This game’s biggest problem is that its culinary combat simply isn’t interesting enough to hold your attention, and with bland battles, there’s not a lot here to get excited about.

It's an admirable premise that certainly aims to offer insight and accessibility to one of science's most intimidating concepts, but loses focus and steam in all of the wrong places.

On a surface level Brawlout is a decent Smash Bros. clone. It's colourful and easy to pick up, but the brawling itself lacks impact and edge. If you're looking for a more casual fighting game experience -- something to play with friends, perhaps -- then it's worth a shout, but keep your expectations in check.

Airoheart's, er, heart is in the right place — and it is an okay Zelda clone overall — but the game's got noticeable flaws. A potential recommendation if you're desperate to play something resembling retro Zelda on PlayStation, but that's about it.

WWE 2K Battlegrounds is a game that seems like it exists purely to house its storefront, offering predatory microtransactions which would be overly pricy in a free-to-play game. In a paid title - even a budget one - they're offensive. The only silver lining here is that the game is rubbish anyway, so feel free to skip it without feeling like you're missing out.

The Devil May Cry HD Collection on PS4 may essentially be a straight port of the PS3 version that released in 2012, but ultimately, that doesn’t detract from the overall experience. The original Devil May Cry and Devil May Cry 3 still stand strong, and while the second game is easily the weakest of the three, there's still some enjoyment to be had at the very least. If you've already played through the collection on PS3 then the value of this port is undoubtedly diminished, but for everyone else - newcomers included - this is a fine way to get acquainted with Dante.

A questionable camera sours gameplay and many of the mechanics suffer a clunky and unresponsive feel as a result.

There’s a place for FMV games like The Complex, but this effort is both poorly written and performed. You’ll tire of the cast long before you reach the release’s credits, and while the title does include various branches in its story, it generally feels like you’re on autopilot for the most part. If you’re desperate for a live action experience, the PS4 already has much better alternatives to this.

While the Khaos Reigns expansion does come with a full Kombat Pass 2 (including the guest fighters later down the line), the story is only around two hours long, making this expansion's price – which is almost on par with an entire game – a little questionable. And it doesn’t do anything to change the glaring flaws already present in Mortal Kombat 1 such as the terrible Invasions mode or the overpriced cosmetics.

Hirogami is a fine example of an underused aesthetic, and its beautifully styled origami world looks great on PS5. The platforming is a bit messy and there isn't much variety on offer, but for those who prefer a bit more style than substance, it's well worth a look.

Fort Solis starts out promising, with an eerie and mysterious narrative that just seems to get everything right. From environmental details to pacing, this opening act genuinely had us thinking we had a Firewatch or Everybody’s Gone To Rapture on our hands. However, as the game begins to expand, the pacing tanks, the story fumbles its way across the finish line, and the gameplay experience makes us want to throw our DualSense off the wall. There are a number of ways in which we should be impressed by the game — it’s made by a 10 person team after all — but in the end Fort Solis is an experience as dusty as the red planet itself.

If you’re a fan of the original Dusk Diver, there’s plenty here for you to enjoy. Better combat and more time to hang out with the delightful staff of the Tumaz Mart is sure to please, but it's a shame that both the story and many of the side quests are fairly forgettable. Overall, this is a fairly solid hack-and-slash adventure with some really creative dungeons to explore, but it does have a little bit too much busywork and not enough variety.

A small range of unlockable augments do make things a touch more bearable, but Evan can barely activate a single skill before his implants start overheating and you're forced to stop what you're doing. We think Foreclosed is meant to be played like a run-and-gun, ability-popping shooter — but the execution misses the mark almost completely.

Avoid like the C-Virus plague.

It definitely feels like developer Midgar Studio should have reduced the scope of both the story and some of the gameplay systems, because this may have allowed it to add more polish to the areas that work well. It’s a shame, as the game does have plenty of potential, but it’s a little bit too rough around the edges to fully enjoy.

Whichever release in the series you compare it to, Batman: Arkham Origins Blackgate – Deluxe Edition will always come off worst.

Alex Kidd in Miracle World DX is a great looking remake of a terrible game. Level design is dated, bosses are completely luck based and all the hitboxes just feel off. There is a reason that Sonic took over as SEGA’s mascot because no remake can change the fact that Alex Kidd’s first adventure is incredibly frustrating and poorly designed.

A compelling platformer despite what its cringe-worthy art-style and occasionally low-budget production values would lead you to believe. The suit switching mechanic is a great inclusion, and it's utilised strongly throughout the game's campaign. Great pacing, satisfying combat and some decent puzzles elevate Zack Zero to a surprisingly enjoyable status, even if it's not exactly brimming with fresh ideas of its own.

Small in both scope and budget, Slender: The Arrival is little more than a rest stop on the way to something bigger and better.

Fun in short doses, it does enough right to warrant a quick look, but even though creating your own weird and wonderful traps is the title's main draw, the gameplay can outstay its welcome when the difficulty level begins to rise.

Vault-Tec Workshop is Fallout 4's best settlement DLC, but that won't mean much to those who don't enjoy building settlements to begin with.

The appeal here is building up a public transport empire, and you’ll be surprised at how quickly the time passes as you begin to expand routes and increase your fleet. It’s an acquired taste, for sure, but impressive how a game designed to replicate a real-life job can be so oddly relaxing when you’re behind the wheel.

Considering that EA Sports took an extra year to craft NHL 15, the wealth of missing features here is inexcusable.

Really fun to play for short stretches and then come back to repeatedly, it's a worthwhile venture.

Decent presentation and a comical plot help to balance out boring gameplay and a disappointing soundtrack, culminating in a release that neither looks good nor bad on the dancefloor.

Although Ancient Amuletor has all the core mechanics and functionality of an excellent PlayStation VR title, the pure lack of content will leave you yearning for all of the extras that are currently locked out. Factor in the barren online multiplayer community, and this title really squanders its very real potential.

VRFC is not a good representation of football, but that doesn’t mean it’s bad. Like the table-top variety, it doesn’t need to be accurate to be entertaining, and once you embrace the insanity there’s fun to be had. VRFC is flawed and disconnected, but also spontaneous, amusing, challenging, and fun. At this budget price, we can think of worse ways to spend a weekend.

The flaws in Disintegration’s execution are easy to spot. Restrictive level design and a limp narrative hamper the single-player, while the multiplayer suffers from a dearth of content and no way to make the squad combat sing. Perhaps a sequel could expand on the genuinely good ideas V1 has brought to the FPS table. Disintegration is an interesting genre blend that ultimately falls short.