For the cat lovers and the curious amongst you, Catlateral Damage is pretty much purr-fect, but anyone else may want to give it a hiss.

Dark Alliance is a game that seems destined to be forgotten, which is a shame because there's a lot of old-school PS2-style fun to be had. Once split screen is patched in we can see ourselves going back to it regularly in order to relive those couch co-op days of yore, though the game is enjoyable solo as well if you choose your difficulty setting wisely. It's nothing to set the world on fire but it's a perfectly enjoyable throwback to dungeon crawling hack-and-slash classics that'll work for you all the more if you've got a group of friends who yearn to go back in time to a simpler experience. Future content updates will only improve Dark Alliance and we'd urge you to give it a try for yourself.

There’s definitely some promise buried deep beneath Disney Epic Mickey 2: The Power of Two’s surface drudgery, but this needless PlayStation Vita port fails to uncover it any better than its PS3 counterpart. In fact, the underwhelming adventure actually fares worse on Sony’s pocketable platform, delivering a framerate that flirts with single digits and some pretty inconsequential touch screen features.

We can scarcely recall an occasion where we were more disappointed by a sequel than New Tales from the Borderlands. We wanted to love this. We'd have accepted liking it. But we hate this game. This is a ten-hour narrative adventure that feels four times as long as it needs to be, with dreadful characters, and appalling, relentlessly unfunny jokes. It's a spectacular misfire, its only success to speak of being the rare example of a sequel so bad that it ruins the original, too.

If you're looking for a game that will show you just about every in and out of the Vita's control experience, you'd be hard-pressed to find a more thorough showing than Little Deviants. Of course, if you're looking for a game that will keep you engaged for the duration and coming back for more, you might want to look elsewhere.

Wanted: Dead is, at its worst, a frustratingly bad action game, but in its inexplicable presentation, nonsensical storytelling, and baffling character dialogue, it's difficult to completely dismiss. There's undeniable fun to be had here in a so-bad-it's-good kind of way, and that might even be enough for the game to secure cult status somewhere down the line. But for now, you'll need to slog through some of the most jank combat in full-price gaming to squeeze enjoyment out of the experience. Wanted: Dead is a truly fascinating mess.

Mugen Souls Z is, on the surface, a shallow but agreeable JRPG that hides a deeper, heavier set of systems for genre fans that care to search for them.

Lost on Mars is a decent sci-fi distraction from the main game, but it fails to really introduce any new ideas. The irreverent story is fine but isn't particularly memorable, and the silly humour accompanying the action misses more than it hits. The combat can be fun and frustrating in equal measure, while the various things to do don't exactly inspire. It's perfectly serviceable, but despite being set millions of miles away on our neighbouring planet, it's hard to shake the feeling we've been here before.

This is not necessarily an experience for everyone, but the light-hearted stripping mechanic makes it an enjoyable romp all the same, and a worthy addition to your PS4 library if you haven’t played it already.

Cricket 24 fails to build upon the series’ solid opening partnership from its previous instalments in a significant way. Its enjoyable core gameplay is practically identical to Cricket 22, with the only noticeable addition being franchised tournament formats. Its abundance of bugs and glitches, and barren online lobbies, leaves little reason to take another swing at the series if you’ve already played an innings of a previous title.

Just Die Already is an enjoyably mean-spirited game that would cross the line into hateful if it wasn’t so gleeful in its disrespect for elders. Less Octodad, more octogenarian, a surplus of the usual physics sandbox glitches don’t detract from fun that's as densely packed as the very coffins you're dodging.

Let's School is a moderately okay management sim, which will definitely help you wile away a few hours. A lack of humanity lets it down and makes what could have been a very personable experience into another cog in the machine, taking away any individuality and losing the benefit of having the setting in a school environment by treating school life as purely transactional.

Ariadne wouldn’t fall in love with Theseus in this state, but Forge Reply’s virtual reality adaptation of a classic story isn’t an unmitigated disaster. The combat and platforming disappoints and there’s not enough meat on the release’s bones, but it proves that third-person adventures can work with PlayStation VR – and it looks pretty nice to boot. It’s a bit of a missed opportunity, then, as there is value in what’s presented here – it’s just far, far too expensive to recommend and isn’t as fun as it should be to play.

