New York Post's Scores

  • Movies
  • TV
For 8,354 reviews, this publication has graded:
  • 44% higher than the average critic
  • 2% same as the average critic
  • 54% lower than the average critic
On average, this publication grades 8.3 points lower than other critics. (0-100 point scale)
Average Movie review score: 57
Highest review score: 100 Patriots Day
Lowest review score: 0 Zombie! vs. Mardi Gras
Score distribution:
8354 movie reviews
  1. Never reaches the heights of "Short Cuts" or "Magnolia" -- two multi-story films that clearly provided inspiration -- but it's a thoughtful road trip well worth taking.
  2. Even smut can be dull.
  3. The film is a loopy, family-friendly jaunt, with a perfect "Wizard of Oz" finale that isn't in the book, but like the book, it suffers from a chronic plot malfunction.
  4. A big, loud, proudly brainless popcorn flick that blows up cars, trucks, tanks, boats, helicopters and even a train.
  5. Kim's wittiest effort to date, with a wordless performance by Jae Hee that recalls Keaton and Chaplin.
  6. Well-intended and often poignant film that, unfortunately, too often bogs down in too much talk by its participants.
  7. A series of beautifully bleak black-and-white images of the sexy actress Islid Le Besco staring gravely out of windows.
  8. A mockumentary that veers unsteadily between satire and an infomercial for Dash's Roc-A-Fella records.
  9. The dialogue is so real that it makes you wince, then laugh.
  10. The Holy Girl ends without resolution, but one isn't needed in this mature, thoughtful drama.
  11. Well-acted but a bit creaky.
  12. Unless you're already into this stuff, it'll be hard to stay awake through the documentary, which was made on a low budget with technical values that are decidedly amateurish.
  13. Director Roland Suso Richter maintains tension for 2 1/2 hours, even though the resolution is almost surreal.
  14. The 3-D effects are among the most effective ever shot.
  15. Make no mistake: Casuistry isn't easy to watch. Cat lovers might be especially turned off. But Asher had every right to make it, and you have every right to see it.
  16. But at the risk of sounding ungrateful, Sydney Pollack's latest film should have been a lot better.
  17. Say this for A Lot Like Love: It isn't one of those impossibly witty romantic comedies.
  18. None of this is remotely funny.
  19. It shows the hardship that women -- especially older women -- must endure in a male-dominated business.
  20. The story is fascinating, infuriating and even laugh-out-loud funny at times.
  21. By the time this corn festival is over, you'll be crying out for the relative toughness of the average Jimmy Stewart film.
  22. An unassuming love comedy with plot problems.
  23. Strictly generic, it does little more than regurgitate the J-horror hits "Ringu" and "Ju-on."
  24. So bland that it fails to make an impression.
  25. A goofy, low-budget, predictable and totally entertaining Z-grade splatter-comedy, which deserves a long life (or, should we say, undeath) on the college midnight-movie circuit.
  26. Director-writer Jang Jun-hwan starts things off with a bang and never looks back, pushing up the excitement periodically.
  27. Shoddily made, boring and, most shockingly, without a single decent scare.
  28. That someone as smart as Duchovny would get bogged down in such predictable treacle is a mystery worthy of investigation by Scully and Mulder.
  29. "Trainspotting" redux.
  30. There are no end of tear-jerking moments in Perlasca, a well-made and heart-rending Italian "Schindler's List."

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