Need For Speed: Hot Pursuit on Wii is a very poor excuse for a racer that feels like a slap in the face compared to its PS3/Xbox 360 cousin.

Samurai Sword Destiny twiddles between the line of mind-numbing and oddly enjoyable combat, in a compulsive kind of way. In the end, though, it's tough to shake the hollow feeling present in both the gameplay and presentation.

It's not the most technically refined gameplay experience you'll ever have, and a lot of the elements just don't add up, but it's campy enough to make you believe it was trying to be epic — and that might just rope you into trying its cheesy brand of arcade action.

While Excave II made some nice quality of life improvements to the original formula, it inexplicably seems like most of Excave III's changes are for the worse.

There’s no denying Tiny Troopers Joint Ops: XL offers a lot of bang for its buck - over 60 main missions and a ton of undead-slaying quests see to that - and its bite-sized nature fits Nintendo Switch down to the ground, but ultimately it’s an exercise in quantity over quality. There’s fun to be had in its caricature take on war, but its light sprinkling of other genres and low-rent presentation is retro for all the wrong reasons.

Cheap level design, uninspired visuals, and poor controls make this a game that’s difficult to recommend, but moments of enjoyable gameplay can still be found for those who look hard enough. Even so, there’s no shortage of excellent platformers on the eShop at the moment, so you’d be best served passing on this one. If you’re looking for a challenging, retro-inspired side scrolling ninja game, go play The Messenger instead.

Empire of Sin is undoubtedly an excellent idea, a clever meshing together of management sim and turn-based tactical action that's set in a hugely compelling era of Chicago's criminal history. There are some cool mechanics here, too; the well-executed overworld map of the town, the gangster black book with its complex relationships and those tense sit-downs with rival ganglords. However, all of this promise is held back by copious technical problems, game-breaking bugs and management and combat systems that feel half-baked and scrappy. There are more patches and updates planned and we desperately would like to see this one sort itself out but, as things stand, it's virtually impossible to recommend – and it remains to be seen if future updates can bash it into shape.

Embr has the potential to be a good time, a slapstick bit of carnage with friends that provides a decent amount of missions to blast through and plenty of unlockables and variations on modes to keep you and your party of first responders busy. However, on Switch this potential goes almost entirely unrealised as the online component of the game is a bust. Get a few Switch-owning friends to set up a match and you may find some fun here but without crossplay, and factoring in a few other gameplay irritations, this one is quite hard to recommend on Nintendo's console.

While Loop8’s story has the potential to be incredibly interesting, it never really lands and fails to leave an emotional impact towards the end. It's all presented beautifully and has a unique mix of gameplay styles and ideas, but their repetitive and frustrating nature makes the whole experience a chore. It’s like toiling away at your summer job and going through the motions until it’s time to leave.

The Jurassic Park: Classic Games Collection serves up seven slices of old-school dino action in a package that suffers from its focus on the 8- and 16-bit eras. Yes, it's great to have these old games all gathered up and available to play with some quality-of-life additions, you can't knock them too hard for being clunky by today's standards, and nostalgia may add a few points to the overall score below if you're an Isla Nublar mega-fan, but there's no avoiding the fact that the experiences here haven't aged particularly well.

The irony is that Aspyr has done a nice job with remastering the visuals in both games and we enjoyed seeing the results. But the reality is that these games often feel old, they're extremely buggy, and the online play is hit-and-miss. This should have been a slam dunk. Instead, playing Star Wars: Battlefront Classic Collection made us feel sad. If Aspyr can fix the slew of technical issues, this might one day be worth picking up on Switch. Until that happens, though, the Force isn’t with this one.

Sports Island could have been a great addition to the Wii catalogue, but sadly the lack of polish and emphasis put on fine tuning the controls drags it way below its potential.

Though it's good to see a fighter that anybody can play, Marvel Avengers: Battle for Earth takes simplification just a few steps too far. The core gameplay is fun in short sessions, and there's a decent amount of content and care taken, but after a while the battles become overly-similar and begin to grate. With more variety this could have been a super power, but in its present form the concept lacks a certain punch.

