New York Post's Scores
- Movies
- TV
For 8,343 reviews, this publication has graded:
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44% higher than the average critic
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2% same as the average critic
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54% lower than the average critic
On average, this publication grades 8.2 points lower than other critics.
(0-100 point scale)
Average Movie review score: 57
| Highest review score: | Patriots Day | |
|---|---|---|
| Lowest review score: | Zombie! vs. Mardi Gras |
Score distribution:
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Positive: 4,334 out of 8343
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Mixed: 1,701 out of 8343
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Negative: 2,308 out of 8343
8343
movie
reviews
- By Date
- By Critic Score
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Reviewed by
Kyle Smith
A well-built machine that dunks you into a big warm vat of sadness. There's no plot: It's a situation drama. Instead of punch lines, it delivers regular shots of heartbreak.- New York Post
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Reviewed by
V.A. Musetto
A Hole in My Heart will disgust many (probably most) viewers as it cements Moodysson's reputation as one of today's most daring filmmakers.- New York Post
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Reviewed by
V.A. Musetto
You need a scorecard to keep track of who's bedding whom in Happily Ever After, a tres French take on sex and love, in that order.- New York Post
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Reviewed by
Kyle Smith
Akhavan plays each change brilliantly in a film that is so tightly controlled that the mere glimpse of a new beard or a prayer mat being unrolled becomes a moment of horror.- New York Post
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Reviewed by
Russell Scott Smith
A moving documentary about poetry inspired by combat.- New York Post
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Reviewed by
Russell Scott Smith
Looking at the art and listening to the music is wonderful just on its own, but hanging out with Hockney is also a treat. He's a delightful companion.- New York Post
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Reviewed by
Russell Scott Smith
Infuriating, but not for the reason filmmakers want it to be.- New York Post
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Reviewed by
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- New York Post
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Reviewed by
Lou Lumenick
This is noir on steroids, cartoonishly ultra-violent and drawing inspiration from Mickey Spillane novels and E.C. comics of the '50s.- New York Post
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Reviewed by
Kyle Smith
Everyone seems to think that this crotch-rocket rumble is the equivalent of invading Normandy. "We're a band of brothers," says one racer. No, you're a band of boys, competing to see who has the longest camshaft.- New York Post
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Reviewed by
V.A. Musetto
Dom DeLuise, as a fruitcake director, and John Waters fave Mink Stole, as Robin's Jewish mother, spice things up, but not enough to make Girl Play worthwhile.- New York Post
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Reviewed by
Kyle Smith
Kontroll calls itself a thriller, and you will agree if you are excited by scenes of bored inspectors arguing with sullen straphangers.- New York Post
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Reviewed by
Lou Lumenick
Look at Me is on the talky side, but like Jaoui's directing debut, "The Taste of Others," it offers uniformly excellent performances and smart observations on social and family interactions.- New York Post
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- New York Post
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Reviewed by
Russell Scott Smith
Sometimes beautiful to look at but ultimately too poetic for its own good.- New York Post
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Reviewed by
Lou Lumenick
It's the audience that gets punk'd in this crass and sloppy comic recycling.- New York Post
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Reviewed by
Kyle Smith
If one enjoyed manufacturing symbols as much as Miller, one might speculate that Rose is Rebecca Miller, aching to be her own artist, and Jack is Arthur.- New York Post
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Reviewed by
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- New York Post
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Reviewed by
Russell Scott Smith
Offers plenty of fun, nostalgic footage of 1950s pro lady wrestlers kicking butt.- New York Post
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Reviewed by
V.A. Musetto
Gabizon has a great idea. But he ruins it by devoting too much time to colorful but unnecessary characters.- New York Post
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Reviewed by
V.A. Musetto
Park's direction is flawless and Jung Jung-hoon's cinematography is stunning.- New York Post
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Reviewed by
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Reviewed by
Lou Lumenick
Screenwriter Marc Lawrence, who worked on the original, throws in unbelievable plot twists merely as excuses for comic mayhem.- New York Post
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Reviewed by
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- New York Post
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Reviewed by
Lou Lumenick
An intoxicating attack on the homogenization of wines around the world - a "Fahrenheit 9/11" for the oneophile set.- New York Post
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Reviewed by
Kyle Smith
This movie wasn't just made for 11-year-old girls; it seems to have been made by 11-year-old girls.- New York Post
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Reviewed by
Lou Lumenick
Borrowing liberally from the "Exorcist" and "Omen" movies, and with little regard for credibility, The Ring Two has a familiar ring to it.- New York Post
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Reviewed by
Kyle Smith
Not since Edward Norton kicked his own butt in Fight Club has the screen witnessed such a brutal self-drubbing.- New York Post
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Reviewed by
Lou Lumenick
Despite reams of maudlin narration, McKidd's powerful performance as a conflicted man makes this beautifully shot low-budget feature worth checking out.- New York Post
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Reviewed by
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- New York Post
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- New York Post
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