New York Daily News' Scores

For 6,911 reviews, this publication has graded:
  • 42% higher than the average critic
  • 3% same as the average critic
  • 55% lower than the average critic
On average, this publication grades 8.2 points lower than other critics. (0-100 point scale)
Average Movie review score: 57
Highest review score: 100 Fruitvale Station
Lowest review score: 0 The Fourth Kind
Score distribution:
6911 movie reviews
  1. The Stockholm syndrome, that strange psychological malady by which hostages bond emotionally with their captors, is the central theme in this intimate melodrama.
  2. This is an eye-opening story that doesn't quite hold together as a movie, but it deals with honor in men's lives in ways rare to mainstream film.
  3. The movie is fast and fun. Best of all are the actors, who likewise seem to know they've lucked into a rare good gig.
  4. Has a simple but exceptionally powerful and uplifting emotional lure.
  5. There are no surprises here, in other words, but there aren't supposed to be: This is a comfort film, the on-screen equivalent of mac and cheese - though with a splash of truffle oil to class things up.
  6. Hafstrom never finds the shades in his morality tale, so while Wilson is an intensely charismatic actor, all he can do is respond to relentless, escalating tortures. It's immensely unpleasant for him, and, frankly, not a whole lot better for us.
  7. Roth and Hurt glower semi-engagingly, and while Norton's scrawniness works, he seems intellectually disengaged, despite his helping to craft Zak Penn's script.
  8. In a film that deliberately recalls 1970's "Five Easy Pieces," Dano's performance as a lost dreamer running from adulthood resonates beautifully.
  9. As its defiantly bland title suggests, Fighting is a bare-bones effort that tries just hard enough to keep us watching. By making good use of its New York setting, Montiel does bring a certain indie grit to the generic story.
    • 61 Metascore
    • 80 Critic Score
    One drawback: While the swooping and careening visuals capture the depth and darkness of an arena experience, the sound doesn’t. As burly as the acoustics in a theater may be, they’re spindly compared to the sucker-punch fans prize at an actual Metallica concert. Luckily — for its visuals alone — “Through the Never” has enough grit and power to deserve two fists up.
  10. Feels like an old-fashioned movie in the way it deals with bold sacrifices made in the name of love, while its setting and chary view of the era's political machinations mark it as distinctly modern.
  11. Certainly there are people who will welcome this kind of "wholesome" family entertainment, but it feels false.
  12. Movie love is usually so idealized it ennobles behavior that ordinarily would be considered stalking. Enduring Love deliberately smudges the line between what is bizarre and what is simply human nature.
  13. It's a shame neither actress can truly "go for the jugular," as Alan says at one point. This is a work that would allow for it.
  14. A frisky, feisty heist flick with brains and charisma, the movie may make a few errors, but they’re forgotten in the blink of an eye thanks to all the twists, turns and close shaves.
  15. I didn't feel the love between the flowering idealist and the ruthless killer. If I did, I would have given the movie four stars. Everything else is wonderful.
    • New York Daily News
  16. A classic Michael Bay mega-movie. Interested in plot and character development? Move along. You're blocking the view.
  17. Machado establishes a realistically seamy environment for his erotic triangle, and there are some surprisingly tender moments amid the squalor.
  18. Makes a fine date movie...thanks to its life-affirming view of friendship, love and honor.
  19. This Norwegian zombie flick is perfect for those who just want a few good jolts and whole lot of gore.
    • 61 Metascore
    • 20 Critic Score
    With many of McAleer's facts coming from casual Internet searches (backed by boring shots of the computer screen), the accuracy of this crowd-sourced documentary - funded by small donations on Kickstarter - seems as reliable as a Wikipedia entry.
  20. Surprises, repulses and provokes. It's also brilliant and infuriating, wise and naïve, outrageous yet unforgettable.
  21. Most notably, Bahrani offers an emotional depiction of American farming that will leave viewers troubled, as it should. But he loses his footing when it comes to the story itself.
  22. Despite an admirable effort to explore topical concerns, both director and actor are obviously overwhelmed by the immensity of the subject matter.
  23. The introduction isn't as smooth as it could be, but eventually everyone settles into the right groove.
  24. Unfortunately, Elysium devolves. It doesn’t address the ramifications of making everyone healthy for eternity, or what it is on Earth they’re making or digging up that fuels whatever economy is left on the space station. For such a well thought-out premise, there’s not a mention of how capitalism works in this futureworld.
  25. While Seidelman deserves considerable credit for making the rare romantic comedy about seniors, it's a shame the movie itself is as bland as a low-sodium diet.
  26. The movie includes a postscript about her (McKinney's) loss, blaming it on more dirty tricks. That may be true, but it doesn't put the steam back in the film.
  27. Utilizing copious film footage of her puckish subject and new interviews with Haring's contemporaries, gallerists and mentors, director Christina Clausen makes her fascinating movie as big-hearted, city-centric and energetic as its subject.
  28. Bale gives a near-great performance as a man with all the symptoms of paranoid schizophrenia and the film weaves an ingenious psychological web.

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