New York Post's Scores
- Movies
- TV
For 8,343 reviews, this publication has graded:
-
44% higher than the average critic
-
2% same as the average critic
-
54% lower than the average critic
On average, this publication grades 8.2 points lower than other critics.
(0-100 point scale)
Average Movie review score: 57
| Highest review score: | Patriots Day | |
|---|---|---|
| Lowest review score: | Zombie! vs. Mardi Gras |
Score distribution:
-
Positive: 4,334 out of 8343
-
Mixed: 1,701 out of 8343
-
Negative: 2,308 out of 8343
8343
movie
reviews
- By Date
- By Critic Score
-
-
Reviewed by
V.A. Musetto
Argento keeps the suspense level high while throwing in trademark cringe-inducing moments.- New York Post
- Read full review
-
Reviewed by
-
- New York Post
- Read full review
-
-
Reviewed by
Lou Lumenick
A shipwreck. They say a dead fish stinks from the head first - but the animated shipwreck Shark Tale arrives reeking all over.- New York Post
- Read full review
-
Reviewed by
-
-
Reviewed by
Megan Lehmann
The frantic nuttiness of the stylistically dynamic Huckabees is often laugh-out-loud funny, but amid the pandemonium there's a sense of truly rigorous soul-searching.- New York Post
- Read full review
-
Reviewed by
-
- New York Post
- Read full review
-
-
Reviewed by
Lou Lumenick
Butler's film still manages to accomplish what the candidate's foundering campaign has utterly failed to do.- New York Post
- Read full review
-
Reviewed by
-
-
Reviewed by
Megan Lehmann
An earnest undertaking that unfortunately plays like a trite Lifetime movie.- New York Post
- Read full review
-
Reviewed by
-
- New York Post
- Read full review
-
-
Reviewed by
V.A. Musetto
The subject is worth exploring - unfortunately, de Seve does so in a cut-and-dried manner that never explains why these two couples were able to stay together for so long.- New York Post
- Read full review
-
Reviewed by
-
-
Reviewed by
Lou Lumenick
Eloquent testimony about the moral ambiguity of war from veterans, human rights officials and Iraqi refugees, several of whom worked as extras on "Three Kings."- New York Post
- Read full review
-
Reviewed by
-
-
Reviewed by
Lou Lumenick
The latest, and let's hope the last, in the raft of uninspired, quickie Bush-bashing documentaries churned out by producer Robert Greenwald- New York Post
- Read full review
-
Reviewed by
-
-
Reviewed by
V.A. Musetto
Sylvarnes, who scripted, directed, edited and photographed this amazing first feature, makes spectacular use of digital video.- New York Post
- Read full review
-
Reviewed by
-
-
Reviewed by
V.A. Musetto
Overflows with psychological intrigue, something often missing from such offerings.- New York Post
- Read full review
-
Reviewed by
-
-
Reviewed by
V.A. Musetto
Pegg and director/co-writer Edgar Wright mix numerous references to other zombie flicks with hilarious bits of their own. The best has Ed and Shaun deciding which LPs can be used as ammo.- New York Post
- Read full review
-
Reviewed by
-
- New York Post
- Read full review
-
-
Reviewed by
Megan Lehmann
The worst crime perpetrated in the Swiss-cheese screenplay by Gerald Di Pego ("Angel Eyes") is the cynical use of a mother's love for her child as a plot device for an intelligence-insulting sci-fi dud.- New York Post
- Read full review
-
Reviewed by
-
- New York Post
- Read full review
-
-
Reviewed by
Lou Lumenick
Wildly uneven, but contains moments that are right up there with "The Player."- New York Post
- Read full review
-
Reviewed by
-
- New York Post
- Read full review
-
- New York Post
- Read full review
-
-
Reviewed by
Lou Lumenick
Eric Schaeffer's rip-off -- er, homage -- to "Magnolia," is a marginally better movie than his previous self-absorbed atrocities like "My Life's in Turnaround" and "Wirey Spindell."- New York Post
- Read full review
-
Reviewed by
-
-
Reviewed by
V.A. Musetto
Ranks high on the squirm meter. But, unlike in most of her earlier work, there's no emotional payoff.- New York Post
- Read full review
-
Reviewed by
-
-
Reviewed by
Lou Lumenick
Tends to run low on steam well before the end, though Waters gamely tries to pump things up with filthy novelty tunes and clips from old stag films.- New York Post
- Read full review
-
Reviewed by
-
- New York Post
- Read full review
-
-
Reviewed by
Megan Lehmann
An amusing side dish to the sober political documentaries flooding the art houses, The Yes Men effectively uses high farce to mock the status quo as a way of questioning it.- New York Post
- Read full review
-
Reviewed by
-
- New York Post
- Read full review
-
- New York Post
- Read full review
-
-
Reviewed by
Lou Lumenick
A collection of such dazzling digital illusions you can't wait for it to hit DVD so you can freeze individual images.- New York Post
- Read full review
-
Reviewed by
-
- New York Post
- Read full review
-
-
Reviewed by
V.A. Musetto
It's rather sweet and life-affirming, although the transformation from sophisticate to peasant happens too conveniently and quickly.- New York Post
- Read full review
-
Reviewed by