New York Daily News' Scores

For 6,911 reviews, this publication has graded:
  • 42% higher than the average critic
  • 3% same as the average critic
  • 55% lower than the average critic
On average, this publication grades 8.2 points lower than other critics. (0-100 point scale)
Average Movie review score: 57
Highest review score: 100 Fruitvale Station
Lowest review score: 0 The Fourth Kind
Score distribution:
6911 movie reviews
  1. The fine cast pushes beyond the script’s limits, even if some, like Hope Davis as Ben’s mom, are mostly wasted.
    • 64 Metascore
    • 70 Critic Score
    Few films take a look at the American male college tradition through such a dark, dramatic lens as Goat.
  2. Has the schematic feel of a disease-of-the-week TV movie, but the connections made between jazz and the minds that produce it turns the film into something much more intimate and compelling.
  3. The movie isn't a day in the park, but it manages to close on an existentially uplifting note.
  4. There's a good little psychological thriller buried underneath all the manufactured shocks, in the story of a powerless child standing alone against a parent's mental illness.
    • New York Daily News
  5. The movie doesn't remind me so much of the movies of Minnelli or Sirk as it does a lavish parody of "Upstairs, Downstairs," with musical interludes (the divas sing, whether they can or not) that are often as painful to watch as they are audaciously performed.
  6. Moves as slowly and deliberately as it sounds, but Seigner and Serrault are extremely effective in roles often requiring them to work alone, or together in loaded but wordless exchanges.
  7. It's hard to remain unmoved by Kang's deeply heartfelt homage to his nation's past.
  8. You have this movie’s number right from the start: Despite some some name-checks of Malcolm Gladwell and Aaron Sorkin, it’s the same old romantic comedy squeezed into a sexy new outfit.
  9. There's barely a frame that doesn't look stretched, smashed or otherwise harassed. Imagine "The Matrix" on speed, and you're halfway there.
  10. Sadr-Ameli's unflagging empathy and Alidousti's confident performance keep us rooting for this young heroine, who refuses to accept the limits forced upon her by both society and the law.
  11. There are some heartbreaking moments here, from the reactions of recent amputees to the tearful doctors and nurses trying hard to remain professional. And there is no question that Sanders has discovered a worthy subject. He just hasn't found the right way to approach it.
  12. Who knew? Turns out, Jean-Claude Van Damme is a funny guy, and a pretty good actor, too. Fans may already be aware of this, but JCVD is likely to introduce a whole new Van Damme to everybody else.
    • 64 Metascore
    • 63 Critic Score
    It’s hard not to like these characters, or to come away without a little more sympathy for the nonlinear ways teenage girls can react to a world that often makes no sense and offers no apologies.
  13. Dives into the brutal heart of a place most people would avoid at all cost.
  14. Most of the family films churned out today are so junky it's almost a shock to find one in which the animals never spout sassy one-liners, or show off their hilarious hip-hop moves.
  15. Feels more earnest than real. Still, its sincerity is admirable, and often touching.
  16. The playfulness evident in the hundreds of bondage photos that made a pious young Tennessee model semi-famous in the 1950s and an 82-year-old legend today is also the driving force of Mary Harron's superb The Notorious Bettie Page.
  17. Very little actually happens, since most of the time Mr. Shi sits alone in Yilan's empty apartment, wondering how to help her. But there's a gentle beauty in these long, anguished silences, and Wang and his actors make the most of it.
  18. Sticking closely to formula, Disney delivers a sweet script and charming storybook backgrounds, with serviceable, if sappy, songs from Carly Simon.
  19. A well-shot but generically dull disappointment.
  20. Unlike Patch Adams, Sy is not lovable. But you wind up feeling for him, much as you feel for Sy's pet hamster on that endless wheel.
  21. An improvement over "Jackpot," but not much. The best thing about it is Nolte, playing the grizzled priest as an angel in his own right. Everyone else- - save the young boy playing the orphan -- seems to be in on a joke we just don't get.
  22. A memorable portrait of a true New York character, Rob Fruchtman and Rebecca Cammisa's documentary ably captures the blazing force at its center.
  23. Fortunately, Tushinski strikes the right balance throughout, interspersing old erotic photos and stills from Berlin's adult films with entertaining, current-day sound bites.
  24. Music lovers will appreciate both the score and the nostalgic end credits, which revisit the early years of the aged supporting cast (many of whom were actual musicians).
  25. We are left, after all the propulsive action, with great turns by Theron and Rapace, and a tightly wound turn by Fassbender, whose eerie, poetically impish mechanical man might have burst from Bradbury's conscience.
  26. The inspector general is an interesting figure, and the images of criminals sobbing over their newfound inner peace are certainly memorable.
  27. Aside from Scott, only Liev Schreiber - as an aging competitor - manages to steady the frenetic swirl. Whenever the two of them are together, Goon stops skating around in circles, and matures into the funny, surprisingly touching movie it wants to be.
  28. The actresses create wonderfully rich characters, and Luis Callejo, as Caye's unknowing boyfriend Manuel, and Antonio Durán, as the sadistic civil servant, fill out the very strong cast.

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