New York Daily News' Scores

For 6,911 reviews, this publication has graded:
  • 42% higher than the average critic
  • 3% same as the average critic
  • 55% lower than the average critic
On average, this publication grades 8.2 points lower than other critics. (0-100 point scale)
Average Movie review score: 57
Highest review score: 100 Fruitvale Station
Lowest review score: 0 The Fourth Kind
Score distribution:
6911 movie reviews
    • 60 Metascore
    • 60 Critic Score
    Hoult's genuinely awkward charm and Palmer's tomboyish wholesomeness disarm an audience overfamiliar with this story. The two ably communicate the primitive and irrational feelings of falling in love.
  1. A mostly accomplished first film, with precise comic timing and some hilarious moments.
  2. Feeling very much like it is meant to educate students who don't understand the ruling's relevance, "Speed" doesn't boast much in the way of innovative storytelling. What it does offer is a story that still badly needs to be told.
  3. The actors are in good form, but McFarland, USA can’t find its footing.
  4. The plotlines are clichéd and the score overbearing, but uniformly strong turns go a long way towards shaping the lush, nostalgic atmosphere. Don't forget to bring tissues.
  5. Is it possible for an historically -based Holocaust movie to be schmaltzy? This one sure comes close.
  6. Director de Aranoa keeps things moving, though, with a firm sense of pace and a rough, punk-edged soundtrack.
  7. So what we're left with is a sort of contact high, drifting gently over to our seats in the back row.
  8. There are moments of genuine emotion between the wacky tryouts and the nail-biter finale, and it seems churlish to complain. But there's little room for laziness around superior players like "Shaolin Soccer" and "Bend It Like Beckham."
  9. How much control are you willing to cede when you see a movie? Because director Radu Mihaileanu is fiercely determined to manipulate your every emotion.
  10. Reygadas is clearly out to shock us, to shake us and show us a host of furious ideas about class, gender, religion, nationality, love - really, there's very little he doesn't throw into this thickly ambiguous stew. If only he hadn't made his deliberately confusing, heavily symbolic story quite so difficult to digest.
  11. Every foul-mouthed joke [McCarthy] cracks, every unexpected physical gag she underplays, is so funny you forget how often we’ve seen this setup. Or, when it comes to women, how rarely.
  12. There's enough affection and insight here to make Lee's next movie worth watching for.
  13. So now we have a full-length Machete movie, and it turns out that, as usual, less is more.
  14. The actors seem exhilarated.
  15. Beneath the noisy, farcical surface of John Turturro's Illuminata is a thoughtful and unusually mature meditation on love.
  16. Ultimately, it's the casting and the story that are too good to be true. If a newspaper's classified ad section could document a success like this one, there would never be a slump.
  17. A bungled mess that spends an hour creating two characters whose lives are about as believable as a successful ambush set by Wile E. Coyote for the Roadrunner.
  18. Though Driver's offbeat beauty and Wilkinson's weathered visage make for an unlikely pairing, it works because their passion wells from something deeper than physical apperance. [31 Jul 1998]
    • New York Daily News
  19. This fantasy adventure lacks focus when it should be laser-sharp, and stumbles when it could soar.
  20. You know that deflated feeling you get after you've spent a lot of time and money shopping - and have little to show for your efforts? This disappointing biography, about performance artist Reverend Billy, does an awfully good job recreating it.
  21. So what's the problem? A hundred small annoyances, including storylines that peter out into inexplicable dead ends, others...that drone on too long, a dozen too many reaction shots from Hannah's dogs, important characters whose motivations are unclear, and a lack of romantic chemistry between Hannah (Rebecca Hall) and Andrew (Jason Sudeikis).
  22. It’s a mystery as to how so much talent combined to create such a cynically superficial product.
  23. Predictable as the adventure may be, the company — and the countryside — make it worthwhile.
  24. Levin learned nothing that should surprise anyone who is both sentient and sane. But in tracing much of this contemporary anti-Semitism to a phony 19th-century document in which Jewish leaders lay out plans for taking over the world, we at least get some understanding of how some twisted people justify their hatred and fear of Jews.
  25. He does accomplish his main task, to take us into places civilians rarely go, and give witness to the immense challenges soldiers like his brothers face every second they’re required to be at war.
  26. RED
    To underestimate actors of this caliber -- even in a popcorn action flick -- would be dangerous indeed.
  27. Like Cohen's output, Rules Don't Apply as a whole is strangely hypnotizing. It has not been edited as so many other recent movies have, down to the nub, removing everything but the highlights you can produce movie trailers from. This thing breathes and creaks. It works. Maybe the cracks are what let the light in.
  28. A likable, if somewhat earnest, exploration of cultural identity.
  29. Barry, with a raspy Southern accent, gives a chilling portrait of a man who is absolutely sure he killed JFK. Whether he's a psychopath or a schizophrenic is not satisfactorily answered, but it's a fascinating question nonetheless.

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