Still downright scarier than most of its successors and an unforgettable journey. [March 2015, p.74]

Though not entirely soul-destroying, Dying Light will leave you feeling like you've just eaten a box of budget chocolates - unsatisfied, underwhelmed and unsure if it was worth the money. [March 2015, p.72]

In between Screamride’s occasionally dull take on ’coasters and its indecision over acceptable amounts of hurt, there’s a decent game - but it’s the destruction that wins it.

A brilliantly unique indie escape-'em-up that combines stealth, strategy, and simulation to great effect, but you'll need saint-like patience to get the most out of it.

Poorly conceived structures supporting too little new content mean this is, sadly, a great waste. [Feb 2015, p.86]

The problem is, we have real friends who'll accompany us to real pubs with real tables on which we can play real pool. So why do we need a slightly sterile virtual version? [Feb 2015, p.83]

It's just a bit pointless, really, when all anyone wants to do is play Tetris. [Feb 2015, p.83]

One to avoid, we think - though the creepy trailer, with a father and his two dead-eyed sons is worth watching. It's like something out of Twin Peaks. [Feb 2015, p.83]

Its gameplay isn't breaking any moulds, but the presentation makes it well worth recommending. [Feb 2015, p.83]

A beautiful, bleak puzzle game that any newcomer willing to look death in the eye should pick up. [Feb 2015, p.82]

This first episode falls a little short of expectations. [Feb 2015, p.80]

The best fitness game around. [Feb 2015, p.79]

A poor attempt at a kids' party game and one that's just as unfunny, repetitive and dull as the Rabbid 'stars' are. [Feb 2015, p.79]

There's little that pushes it beyond Guardian of Light, while the co-op is feeble and plagued with technical issues. [Feb 2015, p.78]

Feature bloat strips this of its purity, and in parts it's unwieldy and unsatisfying. But find a challenge that sparks your imagination, and you'll become surgically attached to the controller. [Feb 2015, p.75]

It's not an exact fit for Xbox, so we find our thumbs longing for the portability and accessibility of the mobile version. [Feb 2015, p.74]

Apologising for broken content with more broken content feels like a bit of a slap in the face, and Dead Kings' confusing, far-from-user-friendly new mechanics make this DLC a bit of a disappointing prospect.

A natural extension that caters for nerve-wracking thrills with lots to see and collect. A must-play.

Like sipping a mojito while resting your panda-skin boots on a pauper, there's something nasty yet refreshing here, as it pushes you to maintain control in marvelously illiberal ways. [Feb 2015 (US), p.72]

Paper armies are all the rage these days; this is just enraging. [Jan 2015, p.89]

Each world is packed with mysterious treasures and treacheries just waiting to be discovered, and learning how to use them to shape the world to your benefit is enormously satisfying. [Jan 2015, p.89]

A light, breezy and immediate racer that's perfect multiplayer party fodder. [Jan 2015, p.89]

Where Rocksmith 2014 triumphs is in teaching through engaging challenges rather than through rote learning. [Jan 2015, p.89]

We can't wholly recommend its gameplay, but as a vessel for an endangered culture, it's a worthy project. [Jan 2015, p.88]

Deliciously slow to unravel, full of character and gripping from start to finish. [Jan 2015, p.88]

Feels unfinished. [Jan 2015, p.84]

With wit and spot-on style, this is nearly one of Teltale's best, but prioritising action over dialogue means it falls just short of the story-led brilliance we're used to. [Jan 2015, p.83]

While its core modes are shallower than the competition, NBA Live 15 is breezy and fun to play on the court. [Jan 2015, p.82]