The fast-paced nature of the title and rapid decision making that comes with each movement or action is satisfying when you finally nail a run, though it's certainly challenging. If you enjoy fun but punishing games that can be enjoyed in short bursts, this may be one to take a look at.

Interestingly, half of what makes Terminator 2D fun is its painstaking reproduction of the movie on which it’s based. Were it to have no relationship to a beloved IP, it would likely be criticised for its brevity, linearity, and general simplicity. Once fully beaten, you won’t likely return to it for anything except a nostalgia hit, but T2 fans and 16-bit diehards will feel well-served by its detailed reminiscence. A great deal of the game's charm is derived from its novelty factor, and it's that novelty, in conjunction with some clever ideas and impressive authenticity, that should inform your purchasing decision.

The essence of the game is almost totally intact, and we had just as much fun playing through the quest on Nintendo's older system as we did on the Switch. Naturally, if you're in a position to choose between the two then Switch is the obvious choice, but should you be a New 3DS owner who hasn't yet upgraded, you're not really missing out – Fire Emblem Warriors is just as engaging and entertaining on Nintendo's ageing handheld, even though you have to endure some rather weak visual assets and basic character designs.

What ought to be a rock-solid racer is marred by a Career mode that forces players to return to the same course too often. Otherwise, it looks and feels very good, and a variety of challenges set it apart from other racing games, but prepare for plenty of repetition.

Bloody Vampire is a bit rough around the edges, and it's far from original, but it combines its sleeve-borne influences into a stylised package that's a lot of fun. Fans of Metroidvania-style games looking for an eShop fix will get well more than their $5 worth of fun here, and newcomers up for designated save spots and the absence of a map should definitely look into spending a vampire weekend with Latis.

Vektor Wars is filled with a loving reverence to the "future" that the 80s promised. It's the type of game you'd see on a big screen display with gaudy plastic guns for full effect, but instead is humbly played on your GamePad. If the idea of arcade-style survival games in a neon-soaked, Tron-like world piques your interest, than this might be worth your time.

When it's firing on all cylinders, running fast and smooth with massive and beautiful enemies getting obliterated by hundreds of lasers firing in all directions to furious metal guitar solos, RXN -Raijin- is everything an old school shmup fan needs, and a strong call back to what made the genre so revered in the first place. Unfortunately, the game also has some missteps ranging from the tolerable multi-pilot levelling system to infuriating slow down. The structure and chapter length suit short sessions, but may leave some players wanting more to chew on. At times thrilling, and at others confounding, it's a flawed but nonetheless enjoyable straight-up shmup.

Star Wars: Knights of the Old Republic may have lost some of its luster as the years have gone on, but the foundations of a well-written and enjoyable RPG haven’t aged a day. If you can get past things like awkward controls, middling presentation, and a complete lack of handholding, the 30-ish hour campaign offers up an engaging romp through the beloved Star Wars universe. We’d give KOTOR on Switch a strong recommendation to any fans of Star Wars or RPGs in general, just with the caveat that you’ll get more out of it if you can stomach archaic game design elements.

While the idea itself might feel a bit familiar, the execution in the game is solid and should appeal to gamers that enjoy this type of problem-solving gaming experience.

Goony borrows level layout ideas from Q*bert and combines them with the addictive nature of endless runners, resulting in a somewhat unique entry in the genre. The inclusion of block editing, screenshot and QR code functions is welcome, while the multiplayer mode is a great way to pass a few minutes.

There are a few minor issues here and there, like the somewhat average visuals and a camera that doesn't always cooperate, but for the most part the game still manages to capture the majority of the magic from its earlier console days.

There are still plenty more ways we’d like to see the Pokémon franchise evolve, but Pokémon Scarlet & Violet has us excited about the series' future. We really hope Game Freak can figure out how to smooth out the series’ ongoing performance issues on Switch because they'll certainly rub some players the wrong way — and they’re going to become a serious detriment over time. Scarlet & Violet is most fun and exciting when you're just exploring the world, and while there are many small new details and improvements to the Pokémon formula, it still plays it safe in a few areas. Regardless, things point toward a promising future for Gen 9 and beyond. It’s a smaller step than many may have hoped for, especially considering what Pokémon Legends: Arceus did, but it's definitely one in the right direction.

Replace the blood and brutality of Super Meat Boy with paint, add invisible levels and marginally tone down the difficulty, and what you have is INK. The practical use of the featured art style is a novel idea, but somehow the title still lacks a distinctive sense of character - even with all the vivid colours on display. What’s left is a streamlined but more basic fast-paced platform game that does a competent job recreating the same types of experiences we’ve seen in the past, requiring twitch-like reflexes and pinpoint accuracy.

Subdivision Infinity DX is a decent space dogfighter that makes the transition from mobile to console without feeling like a cheap port. Controls are tight and responsive, but they are let down by an auto-targeting system that makes engaging in combat a little too easy. Missions do get a little repetitive after a while, but those involving battles with much larger ships (including the enjoyable boss fights) really help redress the balance. Presentation is a little inconsistent, but the visuals and performance really show a) how far mobile games have come, and b) how a little extra processing power can go a long way.

