The longest 85-minute road trip you could imagine.

A real head-scratcher that somehow won the grand jury prize at this year's Sundance Film Festival.

Goes down smoothly.

Sometimes teeters on the verge of going completely over the top, but it's mostly saved by its own self-awareness.

Has relevance in the world as we now know it.

A campy, brightly colored musical comedy.

Another repulsive, fetishistic trawl through the life and crimes of a serial killer.

Truth is, this story of the out-of-control director and his inexperienced, enabling studio heads -- who allowed Cimino to lock them out of the editing room, hoping he would deliver another Oscar winner like "The Deer Hunter" -- is more compelling than Cimino's long-winded epic.

Iraqi-Kurdish director-writer Hiner Saleem is in no hurry to tell the story, and viewers drawn in by the warm-hearted tale and charmingly eccentric characters will be in no hurry for the closing credits.

This witless action comedy begins to insult the audience's intelligence from the opening scene.

Caouette has used art, wit and a huge heart to forge his experiences into an unqualified masterpiece.

Argento keeps the suspense level high while throwing in trademark cringe-inducing moments.

Tedious and obnoxiously manipulative.

A shipwreck. They say a dead fish stinks from the head first - but the animated shipwreck Shark Tale arrives reeking all over.

The frantic nuttiness of the stylistically dynamic Huckabees is often laugh-out-loud funny, but amid the pandemonium there's a sense of truly rigorous soul-searching.

A hip eye-opener.

Butler's film still manages to accomplish what the candidate's foundering campaign has utterly failed to do.

An earnest undertaking that unfortunately plays like a trite Lifetime movie.

Sappy and simplistic.

The subject is worth exploring - unfortunately, de Seve does so in a cut-and-dried manner that never explains why these two couples were able to stay together for so long.

Eloquent testimony about the moral ambiguity of war from veterans, human rights officials and Iraqi refugees, several of whom worked as extras on "Three Kings."

The latest, and let's hope the last, in the raft of uninspired, quickie Bush-bashing documentaries churned out by producer Robert Greenwald

Sylvarnes, who scripted, directed, edited and photographed this amazing first feature, makes spectacular use of digital video.

Overflows with psychological intrigue, something often missing from such offerings.

Pegg and director/co-writer Edgar Wright mix numerous references to other zombie flicks with hilarious bits of their own. The best has Ed and Shaun deciding which LPs can be used as ammo.

Directed without wit or energy.

The worst crime perpetrated in the Swiss-cheese screenplay by Gerald Di Pego ("Angel Eyes") is the cynical use of a mother's love for her child as a plot device for an intelligence-insulting sci-fi dud.

A gorgeous, poetic and stirring epic.