New York Post's Scores

  • Movies
  • TV
For 8,354 reviews, this publication has graded:
  • 44% higher than the average critic
  • 2% same as the average critic
  • 54% lower than the average critic
On average, this publication grades 8.3 points lower than other critics. (0-100 point scale)
Average Movie review score: 57
Highest review score: 100 Patriots Day
Lowest review score: 0 Zombie! vs. Mardi Gras
Score distribution:
8354 movie reviews
  1. The movie is overwhelmingly positive. It would have helped if Araki's critics had more of a say.
  2. For those with a high tolerance for violence, Asssault on Precinct 13 is a thriller that actually thrills.
  3. You don't have to know Chile's bloody history to be moved by the poignant new film Machuca, the first movie made by a Chilean about the country's 1973 military coup.
  4. Stands in stark contrast to the quickie political documentaries that have flooded into specialty venues since last year.
  5. Predictable.
  6. Deadly dull.
  7. A predictable but pleasant kids movie that veers between old-fashioned girl-and-her-horse sentiment and "Ren & Stimpy"-style poo jokes.
  8. A shameless heart-tugger from France, The Chorus leaves no cliché unturned.
  9. Lackluster anime.
  10. Reaches its climax on the main bathing day, with a throng of naked holy men leading the charge into the Ganges. You would be forgiven for thinking you're watching a hot July day at Coney Island.
  11. Lets both sides sound off without offering a spin of its own. [12 Jan 2005, p.70]
    • New York Post
  12. Poor Keaton, a capable actor who was absent from the screen for several years, is hamstrung by the material even more than in last year's dismal "First Daughter."
  13. Aspires to be a highly stylized exploration of the mind of a serial killer, but it's nothing more than a gory, bloodsoaked snuff film, reveling in its own shock value.
  14. A soggy love story doesn't help this instance of style over substance.
  15. A star is born in In Good Company, which showcases Topher Grace.
  16. Not even a compelling performance by Al Pacino as Shylock can make The Merchant of Venice work in its first major big-screen adaptation.
  17. Macht is the best thing in A Love Song for Bobby Long, but his intelligent performance doesn't justify a tough, and very long, sit.
  18. It features Sean Penn in a mesmerizing portrayal of the would-be hijacker.
  19. Lumpy, preachy and soporific.
  20. One of the year's best.
  21. It says a lot about the sequel that the funniest moment belongs to none of the big stars, but to Owen Wilson.
  22. Crashing chandelier, crashing bore.
  23. One of the year's best.
  24. Yu presents a compelling, somewhat disturbing portrait of the artist, who in 2000 was the subject of a major exhibit that toured the world.
  25. Kim Rossi Stuart gives an excellent performance.
  26. The movie equivalent of a lavish coffee-table book, a love letter to the Golden Age of Hollywood from one of its foremost students.
  27. A lavishly mounted blockbuster that has little personality of its own except on a purely visual level.
  28. Whatever message Brooks was trying to put across with Spanglish, it clearly got lost in translaaaaaaaaaaation.
  29. This new low-octane version is hardly going to make anyone forget Robert Aldrich's semi-classic, testosterone-laden original starring Jimmy Stewart.
  30. The willfully eccentric Beyond the Sea seems to be telling us a lot more about its star and director, Kevin Spacey, than its ostensible subject.

Top Trailers