New York Daily News' Scores

For 6,911 reviews, this publication has graded:
  • 42% higher than the average critic
  • 3% same as the average critic
  • 55% lower than the average critic
On average, this publication grades 8.2 points lower than other critics. (0-100 point scale)
Average Movie review score: 57
Highest review score: 100 Fruitvale Station
Lowest review score: 0 The Fourth Kind
Score distribution:
6911 movie reviews
  1. It's no surprise that first-time director Scott Cohen is a nature photographer by trade: he's made one of the most gorgeous movies you'll see this year.
  2. The movie is so glacially paced and underdeveloped that it often feels as numb as its grieving hero.
  3. It's hard to talk about The Soloist without falling into cliches, because this well-meaning but ham-handed drama is full them.
  4. Ultimately, Dance is unable to connect the many threads of his rather flimsy script, leading to an abrupt and somewhat unsatisfying conclusion. But the journey is worth taking, thanks to the company of its stars.
  5. Dilutes the idea some by giving every four-legged hero a story arc. And there's not enough of the first movie's super-erudite monkeys. Yet the sitcom-style silliness is still there, and it's nice to see that the old "grin or frown as you wave a hand across your face" joke still has cross-generational, and cross-species, appeal.
  6. Both charmingly retro (dig that swingin’ score!) and confidently modern (girls run the world!) it’s a hip heist movie with a few laughs and some lovely fun.
  7. Though Julia Leigh's surprisingly dull debut is meant to present the mysteries of a troubled young woman, you're more likely to wonder why its star, Emily Browning, is drawn to such demeaning roles.
  8. Nicolas Cage does such a persuasive job of portraying Chicago TV weatherman Dave Spritz as a train wreck of a guy that you wonder whether this might actually be a training film for a psychoanalytic convention on hopeless cases.
  9. Director Mateo Gill's autumnal movie has elements of other late-era Westerns in its blood, but it isn't easily pigeonholed. There are shootouts and standoffs, as well as great scenes like one between the grizzled, perfectly cast Shepard and Rea discussing the cost of criminality and the changing morals of old men.
  10. Nachmanoff fills the movie with a sense of gripping, '70s-style grittiness that helps undercut the web-of-evil tone.
  11. Gilliam's first fully equipped playpen and if he musses it up -- I mean, really musses it up --well, prodigies will be prodigies.
  12. Fun and frivolous, packed wave to wave with gorgeous young creatures reveling in their physical prowess.
  13. The movie is filled with sweetly funny moments, but its exposure of class, income and cultural differences makes it an uneasy charmer right up to its violent denouement.
  14. It takes us about half the film to adjust to its quirkiness, and we leave the theater with both laughter cramps and the feeling that it should have been funnier a lot longer.
  15. Here's one movie you'll want to see with an audience of squealing, excited, terrified kids, their arms extended greedily to grab, squish or ward off all things exoskeletal and beady-eyed. It's gross, but in the nicest way (meaning no roaches).
  16. A deeply felt, if occasionally amateurish, journey through some very affecting terrain.
  17. An underdevelopment of a bad idea that is entertaining, so far as it is, because of McDormand's totally unselfconscious performance. This wonderful actress is never less than interesting, and even as a caricature of a stereotype, she's fun to watch.
  18. A lovely little coming-of-age story, this Taiwanese romance was directed by Chih-Yen Yee with a skillful subtlety enhanced by his young cast.
  19. Empathy for the all-too-real plight of the working poor drives this heavy but bold indie. Sadly, though, it falters under the weight of too much drama.
  20. Too bad its wide net ultimately results in diminishing returns.
  21. Wallace layers on some era-specific meaning to Chenery, who seems to be simply following her lineage, thanks to Lane's quietly dignified performance. Malkovich is more fun, though Laurin isn't as outrageous as the movie thinks he is.
  22. Offers a chillingly effective look at the ease with which a suicide bomber could wreak havoc on U.S. soil - specifically in Times Square.
  23. Here we go again. Danish director Lars von Trier has pumped out Nymphomaniac: Vol II just a few weeks after “Vol. I” came out. And the results are the same: zero stars.
  24. Thanks to Grant's script and direction, the exotic Swaziland location (a film first) and an engaging cast, this smartly crafted drama radiates a gently comic pulse.
  25. Lingers too long on wordless, symbolic shots of the wall itself. But there's no denying the power of seeing two cultures standing so helplessly on opposite sides of a single fence.
  26. “Let’s go for a little ride,” teases Vin Diesel as Dom Toretto at the start of Fast & Furious 6, an amusingly mild suggestion that’s also the only moment of understatement in two dizzyingly high-octane hours.
  27. This time the movie really is — as the old theme song promises — sensational, celebrational and Muppetational.
  28. The resulting jolts add up to one unforgettably surreal nightmare. Just be sure your heart can handle any surprises headed your way.
  29. The entire cast, in fact, seems to be having fun, with Affleck and Koechner cheerfully stealing each one of their scenes. And the jokes come often enough to leave us consistently amused and occasionally delighted.
  30. Where on the evolutionary scale of wacky-dudes-learn-to-grow-up movies does Role Models fall? Certainly less evolved than "Meatballs," but head and hairy knuckles above "Daddy Day Care" or "The Benchwarmers."

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