The Last Worker is an ambitious project and it sticks the landing when it comes to graphics, performance, and voice acting. However, its central box-shipping game is fiddly and the game’s pacing doesn’t let you get into the flow. Tricky sections requiring repeated checkpoint loads break the immersion and clash with the long, dawdling sections of exploring the Jüngle facility. It's likeable and well-packaged with plenty of character, but it doesn’t always deliver.

FIFA 19’s numerous improvements on and off the pitch mean it overtakes its predecessor as the best football game released on a Nintendo system, and it’s still a technical marvel when played in handheld mode. That said, EA’s decision not to improve Ultimate Team and Career – arguably the two most popular modes – feel like a missed opportunity. It’s better than last year’s game, then, but not as much as it could have been. If you're new to FIFA, then add one point to the score below; this is the best soccer game on Switch by a mile. However, if you're a grizzled veteran - as pretty much anyone who is contemplating a purchase is likely to be, given the advanced age of EA's premier sports franchise, then the score stands.

Abyss is, more than a little ironically, not deep. It is, however, a simple game done well, and quite a lot of fun to play. It doesn't bring anything particularly innovative to the table and it's not a lengthy adventure, but with solid gameplay, wonderful music, and a 200 point price tag, Abyss is a fun and surprisingly atmospheric trip below the surface.

Hitori by Nikoli hits up against some interface nonsense, but otherwise offers an enjoyable twist on traditional puzzles and scratches much of the same itch as a Picross game, making it worth considering for an extended brain workout.

LEGO Marvel Super Heroes 2 offers the kind of warm-hearted knock-about action the series has become famous for, all wrapped up in a truly impressive open world package. It’s a shame that the underlying mechanics remain so defiantly clunky, while the controls seem a little haphazard in places. Multiplayer is curiously inessential, too. Ultimately, though, LEGO Marvel Super Heroes 2’s generosity of spirit and lightness of tone mean that it’s likely to win over a whole new generation of fans.

If you think you’d get a lot out of the referential humour found in The Darkside Detective, you’re in for a treat. Its simple gameplay will complement the jokes, the pixelated look continues to impress, and the auditory experience on offer is up there with the best. It’s a shame then that if you’re more of a millennial, then much of this will be lost on you. The puns and pranks will fly over your head, and in that situation, you’re left with the basic gameplay loop that doesn’t really do enough to satisfy on its own. In essence, it’s only really a choice you alone can make. If you think you’ll vibe with TDD is going for then you’re in for a good time, but if not, you’re almost certainly best left looking elsewhere.

It's a remarkably solid experience that combines a distinct aesthetic with varied gameplay, satisfying combat and fast-paced exploration, all centred around a story about the apocalypse.

With detailed graphics and a fitting soundtrack, the wide spectrum of puzzle genres that the game covers deepens the experience and broadens its appeal.

If you enjoy party games but aren’t too keen on the board game mechanic seen in titles like Mario Party Superstars, then My Singing Monsters Playground offers up a more streamlined experience that focuses purely on the minigames themselves, which might prove perfect for families with younger gamers. If you’re looking for a meatier experience, however, the lack of any overarching campaign harms the game’s overall longevity. Frame rate struggles in some of the more chaotic minigames, but for the most part, developer Big Blue Bubble has cooked up a nice addition to the party genre here.

The Lord of the Rings: Adventure Card Game offers up an unusual mixture of cooperative play and narrative-driven battles that flies in the face of more traditional digital CCGs. If you’re looking for a card game more aligned with the rules of a tabletop effort, with more of a role-playing focus, this is definitely going to appeal. The lack of proper support for online PvP is an odd omission considering how popular that feature is in other entries in the genre, but a refreshing lack of suffocating microtransactions does help soothe that wound.

Slay The Princess: The Pristine Cut is an inverted fairy tale that shatters conventions and questions heroism, opting to pull you into a narrative odyssey that leans into metaphysical themes more than it initially lets on. While its presentation is distinct and superbly executed, extended play sessions can’t help but feel somewhat repetitive due to its recurrent structure. That said, there’s no denying the depth and breadth of storytelling on offer.

Despite its lack of musical cues and somewhat varying difficulty levels, Melatonin’s suite of challenges is a delight for rhythm game fans and it’s so satisfying to nail that PERFECT. It doesn’t fill the Rhythm Heaven-shaped hole in the Switch’s portfolio, but instead it creates a dreamy new space filled with cotton candy colour, energy, and, most importantly, fun.

MLB The Show 23 is a better all-round package than last year's outing, thanks in large part to the new Storylines mode that adds a well-presented and educational history lesson for players to get involved in. In terms of this Switch port, presentation is perfectly acceptable, with the expected graphical downgrades made, but the framerate can still be troublesome in places, making for play that feels sluggish in comparison to other platforms. This issue aside, though, this is a solid port that brings all the modes found in other versions of the game, making for a decent overall option for MLB fans.

Too much hand-holding in games can be a problem, but Battle Princess Madelyn goes in the opposite direction with its main Story mode and is just as annoying (if not more so) as a result. Thankfully, its alternative Arcade mode really does save the day, stripping away all the convoluted and confused exploration and leaving nothing but pure, unfiltered arcade action goodness. It’s just a shame its main mode – and perhaps the key reason the developer wants your £15.79 / $19.99 – is so frustratingly unhelpful and awkward to play. Still, fans of Capcom's Ghouls ‘n Ghosts will most definitely want to check this out.