New York Post's Scores
- Movies
- TV
For 8,343 reviews, this publication has graded:
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44% higher than the average critic
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2% same as the average critic
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54% lower than the average critic
On average, this publication grades 8.2 points lower than other critics.
(0-100 point scale)
Average Movie review score: 57
| Highest review score: | Patriots Day | |
|---|---|---|
| Lowest review score: | Zombie! vs. Mardi Gras |
Score distribution:
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Positive: 4,334 out of 8343
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Mixed: 1,701 out of 8343
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Negative: 2,308 out of 8343
8343
movie
reviews
- By Date
- By Critic Score
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Reviewed by
Debra Birnbaum
Aspires to be a highly stylized exploration of the mind of a serial killer, but it's nothing more than a gory, bloodsoaked snuff film, reveling in its own shock value.- New York Post
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V.A. Musetto
A soggy love story doesn't help this instance of style over substance.- New York Post
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Reviewed by
Lou Lumenick
A star is born in In Good Company, which showcases Topher Grace.- New York Post
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Reviewed by
Lou Lumenick
Not even a compelling performance by Al Pacino as Shylock can make The Merchant of Venice work in its first major big-screen adaptation.- New York Post
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Reviewed by
Lou Lumenick
Macht is the best thing in A Love Song for Bobby Long, but his intelligent performance doesn't justify a tough, and very long, sit.- New York Post
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Reviewed by
V.A. Musetto
It features Sean Penn in a mesmerizing portrayal of the would-be hijacker.- New York Post
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- New York Post
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- New York Post
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Reviewed by
Lou Lumenick
It says a lot about the sequel that the funniest moment belongs to none of the big stars, but to Owen Wilson.- New York Post
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- New York Post
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- New York Post
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Reviewed by
V.A. Musetto
Yu presents a compelling, somewhat disturbing portrait of the artist, who in 2000 was the subject of a major exhibit that toured the world.- New York Post
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- New York Post
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Reviewed by
Lou Lumenick
The movie equivalent of a lavish coffee-table book, a love letter to the Golden Age of Hollywood from one of its foremost students.- New York Post
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Reviewed by
Lou Lumenick
A lavishly mounted blockbuster that has little personality of its own except on a purely visual level.- New York Post
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Reviewed by
Lou Lumenick
Whatever message Brooks was trying to put across with Spanglish, it clearly got lost in translaaaaaaaaaaation.- New York Post
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Lou Lumenick
This new low-octane version is hardly going to make anyone forget Robert Aldrich's semi-classic, testosterone-laden original starring Jimmy Stewart.- New York Post
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Reviewed by
Lou Lumenick
The willfully eccentric Beyond the Sea seems to be telling us a lot more about its star and director, Kevin Spacey, than its ostensible subject.- New York Post
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V.A. Musetto
Bardem gives such a brilliant performance in The Sea Inside, it's a crime that the film itself drowns in tears.- New York Post
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V.A. Musetto
If you think you've seen Imaginary Heroes before, you're right -- only it was called "The Ice Storm," or maybe "Ordinary People."- New York Post
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Lou Lumenick
A spare, exquisitely realized masterpiece about faith, redemption and boxing that beautifully illustrates his longtime philosophy that "less is more."- New York Post
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Reviewed by
V.A. Musetto
Who says you need a big crew and tons of money to make an enjoyable movie?- New York Post
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Reviewed by
Lou Lumenick
Forget the plot of Ocean's Twelve - you will by the time you leave the theater, if not sooner. This slickly entertaining sequel is all about savoring eye candy.- New York Post
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Reviewed by
Lou Lumenick
Intermittently brilliant, intermittently hilarious -- and occasionally tedious.- New York Post
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V.A. Musetto
Lush and poetic, Dolls proves once again that Kitano is one of the world's most original filmmakers.- New York Post
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Reviewed by
V.A. Musetto
Moves along its tranquil way until about five minutes before the closing credits, when it turns into a terrorist thriller.- New York Post
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V.A. Musetto
An old-fashioned soaper that will please or not, depending on a viewer's tolerance for schmaltz.- New York Post
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- New York Post
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Reviewed by
V.A. Musetto
Briski, a New York photographer, spent several years with the pre-teens. But she did more than just film them -- she tried to help them.- New York Post
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Reviewed by
Lou Lumenick
An impeccably acted and directed - but quite icy - portrait of deception and betrayal.- New York Post
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