New York Daily News' Scores

For 6,911 reviews, this publication has graded:
  • 42% higher than the average critic
  • 3% same as the average critic
  • 55% lower than the average critic
On average, this publication grades 8.2 points lower than other critics. (0-100 point scale)
Average Movie review score: 57
Highest review score: 100 Fruitvale Station
Lowest review score: 0 The Fourth Kind
Score distribution:
6911 movie reviews
  1. Dispiriting, unsubtle and unpleasant.
  2. There's little difference between the first and second movies -- both written by Besson -- so the perfunctory story line will feel familiar to fans. But the action, and the head-spinning stunts of those agile lead actors, will never get old.
  3. Designed as their own entity, the brief subtitles convey so little that to get the full experience you won't only need to understand Godard's language. You'll also have to speak French.
  4. Anyone looking for something original or unexpected should check out the trio of short films that comprise this entertaining ode to the titular city.
  5. What is meant to be an innovative, cutting-edge musical melodrama is so jumbled, irrational and amateurish that it makes dinner theater look like the Old Vic.
  6. The action sequences that follow are routine to the point of monotony, involving chases through crowded streets and store fronts, a commandeered bus, a woman in peril, and so on. But Donner wisely devotes long spells in between to the evolving relationship between Jack and Eddie.
  7. A fascinating story.
    • New York Daily News
  8. For a film expressly about an underappreciated culture, there are some boulder-size cliches rolling down these hills.
  9. The movie doesn't stoop to cheap psychoanalysis and must be commended for a bravely ambiguous ending. But most of the credit goes to Lane, who is simply extraordinary as a woman whose body is at war with her conscience.
    • New York Daily News
  10. So unfocused we never get to know the man behind the gowns.
  11. A beautifully rich performance by Meryl Streep, [18 September 1998, p. 57]
    • New York Daily News
  12. A strange creature, a narcissistic mock documentary.
  13. Because it's so rooted in real life, the drama Good Kill is even more terrifying than “The Purge,” Ethan Hawke’s horror film from two years ago.
  14. So after about an hour of watching four children eat, bathe and crawl, you might start to wonder why you've paid to see somebody else's home movies.
  15. Johnson's feel for the rhythms of reconnection are steady, and she and her fine actors make Return one of only a handful of films to honestly address what to many is heartbreaking reality.
  16. That truthfulness, along with the movie's emotional honesty and narrative polish, help tag this NY-grown indie as one to seek out.
  17. A cool documentary that pivots adroitly between viewpoints and ambitions.
  18. Maybe you have to have experienced one of these anti-weather urban cocoons to appreciate the concept of the film, and the prickly people who populate it.
  19. The daring, funny and quirkily erotic Secretary examines power exchanges between consenting adults in a way that other movies have not managed without turning off swaths of the squeamish.
  20. It's not giving too much away to note that we've seen a lot of this before, in classic noir and postnoir films, though to name those films would spoil things.
  21. Bogged down by a lazy script and underwhelming performances. Fortunately, there's no hiding his jubilant passion for ritual and symmetry, which makes each perfectly choreographed band scene a genuine thrill to watch.
  22. Perhaps not since Truffaut's "The Story of Adele H" has thwarted love been rendered so compassionately on the screen, its psychology laid bare.
  23. The intriguing elements never quite coalesce into a consequential whole; we leave this yuppie nightmare feeling both unsettled and unsatisfied.
    • New York Daily News
  24. The tension of Matt having to work alongside his wife without being able to trust her provides the movie's real electricity, sexual and otherwise.
  25. A powerful drama that turns a common event -- the rending of a family -- into an intimate, personal affair.
  26. Far from the smart historical epic some might have expected, is just another feisty summer shoot-'em-up.
  27. The result isn't deadly dull, but it does turn what should have been a most dangerous game into a basic scenery-chewing contest.
  28. More cold fish than cold-blooded, director Alain Correau keeps his movie buttoned up and predictable.
  29. This kind of parody is hard to sustain for an hour and a half, and "Walk Hard" does gets wearying at times. But the humor is so outrageous, the original music so much fun and Reilly so good - both while hamming it up in the role and in singing the songs - that it's irresistible.
  30. Though he doesn't break any new documentary ground, Lee knows how to shoot his subjects. Their stories are moving, and their moves are thrilling.

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