New York Daily News' Scores

For 6,911 reviews, this publication has graded:
  • 42% higher than the average critic
  • 3% same as the average critic
  • 55% lower than the average critic
On average, this publication grades 8.2 points lower than other critics. (0-100 point scale)
Average Movie review score: 57
Highest review score: 100 Fruitvale Station
Lowest review score: 0 The Fourth Kind
Score distribution:
6911 movie reviews
  1. A slight movie and a major downer, is an acting showcase for Sean Penn. That's good, but not enough.
  2. Cahill deserves major credit for keeping the story from becoming mawkish or twee. He was also wise enough to realize it's Douglas' show, and as soon as he steps into the frame, you'll know it, too.
  3. You'd think it would be boring to stare at Thomas's computer screen so intently for 97 minutes, but the movie is eerily riveting.
    • New York Daily News
  4. The heavy subject is tempered with gentle humor.
  5. Chamber is chockablock with action (including a far more exciting game of Quidditch) and crafty special effects.
  6. Looking for something unusual to see this weekend? Try this cool time capsule, which premiered in 1972 and then disappeared for decades.
  7. Actors do an excellent job portraying young people struggling with an almost manic paranoia.
  8. If you get through the first hour without slitting your throat, the cautiously optimistic last third offers some intriguing options.
  9. The author of "Naked Lunch" and his words were funny, freaky and sometimes just Out There. Yet as "there" became "here," Leyser shows, Burroughs seemed to be everywhere.
  10. It's left to the ideally cast McDormand to keep everything on track and, as expected, she weathers every tonal change with competence, confidence and a perfectly stiff upper lip.
  11. Dispels myths about the "gangsta" aura that clings to rap and shows this poetry of the streets in all its different forms: social protest, entertainment and aggression.
  12. Undertow becomes unbearably imitative and predictable. It's a kids-in-peril B horror movie in the guise of an art film.
  13. So often not in his element — his turn in “Oz the Great and Powerful” is evidence of that — Franco is in freako mode here, and walks a line between spaced-out caricature and just plain Out There.
  14. Dunst makes Davies the most confident and interesting person aboard the Oneida and makes this voyage almost, but not quite, worth taking.
    • New York Daily News
  15. The actors are unknowns, but Ryan does a lot with her little downturned mouth. There are as many shades of anxiety as there are shades of blue in the sea, and Ryan manages to find them all.
  16. In a clear case of substance over style, this stark, clumsy documentary tells the heart-breaking stories of a dozen law-abiding Muslim or Arab immigrants and visa workers.
  17. The girl's blindness may have been meant to symbolize a trusting populace, but she's the one character who clearly sees what's what and who is trustworthy.
  18. Rio
    The main reason this gorgeous-looking, sweet-hearted but so-so movie remains grounded is a herky-jerky, cobbled-together story that squawks when it should sing.
  19. Hanks is extremely understated, but his passivity works: as the son of a superstar, he may have realized that Troy’s role is simply to observe and reflect his boss’s glory.
  20. This domestic drama from the producers of "Once" could be about the pair from that gentle romance - a decade later.
  21. Scott’s story is inspiring, as is the way everyone pitches in, from the police to the San Francisco Giants to Hollywood special effects geniuses to President Obama. But as a movie, this is like watching an expanded local news segment.
  22. Berry gives a riveting performance, but as a deeply decent man trapped in a hell of his own making, Del Toro gives the kind of career performance Berry gave in "Monster's Ball."
  23. The movie's power comes less from its contrived story than everything else: the stark setting, chaotic energy and authentic cast.
  24. It is no summer thriller. It’s an anemic actioner that fosters excitement like dead limbs as it lumbers toward a conclusion.
  25. Luckily for Hello, My Name Is Doris, Sally Field is still so likable, really likable.
  26. There are enough droll moments to spark cult status, and McBride's commitment is impressive.
  27. Maddeningly mundane, this Romanian drama aims for an antiseptic look at random violence and, unfortunately, achieves it.
  28. Though it happens two-thirds into the movie, when Lili is abandoned by the others in Greece without either luggage or money, Le Besco's vulnerability draws us into her predicament.
    • 63 Metascore
    • 60 Critic Score
    Split smacks of the director’s past fare, and its suspenseful, scary tone recalls "The Sixth Sense." When Shyamalan embraces his identity as a horror director with a knack for surprises, more fun is had by all.
  29. Perhaps simply discovering a film so dedicated to a different perspective is adventure enough.

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