New York Daily News' Scores

For 6,911 reviews, this publication has graded:
  • 42% higher than the average critic
  • 3% same as the average critic
  • 55% lower than the average critic
On average, this publication grades 8.2 points lower than other critics. (0-100 point scale)
Average Movie review score: 57
Highest review score: 100 Fruitvale Station
Lowest review score: 0 The Fourth Kind
Score distribution:
6911 movie reviews
  1. Full of unenlightening snippets and blithe but banal asides, what the movie is missing is edge.
  2. Unfortunately, director Joe Maggio's film, despite showing real promise and an ear for threats delivered with a smile, runs out of gas.
  3. Every generation deserves its ultimate high school romance, and Nick & Norah's Infinite Playlist clearly aims to take the slot currently open. Despite a valiant attempt, though, it doesn't quite make the grade.
  4. Because of his easygoing comedy persona, Rudd is a perfect choice — and another example of Marvel’s savvy casting. He never takes anything too seriously, but he seems invested in the emotional side of the story.
  5. There is a serious lack of action here, which might be overlooked if the script were as smart as in the previous films. What passes for parable here is merely overplotting.
  6. This benign big-screen button-pusher is about do-gooding, not destruction. It’s Moore at his likable best — and, consequently, most low-impact.
  7. While there is nothing particularly new in the film, it is a stirring celebration of a man of enormous talent, humor and humanity, laid waste by an assassin in New York in 1980.
  8. A fairly gripping cautionary tale.
  9. As is often the case with Toback's films, even as you're shaking your head at his shameless self-indulgence, you can't help but keep on watching.
  10. Freida Lee Mock's adulatory portrait makes for pleasant viewing - but should it?
  11. Murphy also reveals one more gem when she interviews the New York couple who gave their friend Nell Harper Lee a financial gift in the '50s that allowed her to quit her job and finish the book, an act of generosity that is also one more kindness surrounding this most humane of artworks.
  12. A steady thrum of anger pervades this Romanian film even in its quietest moments, but the ending and captured-lost-boys setting ultimately fail to surprise.
  13. Though it takes time to find its courage and heart, Gigante, like its oversized hero, merely has a slow, shy way of doing things.
  14. A charming trifle, beautifully filmed in a Currier & Ives setting, with buttery-smooth performances from Binoche and Depp, and enough good tidings in its nougat center to get you through the holidays.
  15. The casting of Ferrell and Heder turns out to be inspired. The direction, by a pair of NYU grads who've only made TV commercials and two short films, is pitch-perfect. And - miraculously - the skating sequences are passably realistic.
  16. Instructive but aggressively biased liberal history lesson.
  17. Writer/director Mona Achache adapts Muriel Barbery's novel, "The Elegance of the Hedgehog," loosely but skillfully, creating an intimate portrait that resounds with empathy. Comedy and tragedy are given equal respect, and even the quietest souls are valued.
  18. The result is a paper-thin alliance between the old-school Cal and the new-media Della. Crowe, husky and whisky-voiced, is warm amidst all the plot mechanics, and McAdams, perky and efficient, is a smart foil for him.
  19. It's amazing that in an era of oversharing and reality TV, a doc consisting mostly of cable TV clips and personal reminiscences can be so resonant.
  20. Meticulous staging and Piccoli's world-weary presence balance any silliness, making the issues here feel relevant and real. The method is not pointed political satire but gentle enlightenment.
  21. When "Pineapple" goes from ganja to genre, it sours.
  22. Murray is always a delight, but his films with kids (“Meatballs,” “Rushmore,” “The Royal Tenenbaums”) give his unencumbered playfulness even more room to roam.
  23. A missed opportunity to shed light on one of America's most turbulent times.
  24. Though the leads do fine work, their efforts often feel slightly futile. Despite a few flashes of the darker tone percolating under the surface, the movie remains too well-mannered to truly pull us in.
  25. The flat narration by Queen Latifah doesn't help, but Adam Ravetch and his wife Sarah Robertson's nature film, Arctic Tale, fails to inspire the kind of rapturous response we felt for "March of the Penguins" for other reasons.
    • 64 Metascore
    • 80 Critic Score
    Like the mountain for which it’s named, Everest is rock solid. It’s big, it’s beautiful, it’s terrifying, and it’s merciless to both its characters and the audience.
  26. A relatively straightforward portrait of Holmes, using interviews with family members, friends, wives, X-film producers and his former co-stars.
  27. A solid action story with inventive battles (one on the Statue of Liberty) and satisfyingly gooey special effects.
  28. Enlightening and rather unsettling documentary.
  29. This is a wickedly funny skewering of a prewar London society gone mad with frivolity.

Top Trailers