New York Daily News' Scores

For 6,911 reviews, this publication has graded:
  • 42% higher than the average critic
  • 3% same as the average critic
  • 55% lower than the average critic
On average, this publication grades 8.2 points lower than other critics. (0-100 point scale)
Average Movie review score: 57
Highest review score: 100 Fruitvale Station
Lowest review score: 0 The Fourth Kind
Score distribution:
6911 movie reviews
  1. The movie belongs to Luke, who brings the heroic Chamusso to life as richly as Forest Whitaker does the evil Ugandan dictator Idi Amin in "The Last King of Scotland."
  2. Has that same air of silly innocence, a rarity in today's movies.
  3. The spirit of the series remains true: cheerfully random jokes, blink-and-you’ll-miss-them references and, above all, a silly, stubbornly sentimental streak that only the crabbiest cynic could dismiss.
  4. Every trip requires patience, and this one brings plenty of rewards, in the ecstatic sounds of a country most of us haven't been able to visit firsthand.
  5. None of the criminal skulduggery feels quite right, but the comic bits between Bobby (Favreau) and Ricky (Vaughn) are freewheeling fun.
  6. Less a complete story than a work-in-progress.
  7. Forces the audience to rethink the riots in new and difficult ways, to find empathy and revulsion where it might not have known they existed.
  8. Digital video is both the blessing and the curse of writer-director A. Dean Bell's well-conceived but underachieved What Alice Found.
  9. Passingly enjoyable summer fluff, but if you can find a more genial, less edgy caper movie, you might want to own it as a pet.
  10. Despite the hard lessons learned, King seems to have a pretty deep appreciation for Lyle and Nina’s drug of choice — and you’ll probably enjoy the movie a little more if you feel the same. Just think twice if you’re planning to sneak some homemade brownies into the theater when you see it.
  11. A rousing period drama with all the familiar trimmings: gorgeous costumes, palatial settings and romantic intrigue.
  12. The result is a highly amusing folly, rendered with a surprisingly gentle affection.
  13. Burton structures the film, right up to the fascinating finale, as both a damning tale of male privilege and a moving story of a woman’s liberation. The actors reflect these themes accordingly. Adams is touchingly restrained and Waltz is monstrously charismatic.
  14. But there were few, if any, better performances in 2000 than the one Blanchett gives here, and Raimi's crafty blend of dramatic realism and supernatural knowledge is one of the year's best directing con jobs.
    • 62 Metascore
    • 40 Critic Score
    That’s the problem with Law’s submarine skipper, Robinson, in the action thriller Black Sea. He’s driven and dynamic enough, but he can’t keep the sensitivity from his eyes.
  15. Curious George has long been a bedtime staple, but this animated film version may be the first time his story puts parents to sleep.
  16. The new Kong: Skull Island really gets it right — the exotic adventure, the spectacular special effects, the towering terrors. It’s a big hunk of nostalgic fun, reminding us of the 1933 original even as it monkeys around with the classic story.
  17. City Hall can't decide whether to be melodrama or sociology. In the end, it isn't enough of either. [16 Feb 1996, p.49]
    • New York Daily News
  18. A safety-first, tried-and-true inspirational story that stays the course right down to its "It's a Wonderful Life" ending.
  19. Will Rugrats fans love it -- Wee, we -- er, oui, oui.
  20. Unflinching in its depiction of racism, anti-Semitism, violence and jailhouse politics.
  21. The best way to look at this installment, however, is as musical theater of the absurd. The song-and-dance set pieces are brilliant, including a rap-style "It's a Hard Knock Life" in a prison.
  22. Though the director takes a thoughtful approach to the material, mixing humor and poignancy, he undercuts our sympathy considerably by dragging things out to an inexplicably indulgent degree.
  23. It’s so much fun you may want to put a few bucks aside for a sequel.
  24. Theirs is an affair not worth remembering.
  25. Every aspiring performer will appreciate Gregori Viens' unassuming comedy, which cheerfully skewers industry pretensions and media-fueled trends.
  26. The participants make a strong case, although the most emotionally powerful moments involve the workers themselves.
  27. If it were just Hurt's show, it'd be a helluva trip.
  28. Unfortunately, Wendeers frustrated wake-up call quickly buckles under the heavy burden of its earnest message.
  29. Just as surely as the shortest distance between two points is a straight line, this domestic comedy follows a direct path through every crisis, every resolution and every sentimental heartbeat laid out in the script.

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