New York Post's Scores
- Movies
- TV
For 8,354 reviews, this publication has graded:
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44% higher than the average critic
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2% same as the average critic
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54% lower than the average critic
On average, this publication grades 8.3 points lower than other critics.
(0-100 point scale)
Average Movie review score: 57
| Highest review score: | Patriots Day | |
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| Lowest review score: | Zombie! vs. Mardi Gras |
Score distribution:
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Positive: 4,341 out of 8354
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Mixed: 1,703 out of 8354
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Negative: 2,310 out of 8354
8354
movie
reviews
- By Date
- By Critic Score
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Reviewed by
Kyle Smith
The film is soft and sticky, but it deserves a (small) audience. If you're in that peculiar kind of blue mood where you'd like to be just a bit bluer, Dear Frankie might be the right choice.- New York Post
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- New York Post
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Reviewed by
Kyle Smith
At its best, the film just sits back and lets the weird times roll.- New York Post
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Reviewed by
V.A. Musetto
Has no profound statements to make, but it does provide warm and fuzzy comfort.- New York Post
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Reviewed by
V.A. Musetto
Fox can't decide if Walk on Water is a terrorist thriller or a gay buddy story, and neither can the viewer.- New York Post
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Russell Scott Smith
All the pieces converge in a powerful rush during the second half.- New York Post
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Reviewed by
Russell Scott Smith
There's a story here, but the film doesn't tell it.- New York Post
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- New York Post
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Reviewed by
V.A. Musetto
Unlike Cursed, which resorts to blatant but unconvincing gore and violence, "The Wolf Man" (1941) gets its point across through suggestion, makeup and spooky sets.- New York Post
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Reviewed by
Lou Lumenick
Plays like an unwieldy mishmash of "Big Momma's House," "An Unmarried Woman" and "The Burning Bed," with lots of gospel music thrown in.- New York Post
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Debra Birnbaum
Mindless, vapid fare... Watching the movie, you'll feel really dirty.- New York Post
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Russell Scott Smith
A mystery that isn't suspenseful so much as realistic, in which the detective's motivation is understandable and the story moves the way life does, instead of as a thrill ride.- New York Post
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V.A. Musetto
The result is an absorbing look at a country still struggling to adjust more than a decade after the fall of communism.- New York Post
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- New York Post
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Reviewed by
Lou Lumenick
Only mildly diverting and way too long for a movie aimed at kids.- New York Post
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Reviewed by
Lou Lumenick
A great-looking but torturously slow and often hokey cross between "The Exorcist" and "Dirty Harry."- New York Post
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- New York Post
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- New York Post
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Reviewed by
Debra Birnbaum
It's like "Waiting for Guffman" without the wit or irony.- New York Post
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Reviewed by
Lou Lumenick
It's the well-wrought details that explain, perhaps better than any earlier film, how an entire country bought into Hitler's genocidal madness.- New York Post
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Russell Scott Smith
This is ultimately a sunny movie full of likable characters.- New York Post
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- New York Post
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Reviewed by
V.A. Musetto
This isn't a war movie. Rather, it's a powerful, heart-tugging portrait of the innocent victims of conflict.- New York Post
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Reviewed by
Kyle Smith
The highlight of this package of 12 recent animated shorts from around the world is Australia's "Ward 13."- New York Post
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Reviewed by
Russell Scott Smith
Sitting through three totally unrelated documentaries in a row -- with all that puzzling (subtitled) dialogue and those long (enigmatic) silences? That's a migraine waiting to happen.- New York Post
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Reviewed by
V.A. Musetto
Having root-canal surgery would be less painful than sitting through the martial-arts disaster Ong-Bak: The Thai Warrior.- New York Post
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Reviewed by
Lou Lumenick
You could do worse for a date movie than Gurinder Chadha's campy, exuberant cross-cultural take on Austen's much-filmed 1812 novel.- New York Post
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- New York Post
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Reviewed by
Lou Lumenick
A thorough but highly entertaining documentary details the making of the notorious 1972 film, the series of legal battles that helped make it immensely popular and the flick's considerable cultural legacy.- New York Post
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Reviewed by
Debra Birnbaum
A thoughtful, provocative film that understandably ruffled a few feathers in its native Italy -- the portrayal of the church is far less than beatific.- New York Post
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