This Disney film is all pretty simple, with messages about bigotry and ignorance, friendship and growing up. But at least they don't hit you over the head with them.

Produced for peanuts (and looks it), but offers enough laughs to please even those who don't usually venture into downtown art houses.

In the last 20 minutes, the film moves as breathlessly as a Hollywood thriller -- only it's much more frightening, because it's true.

The MPAA's rating explanation for this PG-13-rated snoozer misleadingly claims it contains "intense sequences of terror/violence"; it would be more accurate to state that Boogeyman contains "virtually every horror-movie cliché of the past 30 years."

A witless, stale and half-hearted rehash of cliches borrowed from the likes of "The Wedding Planner," "The Wedding Singer" and "Four Weddings and a Funeral," this pathetic, alleged comedy certainly wasn't improved by clueless direction by Clare Kilner.

The dreamy drama Emile shows how a talented cast can turn a tentative plot into pleasant viewing.

If boy bands weren't already passé, Harry and Max would finish the job.

Kore-eda presents the deeply moving story in a documentary style that is both gentle and compelling.

Horn bookends his documentary with clips from "It Came From Outer Space."

Grows ever more manipulative and predictable.

Treads water.

You'll delight in their friendship - and weep when they're separated by the inevitable.

Jarringly insensitive and amateurish debut feature.

Dark, depressing drama.

Mostly, Freak Weather is just pathetic.

A pretentious, unsatisfying and ultra-slow-moving thriller.

Delightful performances are delivered by all in this ingenious work of cinema that is worth seeing if only for its glorious views of the Himalayas.

Just Tara-ble.

A schlocky thriller choking under the weight of its own psychobabble.

The latest in a series of entertaining IMAX underwater documentaries.

The tedious film might have been worth watching if Burman had given reasons to care about Ariel or anyone else. He doesn't and we don't.

Often, the movie feels like sitting through a college lecture class.

Goodman doesn't preach or point fingers. She lets the three recruits have their say, and allows viewers to make up their own minds on the issues her film raises.

A vulgar, grating alleged "family" comedy.

An intelligent work that avoids exploitation and cheap laughs.

An intoxicating, heartbreaking Turkish-German drama that's already won a slew of awards from international film festivals.

The film tends to be pretentious and melodramatic; and Grant, better suited to comic roles, gives a heavy-handed performance.

Ultimately a moving, poignant tale about triumph in the face of the unthinkable.