three playable characters make for a game that can be frustrating to get through. The nonsense story is poorly written and makes more tonal shifts than Mariah Carey with an ice cube down her back. The game is perfectly fine for the younger audience it’s targeting, and we’re sure they’ll enjoy it for what it is, but in the wake of Sonic Mania’s tremendous success, the problems 3D Sonic has always faced are becoming much harder to ignore.

Little Dragons Café can be fiddly and repetitive, but it's not all together awful. A host of interesting, well-rounded characters provide an engaging story as you raise the world's cutest dragon. It might not be the most taxing game, but it provides a cathartic experience with its simplistic approach to café management.

A game based on Stranger Things seems like a winning combination, but this effort based on the recent season three leaves a lot to be desired. Most of what makes the show so good is missing here, and the gameplay and presentation are terribly flat. Retelling the latest season, sometimes word for word, also alienates the game from both people who've seen the show and people who haven't. Our advice to you is to watch the source material and leave it there; the game isn't going to turn your world upside down.

If you're a Gundam nut then you'll probably be able to stomach some of the title's flaws, but don't expect a true Gundam VS experience.

Zotrix is a decent if unambitious twin-stick shooter with smooth, fluid controls that are well suited to pick up and play sessions. A steep difficulty curve means that you will need patience, while the awful UI makes it a challenge to navigate the title's menus. We'd recommend this if you're desperate for an arcade-inspired blaster, but otherwise leave it in a galaxy far, far away.

It's a real shame because there's a promising premise here that could've delivered something unique beyond the usual 3D kaiju brawlers. For a human-focused story, it's unfortunate that more time wasn't put into this, and while exploration is passable, the gameplay soon falls into repetition. Unless you're a die-hard fan of Legendary's Monsterverse, it's difficult to recommend this over other Metroidvanias.

There's nothing you've not seen before in The LEGO Movie 2 Videogame -- unless you haven't seen the film yet. This is largely a by-the-numbers LEGO platformer with a variety of open levels in which to find collectibles and solve simple puzzles. The low difficulty makes this perfect for children to play with friends or family, and the sandbox area will let you get a little creative too. It's a safe entry in the series that fans will enjoy, but if you're getting tired of the same old formula, there's not much new to see here.

Once you overcome Skater XL’s learning curve there’s some fun board-based entertainment to be had here. But this is a lightweight package with subpar presentation, and unless you’re so deep into skater culture that you absolutely need a simulation for your PS4, we’d recommend either waiting for this to be updated – or pre-ordering Tony Hawk’s Pro Skater 1 + 2 instead.

If you're willing to invest your time learning the battle system and strategies to succeed in King’s Bounty II then there'll be some enjoyment to be found here. However, the game is very unforgiving with your time, forcing you to spend hours completing dull side missions and looting various places to level up your units, only for them to be slain in the next main mission battle you fight. Also constantly having to reload saves just to progress through the story feels very outdated.

Foamstars is a colourful, unique, and entertaining shooter. The modes and characters on offer at launch are fun twists on genre staples, and the central foam mechanic is a playful addition with some potential for strategy. It's lighthearted, fast-paced fun with plenty of style. While the steep microtransactions and the so-so co-op missions keep it from being squeaky clean, there's a lot to like about this bubbly multiplayer title.

Destiny 2: Curse of Osiris is ultimately more Destiny 2 for those who want it, and that would be fine if it wasn't stuffed with so much squandered potential. For its asking price, there's no reason not to expect more from this first expansion. The story missions range from okay to insultingly dull, and the one truly interesting concept that Bungie introduces -- the Infinite Forest -- ends up being little more than a tedious shooting gallery. The most frustrating part of all this is that the developer has been here before, and it still insists on repeating the same mistakes all over again.

In One Punch Man: A Hero Nobody Knows, becoming a hero for fun isn't all it's cracked up to be. Saitama is a hilariously game breaking gimmick that pays off in single-player, but online he only leads to frustration. Elsewhere,the main story mode has plenty to do, but there's not much variety. Fans will mostly enjoy the writing and the fighting, but newcomers might be left wanting.

It's not a totally brain dead release, but it's hard to recommend when it's launching on a console that already boasts several better action games.

McDroid is a game with plenty of charisma and sweet ideas. It takes a tired genre and throws it together with elements from elsewhere to create an engaging and charming hybrid.

Waddle Home is a below par puzzle game at best, and the addition of VR fails to change that. The repetitive gameplay, simplicity of the puzzles, and the sheer lack of content shows that this game was rushed out for launch. P-p-p-p-pick up something better for your PlayStation VR headset.

Caveman Warriors is a half-decent platformer with a relatively unique setting, but is sadly underwhelming in most regards. It plays fairly well and offers some quick and easy fun in multiplayer, but some questionable presentation and frustrating enemy encounters let it down. With a vast pool of quality 2D platformers to choose from on PS4, this game doesn’t do enough to truly compete, and we fear it will subsequently be consigned to history.

There's fun to be had in either mode, but the game's ideas are squashed by some poor design. Combat is accessible but stiff; animations are likely to lead you into danger. Some random abilities are clearly better than others -- a shovel can dig up stat gems, meaning you can buff yourself as much as you want. Then there's the small matter of online matchmaking, which at the time of writing, doesn't work at all. Local play works, but this is a game where split-screen makes it much harder to play effectively. If ReadySet Heroes can be updated to overcome some of these problems, it has potential. There's imagination on show here, but right now, it's not something we can recommend.

If you have to give Sumioni: Demon Arts something, it’s that it’s a beautifully flawed game. The bold art direction makes way for occasionally uninspiring backdrops, repetitive gameplay, and irritating music. The nonsensical story provides characters you don’t care about and a world you must save that you know nothing of. The developers clearly thought that the art style and touch screen controls were enough to make up for the issues, but they're not. This is a let down on nearly every level.

Even with the rehashed environments, enemies and boss battles, Army Corps of Hell still manages to deliver satisfying bursts of strategy action.