New York Post's Scores
- Movies
- TV
For 8,343 reviews, this publication has graded:
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44% higher than the average critic
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2% same as the average critic
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54% lower than the average critic
On average, this publication grades 8.2 points lower than other critics.
(0-100 point scale)
Average Movie review score: 57
| Highest review score: | Patriots Day | |
|---|---|---|
| Lowest review score: | Zombie! vs. Mardi Gras |
Score distribution:
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Positive: 4,334 out of 8343
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Mixed: 1,701 out of 8343
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Negative: 2,308 out of 8343
8343
movie
reviews
- By Date
- By Critic Score
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- New York Post
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Reviewed by
V.A. Musetto
Provides a few minor thrills, but overall is talky and implausible.- New York Post
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Reviewed by
Megan Lehmann
Devoid of 21st-century irony, this visually stunning, action-packed yuletide treat is sweet and, yes, magical in a way that will enchant kids and give older viewers a twinge of nostalgia.- New York Post
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- New York Post
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Reviewed by
V.A. Musetto
This is Ebiri's first feature after directing four shorts. He shows talent, but shouldn't give up his day job just yet.- New York Post
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- New York Post
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Reviewed by
V.A. Musetto
If you're thinking of taking the kids to Bear Cub because the title sounds like something they'd enjoy -- don't!- New York Post
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- New York Post
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Reviewed by
Megan Lehmann
An intelligent and entertaining exploration of racial and sexual politics that brings alive the Harlem Renaissance of the 1920s, and draws parallels with African-American identity crises of today.- New York Post
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Reviewed by
Lou Lumenick
This masturbatory exercise is the least revealing "documentary" since Jerry Seinfeld's "Comedian."- New York Post
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Lou Lumenick
A spectacularly rendered tale of a family of superheroes, takes the art form to a whole new level.- New York Post
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V.A. Musetto
Manages to entertain while saying something about loneliness and culture shock.- New York Post
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- New York Post
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Reviewed by
Lou Lumenick
Contains large helpings of Hollywood schmaltz, stereotype and clich‚, but it's also pretty impossible to resist.- New York Post
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- New York Post
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Reviewed by
Megan Lehmann
Kidman gives an other stunning performance in Birth, but it is a riddle wrapped in a mystery inside an enigma that ultimately reveals . . . not much.- New York Post
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Lou Lumenick
Contains impeccable performances, especially by the frightening Ifans.- New York Post
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- New York Post
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- New York Post
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Reviewed by
Megan Lehmann
A weird hybrid of cloning thriller and futuristic love story, with hints of "The Godfather" and "Ice Castles" - and it wears its disjointed nature like a badge of honor.- New York Post
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Reviewed by
V.A. Musetto
Shamelessly press viewers' emotional buttons. But the film is so well-made and the performances so accomplished that it doesn't matter.- New York Post
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Megan Lehmann
A sublime variation on the buddy road movie, infusing the midlife crises of the two main protagonists with hope and poetry.- New York Post
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V.A. Musetto
The Grudge offers a bit more exposition than did "Ju-On," but the plot is still wispy.- New York Post
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Lou Lumenick
A crass, shrill and laughless disaster of a holiday comedy with a desperately mugging Ben Affleck that should be banned under the Geneva Convention.- New York Post
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Megan Lehmann
A joyous, toe-tapping celebration of a musical style born of sorrow.- New York Post
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Megan Lehmann
Anderson gives The Machinist a sickly noirish look that contributes to the creeping horror - but it's the emaciated Bale's spectral presence that leaves the imprint.- New York Post
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Megan Lehmann
A sporadically amusing curiosity that falls short of effectively satirizing the public's fixation with the minutiae of celebrity lives.- New York Post
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Megan Lehmann
Conforms to many of the tropes of a formula thriller but, aided by an evocative Philip Glass score and Tim Orr's beautifully naturalistic cinematography, it transcends the genre.- New York Post
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Reviewed by
V.A. Musetto
Never rises above the level of a second-rate TV sit-com.- New York Post
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- New York Post
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