New York Post's Scores

  • Movies
  • TV
For 8,343 reviews, this publication has graded:
  • 44% higher than the average critic
  • 2% same as the average critic
  • 54% lower than the average critic
On average, this publication grades 8.2 points lower than other critics. (0-100 point scale)
Average Movie review score: 57
Highest review score: 100 Patriots Day
Lowest review score: 0 Zombie! vs. Mardi Gras
Score distribution:
8343 movie reviews
  1. Argento keeps the suspense level high while throwing in trademark cringe-inducing moments.
  2. Tedious and obnoxiously manipulative.
  3. A shipwreck. They say a dead fish stinks from the head first - but the animated shipwreck Shark Tale arrives reeking all over.
  4. The frantic nuttiness of the stylistically dynamic Huckabees is often laugh-out-loud funny, but amid the pandemonium there's a sense of truly rigorous soul-searching.
  5. A hip eye-opener.
  6. Butler's film still manages to accomplish what the candidate's foundering campaign has utterly failed to do.
  7. An earnest undertaking that unfortunately plays like a trite Lifetime movie.
  8. Sappy and simplistic.
  9. The subject is worth exploring - unfortunately, de Seve does so in a cut-and-dried manner that never explains why these two couples were able to stay together for so long.
  10. Eloquent testimony about the moral ambiguity of war from veterans, human rights officials and Iraqi refugees, several of whom worked as extras on "Three Kings."
  11. The latest, and let's hope the last, in the raft of uninspired, quickie Bush-bashing documentaries churned out by producer Robert Greenwald
  12. Sylvarnes, who scripted, directed, edited and photographed this amazing first feature, makes spectacular use of digital video.
  13. Overflows with psychological intrigue, something often missing from such offerings.
  14. Pegg and director/co-writer Edgar Wright mix numerous references to other zombie flicks with hilarious bits of their own. The best has Ed and Shaun deciding which LPs can be used as ammo.
  15. Directed without wit or energy.
  16. The worst crime perpetrated in the Swiss-cheese screenplay by Gerald Di Pego ("Angel Eyes") is the cynical use of a mother's love for her child as a plot device for an intelligence-insulting sci-fi dud.
  17. A gorgeous, poetic and stirring epic.
  18. Wildly uneven, but contains moments that are right up there with "The Player."
  19. It'll mainly appeal to film-biz insiders.
  20. Pleasant but lifeless love story.
  21. Eric Schaeffer's rip-off -- er, homage -- to "Magnolia," is a marginally better movie than his previous self-absorbed atrocities like "My Life's in Turnaround" and "Wirey Spindell."
  22. Ranks high on the squirm meter. But, unlike in most of her earlier work, there's no emotional payoff.
  23. Tends to run low on steam well before the end, though Waters gamely tries to pump things up with filthy novelty tunes and clips from old stag films.
  24. A devilish updating of Verdi's "Rigoletto."
  25. An amusing side dish to the sober political documentaries flooding the art houses, The Yes Men effectively uses high farce to mock the status quo as a way of questioning it.
  26. A surprisingly edgy comedy.
  27. An ultra-predictable if essentially painless romantic comedy.
  28. A collection of such dazzling digital illusions you can't wait for it to hit DVD so you can freeze individual images.
  29. An overlong melodrama-by-numbers.
  30. It's rather sweet and life-affirming, although the transformation from sophisticate to peasant happens too conveniently and quickly.

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