Drawn To Life: Two Realms is a sequel that fails to replicate what made the Drawn To Life games so compelling: the actual drawing part. It's pretty (and pretty cheap), but the puzzle-platforming underwhelms and the story drags; if you're a hardcore fan of the franchise then we dare say you'll be able to extract a modicum of enjoyment here, but there's an equal chance that, as a series aficionado, the changes made to the basic gameplay will annoy you the most.

Modern Combat Blackout is a decent step forward for the series on mobile, but in the presence of DOOM, Wolfenstein II, Paladins and even Payday 2, it simply doesn’t stack up. There’s plenty to appreciate here – the integration of single-player missions, Spec Ops challenges and multiplayer matches into one hub is a really great feature, but the mediocre gameplay and mobile-centric quality levels really water those positives down. Modern Combat could be a great series on Switch, but only if it’s built for the system from the ground up, and not clumsily ported from mobile.

If you've never played Marvel Ultimate Alliance you're better off getting the first game which should be easy to find cheaply - you might struggle a little with the controls, but you'll have a lot more fun.

Jump Force is a good time for a short time; a simplistic button-masher that looks and sounds great in action but can't deliver in terms of providing players with any more than a handful of hours of dumb fun before it all becomes a bit of a bore. If you're a huge fan of the shows involved or you like your fighting nice and easy you'll get more than most out of things and jumping into an online battle – if you can find one – adds a little spice to the mix but, overall, this is a disappointingly dull, one-note affair that doesn't do its roster of ever-popular characters any sort of justice.

Squareboy is a decent beat-em-up, if a little on the short side. The Switch version is definitely the better version of the game but perhaps doesn’t quite do enough to justify the cost when a free option is available elsewhere. This isn’t a bad game by any means – in fact, we had a rather enjoyable time playing through the story levels – but its flaws and inability to stand out from the crowd stop it from being a sure-fire hit.

The Forbidden Arts feels like a game from the early GameCube era, but not a particularly good one. Whilst the dungeons are vast and varied, and the platforming mechanics competent enough, the combat really brings the whole experience to its knees thanks to poor enemy AI and half baked elemental mechanics that make the entire experience feel very repetitive. Add to that the lacklustre graphics and empty overworld, and this is a game that only the most ardent of fantasy enthusiasts will enjoy.

Robox is a game with some good ideas that unfortunately aren't capitalised on nearly enough.

There is a decent game crying to get out, but poor design choices mean that Naruto needs to go back to ninja training.

The game trundles along at far too slow a pace and lacks any real sense of challenge. Puzzle titles need a ‘killer hook’ in order to stand out from the crowd and as much as it pains us to say this, Potpourri is sadly lacking in this regard.

Adventure Time: Pirates of the Enchiridion feels like a return to the old days of licensed video games. The developers took a classic genre in the turn-based RPG, boiled it down to its core mechanics, and plastered the Adventure Time setting and characters onto it with far too few original ideas. Even though it feels like a faithful recreation of the show’s personality and charm thanks to the original cast and solid writing, the uninspired gameplay drags down any goodwill it builds between encounters.

If you’re still interested after reading through our criticisms, there’s likely enough here to justify a purchase; otherwise, you’re probably best off leaving this photo undeveloped.

SuperMash is a great idea that feels squandered thanks to poor execution. The idea of mashing together different genres is a fun one, but the reality is that the resulting games are only mildly amusing at best, and infuriatingly broken at worst. Procedural generation certainly has its place in the industry, with many games using it to fine effect. Unfortunately, in the case of SuperMash the concept is so inelegantly and heavily implemented, we’d much rather sit down with a deliberately handcrafted game any day of the week.

You need to have a high frustration level if you are going to play this game. This is the type of game where the races are usually close and the chance to win or lose it all at the end is almost always a possibility. While this can be fun when it works your way, it is incredibly frustrating to be on the losing end.

Instead of being a brand new platformer, Ice Age: Scrat’s Nutty Adventure feels like a remaster of a game from the early 2000s, and not a very good one either. On the positive side, the level design is pretty good, with areas connecting to one another in a way that feels large-scale, but remains comfortably linear. Otherwise, Ice Age: Scrat’s Nutty Adventure completely lacks challenge, is extremely repetitive and runs on the Switch about as well as Manny the Mammoth runs after gorging on a bunch of peaches. In short, it's exactly what you’d expect from a licensed game of this type.

It may be a nice little time-filler, yet we can't see anyone playing this for hours at end.