Strong characters, thrilling story, but I expected more from the final episode. […] It’s obvious that your previous decisions have no real effect and especially the most emotional storyline lacks a satisfying conclusion.

From my perspective roguelike is a rather frustrating genre. I find it annoying to lose my progress all the time and don’t get much from the randomness of the procedural generated worlds in most of these games. However, because of my fondness for space shooters, I gave Everspace a chance – and to my surprise, it convinced me.

In its best moments, Impact Winter delivers an existentialist experience that is pushing the stress level to the max, demands moral decisions and meets other genre representatives like Don’t Starve or This War of Mine at eye level. […] On the other side, there are many things to complain about.

Would play it again anytime. There’s so much to discover.

A creative idea, but unfortunately the execution is not ideal.

A poorly presented shooter with a lousy open word, that fails to focus on his own strengths. Therefore, I can recommend the game only to the hardcore fans of marksmanship.

Just briefly entertaining NBA Jam-clone with mushy controls, flaws in balancing and way too overpriced.

Although The Surge has many similarities with its spiritual predecessor Lords of the Fallen, I strongly prefer this Sci-Fi-Horror-Trip. This is not only due to the strong combat system and its bloody finishers, but also due to the crafting, which is smartly interlocked with the fighting and the simplistic character development.

Deformers could be a great game. It has cute graphics, a clear gameplay and a lot to offer. But the problem is: there’s nobody to play against, because there are no players online.

Although Prey never rises to the first Bioshock for me anyway, but it does not have to be: If you are looking for a game in the style of a System Shock and do not expect an exceptionally good shooter, you'll get an exciting, comprehensive and challenging Sci- Survival adventure.

Although What Remains of Edith Finch is a very short game (three to four hours), it offers a brilliantly intriguing story and an amazing gameplay specially tailored for every character. Beautiful and bittersweet.

Not all aspects in Flinthook fit together seamlessly. Above all, it’s a game for lenient genre-fans.

A nice story and a solid atmosphere cannot save what’s otherwise a terrible game, riddled with bugs, stupid gameplay choices, bad graphics and other grievous problems. Unless you are a die-hard fan of the series, stay away.

Eerily beautiful, but after some time the horror feeling of the predecessor goes missing. […] The setting in the pampa of Arizona is fitting and the atmosphere works very well, but overall I prefer the previous game.

Atmospheric horror platformer with obvious gameplay flaws.

Dawn of War 3 is a really good RTS game und should satisfy any fan of Warhammer with its epic campaign.

Despite its limitations, The Sexy Brutale fells extremely self-consistent. You seldom see such a lovely synergy between setting and gameplay.

Bayonetta still has problems in the story and camera department (and too many Quick-Time-Events), just as eight years earlier. However, the smooth 60 frames per second and the minimal loading times make this iteration a pure joy to play. Don’t miss this gem!”

Flatout 4 is a successor to an already lousy game and continues a loveless heritage. Long loading times and a number of bugs cumulate in an unenjoyable experience.

Some of my most precious memories regarding video games are in some manner connected to the two Banjo-Kazooie games from developer Rare. Yooka-Laylee manages to tap into those exact memories, by embodying the very essence of games like the aforementioned Banjo-Kazooie. Enjoyable gameplay, an ingenious soundtrack and the happy-go-lucky attitude of the game are just some of the things that make Yooka-Laylee a great experience. Though for some reason I don’t quite feel the same enjoyment, I had with those games in my childhood. Maybe it’s my age or some of the questionable design decisions by the developers. Nonetheless, Yooka-Laylee is a really good game.

A rather peculiar, yet very enjoyable tribute to traditional adventure games that suffers notably from uneven storytelling and some bland characters. Luckily the beautiful retro visuals, satisfying puzzles and (almost too) many references to the genre easily make up for that. Thimbleweed Park may not be remembered as a modern classic, but it's a good adventure with tons of style and one of the most bizarre endings we've seen in a long, long time.

Vikings: Wolves of Midgard clocks in at about the 25 hour-mark and manages to entertain the player with fun Hack&Slay-mechanics for most of that time. A boss at the end of every level, decent puzzles, many side-quest, an arena with various challenges and a lot of upgrade- as well as crafting-options are supposed to bring enough variety into the game. Sadly, not every idea or mechanic within the game appears to be really thought through or implemented as well as it could have been. Especially the balancing is in need of some refinement. Vikings: Wolves of Midgard also doesn’t really give the player any form of incentive to replay the game. Sure, there are different difficulty-modes and a new game-plus-mode, but since nothing within the game changes on being replayed, there isn’t much of a reason to do it at all.

All of Kona’s survival-mechanics are implemented well enough, and the atmosphere of the game draws the player into its world. Sadly though, the most motivating factor in Kona – the story - falls apart towards the end of the game. Nearly any route you imagine the plot to go will be more thrilling and satisfying than the actual reveal. This is very unfortunate, because the story is the driving force for even continuing the game.

Simply one of the best metroidvania games in years. With its beautiful art style, well crafted gameplay and huge game world to explore, Hollow Knight offers amazing value for your money.

It is a really bumpy start for a new era in the Mass Effect series. Almost as if the developers wanted to create something reminiscent of the tough challenges the milky way species face in their new home. But in the end there is just the perception, that bigger is not always better.

Within the first few hours of the game I was pretty sold on this more classical attempt on a stealth-game with a good jolt of dark humor. But after a while you start to realize that most of the stealth-mechanics aren’t even needed. The enemy AI is far too stupid to ever really force you into playing smartly and with a certain tactic in mind. Nor will you ever make much use of the crafting-system. On top of that, the dialogue often feels forcefully edgy and references pop-culture just for the sake of it. All whilst the overarching plot – if you can even call it that – remains plain and uninteresting. That being said, you definitely can have fun with Styx: Shards of Darkness. But given the fact, the developers had a chance to improve on their predecessor and didn’t utilize it, the mistakes of this game become hard to forgive.

Wildlands is a great mix-up of some of the best elements of Ubisoft's most prominent IPs, but struggles to find its own identity. Military-minded co-op fans will definitely want to check this out, while solo players can also expect up to 50 hours of open-world fun.

A delightfully weird and extremely well-written RPG that strikes all the same chords as Planescape: Torment. But beware: InXile still has some bugs to squash and patches to release before the game truly lives up to its masterful namesake.