Might as well be called "Around the World in 80 Yawns."

Riddick-ulous.

Boasts a stellar ensemble cast and some priceless one-liners -- but those pearls of acerbic wit have been strung together on a cheap piece of thread which almost inevitably breaks in the third act.

Garfield is a downright cat-astrophe.

Refreshing for its simplicity and its originality in a marketplace dominated by soulless blockbusters.

A delightful "That's Entertainment" for the theater.

Cool graphics and music, combined with jittery camera work, keep the film's energy level high. Who knew Scrabble could be so exciting?

Throughout, Mrs. Marcos comes across as an elitist, insulated against real life by wealth and power -- yet one who truly believes she is misunderstood and has done nothing wrong.

This movie belongs to its young stars, who have grown immensely as actors since they were first ideally cast by Chris Columbus, the hack who directed the first two movies.

Essentially a more awkward Afghan version of "My Big Fat Greek Wedding."

Enjoyable if only to hear KarKar perform his mournful and personal songs, including a tender tribute to his late wife.

A rare film offering from Mongolia, is an unusual, captivating and crowd-pleasing semi-documentary about an extended family of camel herders -- and two of their flock.

Delivers its provocative message in the measured tones of a college professor -- yet there's no danger of falling asleep in this lecture.

So potent, it could change the mind of even the most staunch defender of capital punishment.

It's depressing as hell. While most of the seven say they want to beat the habit and become productive citizens, only one, Ron, follows through successfully.

Disaster movies, from "The Poseidon Adventure" to "Towering Inferno," are impossible to take seriously and "Day" is no exception - it's simply a fast-moving pageant of end-of-the-world eye candy.

This one-joke comedy vehicle is flying through a laugh-free zone.

The most exhilarating film about indie moviemaking on a shoestring since "Ed Wood," even if its subject -- the director's dad, ultra-macho filmmaking pioneer Melvin Van Peebles -- couldn't be more different than the notoriously inept Wood.

The dirty old man who became a cult poet and author was a true original, and every minute he's on screen, whether it's reading from his brutally honest work or musing on a hard-lived life for the cameras, it's hard to look away.

A promising film that is dragged down by the weight of its gray morbidity.

Yet another teen comedy that tries to have it both ways -- basically, "Mean Girls" with crucifixes instead of designer jewelry.

Watching Wake is akin to listening to anonymous neighbors argue about matters you know nothing about -- nor care about. You only wish they'd shut up.

Doesn't press all its obvious lessons, and there are actually a few surprises -- and even a couple of moving and interesting moments -- before an all too predictable resolution.

Self-indulgent folly.

Slick but painfully precious, it strains to be darkly romantic but is bereft of genuine feeling.

Engrossing.

PAGING Pedro Almodovar! We have a movie badly in need of your help.

Anselmo handles sensitive issues not with kid gloves, but with a metaphorical baseball mitt, fumbling with tone and obviously laboring to force quirks upon characters and situations.