New York Post's Scores
- Movies
- TV
For 8,343 reviews, this publication has graded:
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44% higher than the average critic
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2% same as the average critic
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54% lower than the average critic
On average, this publication grades 8.2 points lower than other critics.
(0-100 point scale)
Average Movie review score: 57
| Highest review score: | Patriots Day | |
|---|---|---|
| Lowest review score: | Zombie! vs. Mardi Gras |
Score distribution:
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Positive: 4,334 out of 8343
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Mixed: 1,701 out of 8343
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Negative: 2,308 out of 8343
8343
movie
reviews
- By Date
- By Critic Score
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Reviewed by
Lou Lumenick
The clichéd and predictable Suspect Zero is the latest evidence that Hollywood has run the serial-killer thriller into the ground through overuse - the same way it earlier exhausted, say, buddy action-comedies.- New York Post
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Reviewed by
Lou Lumenick
One of the better political documentaries flooding into theaters after "Fahrenheit 9/11" and before the election.- New York Post
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- New York Post
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Reviewed by
Lou Lumenick
Stars Carmine Famiglietti, Joseph Summa and Gino Cafarelli apparently also wrote Chooch and directed it under a trio of aliases. They shoulda applied to the witness-protection program instead.- New York Post
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Reviewed by
Lou Lumenick
In a season of hyperven tilating political docu mentaries - witness Michael Moore and his imitators - Ross McElwee shows just how far subtlety can go with his latest charming effort, Bright Leaves.- New York Post
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Reviewed by
Megan Lehmann
A likable trio of actors struggles valiantly but ultimately fails to keep this dopey buddy comedy afloat.- New York Post
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Reviewed by
Lou Lumenick
Disco may still be dead, but Benji: Off the Leash! resurrects another dubious artifact of the '70s - the crudely made family films starring that lovable mutt.- New York Post
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Reviewed by
Lou Lumenick
The acting is serviceable at best, the direction unfocused - and the special effects and makeup cheesy-looking. This is surely the most dreary-looking film ever shot by the great Vittorio Storaro ("Apocalypse Now").- New York Post
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Reviewed by
Megan Lehmann
Presumably, Deville wants to show life returning to normal after WWII, but in the context of this inert movie, "normal" equals "tedious."- New York Post
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Reviewed by
Megan Lehmann
Ultimately, though, the lively whirl of debauched, drug-fueled parties and toffee-nosed exchanges between heiresses and aristocrats fails to mask the essential hollowness of the narrative.- New York Post
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- New York Post
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Reviewed by
V.A. Musetto
Greenwald does nothing with the interviews, basically just posting them, one after the other, with the hope that viewers will do his job for him. The result is one-sided and bone-dry.- New York Post
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V.A. Musetto
Mawkish and manipulative, the film isn't worthy of its widely praised German director.- New York Post
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Lou Lumenick
Many indie films about adolescents these days - like Gus Van Sant's "Elephants" - are willfully amoral. Mean Creek isn't - and it's the first indie since "Thirteen" that parents should make required viewing for teens.- New York Post
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- New York Post
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Reviewed by
Lou Lumenick
Somewhat leisurely paced, by American standards, especially in the beginning, but it's well worth sticking around for the payoff.- New York Post
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- New York Post
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Reviewed by
Lou Lumenick
It’s often hard to figure out who’s winning, much less care about it. One thing is certain: Nobody is going to be demanding a rematch.- New York Post
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- New York Post
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Reviewed by
Lou Lumenick
At heart a rather chilly and clinical portrait of four very selfish people.- New York Post
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Reviewed by
Megan Lehmann
Has just enough fairy dust to charm its target audience.- New York Post
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- New York Post
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Reviewed by
Megan Lehmann
The jaw-droppingly nasty second act is intriguing, but it veers into territory so dark that it sucks the air out of the bouncy chick flick that surrounds it, making for one confused -- and confusing -- comedy.- New York Post
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V.A. Musetto
There's extreme brutality, gore and violence, scads of severed body parts and oceans of squirting blood, as the brave -- and buffed -- people of Bang Rajan fight to the death.- New York Post
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- New York Post
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Reviewed by
V.A. Musetto
Enthralling performances are given by Tadanobu Asano (Miike's "Ichi the Killer") as Kenji and first-timer Sinitta Boonyasak as the pot-smoking Noi.- New York Post
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Megan Lehmann
While immersed in the horror of their plight, you might forget to breathe.- New York Post
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Lou Lumenick
Mostly a second-rate action picture that's content to use apartheid as a colorful background.- New York Post
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Reviewed by
Megan Lehmann
This furious finger-pointer's doc is so one-sided, it undermines its own integrity.- New York Post
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Reviewed by
V.A. Musetto
A melodramatic import from Algeria, is so relevant in this age of global terrorism, it's a shame it isn't much better.- New York Post
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