Virtua Tennis 2009 plays a better, more compelling game than any other tennis game around, but it is still fundamentally more of the same. Nonetheless, if you're in the market for a new set of balls, then this is certainly a game that you'll love.

Considering the wealth of amazing movie content spawned by the creative powers at LucasFilm, it still boggles the mind that LucasArts is seemingly incapable of crafting a truly worthy gaming offshoot that encapsulates the wonder and excitement of Indiana Jones or the star-gazing imagination of Star Wars.

You may feel less like a rock star and more like a traditional gamer while you play but it's great fun and a million times better than being laughed at on the bus while strumming your DS.

They say timing is everything and there's a sense that EA will be onto a winner here simply by being the first fully integrated MotionPlus tennis game to hit the shelves.

I don't often get the chance to say this, but here we have the combination of a development team at the top of their game, a technology that matches their requirements and a console in the perfect demographic. Out of this perfect storm comes the first game on the Wii I can whole heartedly endorse to anyone regardless of their age or gaming persuasion.

This is explosive, balls-to-the-wall action that makes no concessions in delivering the ultimate playground in which to wreak havoc. The almost limitless potential for reckless mayhem is what makes Guerrilla such an unashamedly fun game to play, which is why this is without a doubt the biggest summer blockbuster so far this year and consequently an essential purchase. Now go on, get your ass to Mars.

It's really chuffing addictive.

When that ambition fails to live up to its promise by delivering a hollow and disappointing experience, you can't help but feel somewhat nonplussed by the final product. This should have been incredible, but having tried our very best to like Codemasters' latest racing IP, we can't help but feel like we've been taken for a ride. Fuel-ed, if you will.

Damnation strikes you as an unconfident, unconvincing effort, and the only possible conclusion is that Blue Omega lack a basic grasp on the fundamentals.

It may not reinvent the wheel as far as the open-world genre is concerned, but in crafting a suitably compelling and eminently playable title, Sucker Punch have shaken off the child-friendly shackles of their Sly Cooper games and produced something distinctly dark and mature, that simply demands to be played.

The draw of an irresistible cast of characters - all nicely rendered as endearing retro sprites and stylish anime portraits - should already seal the deal for the core audience, but for everyone else, Cross Edge will seem like nothing more than an obscure curio.

Like an unexpected kick in the plums, it's a genuine surprise that this is actually rather good.

The variety, innovative interaction and sheer playfulness on offer are more than enough to warrant the cover price alone.

GRIN have successfully created the right tools, but failed to provide the proper playground to make you want to play with them.

The overwhelming feeling, the more you play D-A-C, is that what it really needs is more Star Trek in it.

The RTS foundations are in place and there are plenty of core and online missions to test player mettle (and patience), but, as with Battlestations: Midway, the control interface is still unwieldy, the action is still stodgy and unfulfilling, and the aesthetics are still hampered by distinctly last-gen failings.

Plants Vs Zombies is clearly a labour of love and on top of that it's what you might call the perfection of simplistic budget gaming. The game stimulates the emotional mind from start to finish, providing the kind of spontaneous quick-fire stimulation that our minds have come to expect from 21st century lifestyles.

The problem is it's a one trick pony. The shock of the violence and the speed of the gameplay initially grabs your attention, but it lacks the spectacle to keep itself feeling fresh and inventive, then before long a sense of banal repetition sets in. And you're not even a third of the way through the game. I can't deny that it gives you quite a lot of game for your money, but it also outstays its welcome.

Velvet Assassin is an excruciatingly painful, unappealing mess of a game, and its number of redeeming qualities can be counted on the stump of a leper's former arm: it ends.

If you've always fancied the idea of having the genuine OutRun arcade cabinet experience with added online support then OutRun Online Arcade does exactly what it says on the tin while managing to be a lot of fun to boot.

Only Valve's Orange Box trumps it for sheer value and quality. For that reason alone, Assault on Dark Athena is nigh on essential.

Despite the pedigree of the licence, very little of the movie's quality has made its way into the game. The characters are bland and the presentation of the narrative is decidedly uninspiring. It feels like a half-finished game and, whilst the idea has a lot of potential, is decidedly lacking in quality in its current form.

It's perhaps not the ideal starting place for GH newbies (unless they're Metallica die-hards) but for the rest of us it's a lovely addition to our growing GH library.

Much like a lot of the leading mans films, Wheelman is brainless entertainment without any pesky delusions of grandeur to trip over. Yes the plot is daft and the action as unrealistic as it comes but crucially it's also, for the most part, thoroughly enjoyable.

As the studio responsible for the ace Total War series, it's difficult to understand how they've managed to get this so very wrong. It's a real shame that what seems like a decent idea ultimately emerges as a visually unappealing, impenetrably tough and devastatingly unrefined sci-fi strategy title.

It's a real shame that Legends of WrestleMania turns out to be such a slight affair as otherwise it's quite possibly the best wrestling game that developer Yuke's has made in a long time. The control system is a genuine improvement over previous efforts and the strong roster of legends is highly appealing. Had Yuke's fleshed out the WrestleMania Tour portion of the game into a fully-fledged story mode, this could have been something pretty special. As it stands however, Legends simply feels like an incomplete experience, which is a real shame and a major missed opportunity.

A largely unremarkable point-and-click offering that's unlikely to spawn a radical revival for the genre or lure PC gamers away from the (still) superior mouse controller. Wii owners looking for a richer, more modern gaming experience that comes packed with charm and convincingly tests grey matter would be well advised to seek out the criminally unappreciated Zack & Wiki: Quest for Barbaros' Treasure.

Weapons of Fate does a perfectly serviceable job in continuing the film's story, delivering decent enough in-game likenesses and equally accomplished voice acting, but the end product just doesn't boast the level of polish we had hoped for.