New York Post's Scores
- Movies
- TV
For 8,354 reviews, this publication has graded:
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44% higher than the average critic
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2% same as the average critic
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54% lower than the average critic
On average, this publication grades 8.3 points lower than other critics.
(0-100 point scale)
Average Movie review score: 57
| Highest review score: | Patriots Day | |
|---|---|---|
| Lowest review score: | Zombie! vs. Mardi Gras |
Score distribution:
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Positive: 4,341 out of 8354
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Mixed: 1,703 out of 8354
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Negative: 2,310 out of 8354
8354
movie
reviews
- By Date
- By Critic Score
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Reviewed by
V.A. Musetto
The movie is overwhelmingly positive. It would have helped if Araki's critics had more of a say.- New York Post
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Reviewed by
Lou Lumenick
For those with a high tolerance for violence, Asssault on Precinct 13 is a thriller that actually thrills.- New York Post
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Russell Scott Smith
You don't have to know Chile's bloody history to be moved by the poignant new film Machuca, the first movie made by a Chilean about the country's 1973 military coup.- New York Post
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Reviewed by
Lou Lumenick
Stands in stark contrast to the quickie political documentaries that have flooded into specialty venues since last year.- New York Post
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Reviewed by
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- New York Post
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- New York Post
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Reviewed by
Russell Scott Smith
A predictable but pleasant kids movie that veers between old-fashioned girl-and-her-horse sentiment and "Ren & Stimpy"-style poo jokes.- New York Post
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Lou Lumenick
A shameless heart-tugger from France, The Chorus leaves no cliché unturned.- New York Post
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- New York Post
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Reviewed by
V.A. Musetto
Reaches its climax on the main bathing day, with a throng of naked holy men leading the charge into the Ganges. You would be forgiven for thinking you're watching a hot July day at Coney Island.- New York Post
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Reviewed by
V.A. Musetto
Lets both sides sound off without offering a spin of its own. [12 Jan 2005, p.70]- New York Post
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Reviewed by
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Reviewed by
Lou Lumenick
Poor Keaton, a capable actor who was absent from the screen for several years, is hamstrung by the material even more than in last year's dismal "First Daughter."- New York Post
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Reviewed by
Debra Birnbaum
Aspires to be a highly stylized exploration of the mind of a serial killer, but it's nothing more than a gory, bloodsoaked snuff film, reveling in its own shock value.- New York Post
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V.A. Musetto
A soggy love story doesn't help this instance of style over substance.- New York Post
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Lou Lumenick
A star is born in In Good Company, which showcases Topher Grace.- New York Post
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Reviewed by
Lou Lumenick
Not even a compelling performance by Al Pacino as Shylock can make The Merchant of Venice work in its first major big-screen adaptation.- New York Post
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Reviewed by
Lou Lumenick
Macht is the best thing in A Love Song for Bobby Long, but his intelligent performance doesn't justify a tough, and very long, sit.- New York Post
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Reviewed by
V.A. Musetto
It features Sean Penn in a mesmerizing portrayal of the would-be hijacker.- New York Post
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Reviewed by
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- New York Post
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- New York Post
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Reviewed by
Lou Lumenick
It says a lot about the sequel that the funniest moment belongs to none of the big stars, but to Owen Wilson.- New York Post
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- New York Post
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- New York Post
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Reviewed by
V.A. Musetto
Yu presents a compelling, somewhat disturbing portrait of the artist, who in 2000 was the subject of a major exhibit that toured the world.- New York Post
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Reviewed by
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- New York Post
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Reviewed by
Lou Lumenick
The movie equivalent of a lavish coffee-table book, a love letter to the Golden Age of Hollywood from one of its foremost students.- New York Post
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Reviewed by
Lou Lumenick
A lavishly mounted blockbuster that has little personality of its own except on a purely visual level.- New York Post
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Reviewed by
Lou Lumenick
Whatever message Brooks was trying to put across with Spanglish, it clearly got lost in translaaaaaaaaaaation.- New York Post
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Reviewed by
Lou Lumenick
This new low-octane version is hardly going to make anyone forget Robert Aldrich's semi-classic, testosterone-laden original starring Jimmy Stewart.- New York Post
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Reviewed by
Lou Lumenick
The willfully eccentric Beyond the Sea seems to be telling us a lot more about its star and director, Kevin Spacey, than its ostensible subject.- New York Post
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