A prime example of a below par dungeon crawling RPG. Kinda fun in parts, if not a bit basic and simple, the title has nothing that offers a real challenge and nothing that demands your attention. While the game starts off well enough, very little is added throughout to hold your interest, and it's a struggle to remain enthused about the lacklustre plot and the title's repetitive nature.

Sacred 3 is likely to be a huge let down for fans of the series. By ditching the open world quest structure and loot system, this sequel has been robbed of the experience of everything that franchise evangelists fell in love with. That said, if you put aside the initial disappointment to consider what the game actually is, you’ll find a decent action RPG, which offers a great co-op experience to boot.

Jump Force can be fun with friends when you're just looking for a quick and easy scrap, but as a celebration of all things Jump, it's a borderline embarrassment. Thanks to a truly egregious art style and comically bad story presentation, this is an accessible and often fun crossover brawler let down by its disappointingly shoddy packaging. Ultimately, it's difficult not to feel as though all of these classic manga and anime properties deserve much better than Jump Force.

Ultimately, Skydance’s Behemoth feels like it’s still in its beta phase. The enormity of its Behemoths works excellently in VR, but at almost every turn, the game bogs you down with bugs, repetitive gameplay loops, and underdeveloped level design. Sadly, it also lacks the same sense of place that the developer's previous work has, with its Forsaken Lands feeling painfully dull for the most part. There are moments when the magic shines through, but Behemoth is a massive missed opportunity overall.

This isn’t a game for perfectionists looking for a true simulation of a busy A&E department: it’s more like a training ground for psychopaths looking to learn the ropes, shave a few eyebrows, and play with lasers.

A surprisingly hardcore RPG that belies its child-friendly surface. Teeth-gnashing boss battles can almost always be overcome with careful consideration and patience, and, when you find the solution, you'll wonder why you were even annoyed in the first place. The story is guff with a set of bland characters that do little more than move you from place to place, but you could do worse.

Ben 10 is an enjoyable little beat-'em-up romp. All 10 of Ben's aliens feel fleshed out and vastly different from one another, and jumping from enemy-to-enemy in the fast-paced combat is suitably satisfying. Fans of the show will be thrilled with the faithful recreation of the show's art style and general feel. Unfortunately, it's a little bit let down by the afterthought upgrade system, incredibly short length, and non-existent difficulty.

It's a real shame that the performance here is subpar, because Dangerous Golf is fantastic fun, whether alone or with friends in the co-op and competitive modes.

Adr1ft is by no means a bad game, but it comes with a few key caveats. Its opening hour is fantastic, as you begin to piece together what has happened and perilously search for the next oxygen canister, but it's the back half of the game that severely lets this intergalactic adventure down. And despite the story and its setting being so intriguing, it's not enough to paper over the glaring flaws present.

A plethora of technical problems and uninteresting level design win out over the positive aspects, and this experience is below par as a consequence. Listen and look at it by all means – just try to avoid actually playing it.

Gal*Gun 2 will once again grab the headlines for all the wrong reasons, but what those will fail to tell you is that the underlying experience isn’t worth any sort of price to begin with. Once the perverse novelty wears off, you’re left with a bare-bones shooter that sorely needs to come off the rails it is tied to if it wants to create any excitement.

Hardware: Rivals is slow and safe – it's a far-cry from the high-octane vehicle eviscerator that we'd anticipated. Its slightest of similarities to Rocket League may have hurt it, but even if Psyonix's excellent on-wheels outing didn't exist, this would still be a pretty darn tedious title.

While Neptune and her friends are just as enthusiastic and charming as ever, both the gameplay and story feels a little stale. It’s great that the developer has managed to seamlessly blend together real V-tubers with the ladies from Gamesindustri, but it’s a real shame that there’s nothing else that lifts this game above average.

Perfect Universe is a good collection of games, and it packs so much fun that it's worth downloading – even if you only intend to boot it up when you have friends and family around. Congrats to creator Will Sykes on a really accomplished package.

Games like Train Sim World will always benefit from a greater array of content: more trains, more routes, and more services. That said, learning how each of the trains in this title work and mastering the three main disciplines will take you hours at a time, and while it’s very much an acquired taste, we derived a mixture of satisfaction and relaxation from our new role as a railway operator.