New York Post's Scores
- Movies
- TV
For 8,354 reviews, this publication has graded:
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44% higher than the average critic
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2% same as the average critic
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54% lower than the average critic
On average, this publication grades 8.3 points lower than other critics.
(0-100 point scale)
Average Movie review score: 57
| Highest review score: | Patriots Day | |
|---|---|---|
| Lowest review score: | Zombie! vs. Mardi Gras |
Score distribution:
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Positive: 4,341 out of 8354
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Mixed: 1,703 out of 8354
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Negative: 2,310 out of 8354
8354
movie
reviews
- By Date
- By Critic Score
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Reviewed by
V.A. Musetto
It doesn't measure up to Schlondorff's 1979 Oscar winner, "The Tin Drum," but it's compelling nevertheless.- New York Post
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Reviewed by
Kyle Smith
If there is a poetry to losing, then this film has as much as the collected works of John Milton.- New York Post
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Reviewed by
V.A. Musetto
It could turn someone who never heard of the Flaming Lips into a devoted fan.- New York Post
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- New York Post
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Reviewed by
V.A. Musetto
Eleonore Faucher, first-time director (and co-writer) of the French charmer Sequins, is well aware of Neymark's allure and sees to it that the young woman is seldom out of the frame.- New York Post
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Reviewed by
Lou Lumenick
A relentlessly dull film that's shot on eyeball-gougingly ugly digital video.- New York Post
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Reviewed by
Kyle Smith
Maybe nothing here is supposed to be as scary as in the 1973 movie because this is merely the opening act. That's the problem with prequels, isn't it? It's like being asked to pay full price just to watch batting practice.- New York Post
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Kyle Smith
If it weren't for "Sideways," Second Best probably wouldn't have been released at all, but the earlier film made you root for a hapless schmo. This one doesn't, mainly because its protagonist is so obnoxious.- New York Post
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Lou Lumenick
It remains for a tougher documentary to more forcefully trace exactly who benefits from this shameful practice -- multinational corporations and consumers who don't ask enough questions.- New York Post
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Lou Lumenick
Arguably the darkest episode in the entire series (and the first to carry a PG-13 rating) the visually stunning "Sith" is also the fastest-paced and most accessible.- New York Post
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Reviewed by
V.A. Musetto
Fails to elicit any substantive information from his (Tommy Davis) subjects. And he fails to put their plight into perspective.- New York Post
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Lou Lumenick
The filmmakers follow this compassionate and articulate man as he returns to Rwanda a decade later to revisit his demons.- New York Post
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- New York Post
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Reviewed by
Kyle Smith
R0bert Duvall as a pee wee soccer coach? Great idea, but Kicking and Screaming should have had him roar, "I love the smell of juice boxes in the morning."- New York Post
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- New York Post
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Reviewed by
Lou Lumenick
A preposterous mix of sentiment and brutality that casts martial-arts star Jet Li as a music-loving killing machine, turns out to be his most entertaining movie in quite some time.- New York Post
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- New York Post
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Reviewed by
V.A. Musetto
Huppert is wonderful, as usual, and she's to be congratulated for taking this daring role. But, alas, even she can't save Ma Mere.- New York Post
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Kyle Smith
This is a smart, vivid, thrillingly real gangster picture that nevertheless resembles many others.- New York Post
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Reviewed by
Kyle Smith
A long, messy cinematic novel full of hate, love, murder, ghosts, madness, poetry and Catherine Deneuve.- New York Post
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Reviewed by
Kyle Smith
An Iranian comedian named Omad Djalili plays Picasso, that sexually combustible Spanish bull, with all the earth-shaking allure of, say, Andy Richter.- New York Post
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Reviewed by
V.A. Musetto
Breezy and informative. It offers a view of the talented, opinionated man that only his son could pull off.- New York Post
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Reviewed by
Kyle Smith
Treats us to some feverish decapitating, juicy stabbing and non-anesthetized fingertip removal.- New York Post
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Lou Lumenick
A rousing, politically correct, Muslim-sympathetic, $140 million take on the Crusades.- New York Post
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- New York Post
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Reviewed by
Kyle Smith
One of that film's funniest performers, John Michael Higgins, is on hand as a maniacal European celebrity handler who keeps swearing, "I am no homoist."- New York Post
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Reviewed by
Lou Lumenick
Not for the squeamish, but it is a beautifully crafted and thoughtful film that genuinely provokes.- New York Post
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- New York Post
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- New York Post
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Reviewed by
V.A. Musetto
Director Susanne Bier is helped by a well-chosen cast, especially the glowing Nielsen, a Danish-born actress best known for American films like "Gladiator."- New York Post
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