New York Post's Scores

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For 8,354 reviews, this publication has graded:
  • 44% higher than the average critic
  • 2% same as the average critic
  • 54% lower than the average critic
On average, this publication grades 8.3 points lower than other critics. (0-100 point scale)
Average Movie review score: 57
Highest review score: 100 Patriots Day
Lowest review score: 0 Zombie! vs. Mardi Gras
Score distribution:
  1. Positive: 4,341 out of 8354
  2. Mixed: 1,703 out of 8354
  3. Negative: 2,310 out of 8354
8354 movie reviews
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  1. Virgin
    Many of Kampmeier's characters are either ill-defined or clichéd.
  2. Wicker Park
    One of the silliest, most sieve-like screenplays of the year.
  3. Warriors of Heaven and Earth
    Falters when it gets involved with supernatural gobbledygook.
  4. Persons of Interest
    Their often touching stories of how their lives - and livelihoods - were disrupted are effectively intercut with excerpts from press conferences in which Attorney General John Ashcroft.
  5. The Cookout
    Nasty, borderline bigoted, stunningly amateurish film.
  6. Tae Guk Gi: The Brotherhood of War
    Shamelessly contrived and manipulative, Tae Guk Gi packs a visceral wallop.
  7. Remember Me, My Love
    Long-winded and often over-the-top Italian soap opera about a neurotic, middle-class Roman family.
  8. Vanity Fair
    Nair makes Vanity Fair an elegant showcase for an unforgettable heroine.
  9. The Brown Bunny
    As evident from The Brown Bunny and his directing debut, "Buffalo 66," Gallo is talented, although in an unconventional way. Call him an angry young man with a future.
  10. Hero
    It's full of passionate performances (except for the wooden Li), sizzling swordplay, bold and dazzling hues, and breathtaking landscapes.
  11. Anacondas: The Hunt for the Blood Orchid
    The biggest problem with the corny horror film Anacondas: The Hunt for the Blood Orchid is that its titular reptiles are about as scary as jellied eels.
  12. Superbabies: Baby Geniuses 2
    Spectacularly awful.
  13. Suspect Zero
    The clichéd and predictable Suspect Zero is the latest evidence that Hollywood has run the serial-killer thriller into the ground through overuse - the same way it earlier exhausted, say, buddy action-comedies.
  14. Bush's Brain
    One of the better political documentaries flooding into theaters after "Fahrenheit 9/11" and before the election.
  15. Brothers in Arms
    Little more than an infomercial for the candidate.
  16. Chooch
    Stars Carmine Famiglietti, Joseph Summa and Gino Cafarelli apparently also wrote Chooch and directed it under a trio of aliases. They shoulda applied to the witness-protection program instead.
  17. Bright Leaves
    In a season of hyperven tilating political docu mentaries - witness Michael Moore and his imitators - Ross McElwee shows just how far subtlety can go with his latest charming effort, Bright Leaves.
  18. Without a Paddle
    A likable trio of actors struggles valiantly but ultimately fails to keep this dopey buddy comedy afloat.
  19. Benji: Off the Leash!
    Disco may still be dead, but Benji: Off the Leash! resurrects another dubious artifact of the '70s - the crudely made family films starring that lovable mutt.
  20. Exorcist: The Beginning
    The acting is serviceable at best, the direction unfocused - and the special effects and makeup cheesy-looking. This is surely the most dreary-looking film ever shot by the great Vittorio Storaro ("Apocalypse Now").
  21. Almost Peaceful
    Presumably, Deville wants to show life returning to normal after WWII, but in the context of this inert movie, "normal" equals "tedious."
  22. Bright Young Things
    Ultimately, though, the lively whirl of debauched, drug-fueled parties and toffee-nosed exchanges between heiresses and aristocrats fails to mask the essential hollowness of the narrative.
  23. End of the Century
    A true fan's nirvana.
  24. Uncovered: The Whole Truth About the Iraq War
    Greenwald does nothing with the interviews, basically just posting them, one after the other, with the hope that viewers will do his job for him. The result is one-sided and bone-dry.
  25. Rosenstrasse
    Mawkish and manipulative, the film isn't worthy of its widely praised German director.
  26. Mean Creek
    Many indie films about adolescents these days - like Gus Van Sant's "Elephants" - are willfully amoral. Mean Creek isn't - and it's the first indie since "Thirteen" that parents should make required viewing for teens.
  27. It's Easier for a Camel...
    Overlong and heavy-handed.
  28. Red Lights
    Somewhat leisurely paced, by American standards, especially in the beginning, but it's well worth sticking around for the payoff.
  29. Nicotina
    Lightweight but enjoyable entertainment.
  30. AVP: Alien vs. Predator
    It’s often hard to figure out who’s winning, much less care about it. One thing is certain: Nobody is going to be demanding a rematch.
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