New York Daily News' Scores

For 6,911 reviews, this publication has graded:
  • 42% higher than the average critic
  • 3% same as the average critic
  • 55% lower than the average critic
On average, this publication grades 8.2 points lower than other critics. (0-100 point scale)
Average Movie review score: 57
Highest review score: 100 Fruitvale Station
Lowest review score: 0 The Fourth Kind
Score distribution:
6911 movie reviews
  1. Deeply disturbing, but dramatically realized, and the movie marks Burke as a young talent to watch.
  2. Strong, subtle performances elevate A Silent Love, a slow-moving drama about an unlikely love triangle from first-time director Federico Hidalgo.
  3. Yen, who also choreographed the fights, is a natural hero, and the large canvas and pseudo-superhero tactics work for a bit, but then the action gets sidetracked in place of myth-building.
  4. If there's anything more tiresome in film today than hip irony, it is forced irony, and here comes a boatload with Wes Anderson's The Life Aquatic With Steve Zissou.
  5. The way he presents his romantic history is both clever and entertaining, but after a while the story becomes tediously familiar.
  6. The nasty, violent material has two small beacons of hope - Nielsen as a fair-weather stripper in the manner of old film-noir dames, and Quaid as a scurvy ­mobster who hates being cheated. With his puffy, reddened face, Quaid looks like a bad Santa.
  7. Marie is middle-aged and at a crossroads in All the Light in the Sky, a movie that feels the same way — listless and searching and on its way toward something good.
  8. When a movie is this strange, it's gotta count for something.
  9. An intelligent, old-fashioned nail-biter.
  10. Though much of the film is overcooked and overwrought, it’s well-played, and writer-director Kieran Darcy-Smith keeps us guessing, and watching.
  11. It's a shame, of course, that Madden brought the best to such an exotic Top locale without making the most of the opportunity.
  12. Ultimately about the indomitability of faith, and the Christian symbolism is laid on thick. But the story, adapted from a famous behind-the-Iron-Curtain novel, sheds light on a subject few people have known about.
  13. The era deserves far better than hipster nostalgia.
  14. A brazenly mindless thriller about the infinite capacities of the human brain. That said, sometimes we just want to shut down and give in to bombastic summer entertainment. In that regard, as usual, Besson delivers.
  15. Though there is enough haute couture on display for a season of "Sex and the City" envy, it has definite off-the-rack appeal to regular moviegoers. In fact, it may be the one film this year where you'll see Manolo Blahniks and Doc Martens on women sitting in the same row.
  16. Writer Sarah Koskoff's nuanced script and director Todd Louiso's ("Love, Liza") delicate tone follow indie terrain, but go the right way.
  17. The American, a movie as coiled as a snake and as still as a sleepy villa, is the rare grownup thriller that knows the link between peace and danger and the tension that comes from both.
  18. African Cats, while often adorable and at times gripping, is more of a TV-ready experience.
  19. The humor is simple but far from dumb. The dueling "walk-off" between rival male mannequins is inspired, as are the sly juxtapositions of the male model's faux physicality with such real-world demands as coal mining.
  20. We never do find out what really went on behind the scenes of “Community.” But the delightful success of a charismatic loner like Crittenden could be considered one of Harmon’s greatest accomplishments.
  21. Despite several attempts, we're still waiting for the drama that convincingly captures the experienc of soldiers who've fought in Iraq. Stop-Loss" isn't that film, but at the very least its efforts are honorable.
  22. This is what happens when the Norwegians try to make their own "Blair Witch Project": We get three-headed trolls that hate Vitamin D and references to "Deliverance."
  23. An impressive portrait of the migraine of teenage girlhood, and also works on the more modest level of teen romance.
  24. Some segments are anti-American, but to concentrate on that is to miss the variety, depth of opinion, and fierceness of the emotions that drive each director.
  25. Brisk pacing and a remarkable cast achieve the sleight-of-hand effect of making you forgive some implausible twists and a sanitized ending.
  26. It's like racing through a detective novel, only to find the last page has been torn out.
  27. Even with its first-rate cast, current political relevance and tangled mysteries, The Good Shepherd remains as remote as Wilson himself. But frankly, if the lives of CIA spies are really this dreary, they may as well keep their secrets to themselves.
  28. Some of the talk gets a little bombastic, but it's hard to deny the thrill involved.
  29. It's a tribute to Adrien Brody that Wrecked works as a modestly compelling thriller, since there's almost nothing to see but Brody himself.
  30. The genuinely sweet nature of this sometimes clunky movie is mixed with a little sass, and wins you over.

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