New York Daily News' Scores

For 6,911 reviews, this publication has graded:
  • 42% higher than the average critic
  • 3% same as the average critic
  • 55% lower than the average critic
On average, this publication grades 8.2 points lower than other critics. (0-100 point scale)
Average Movie review score: 57
Highest review score: 100 Fruitvale Station
Lowest review score: 0 The Fourth Kind
Score distribution:
6911 movie reviews
  1. Give Lawrence credit for a seriously emotional performance, at least, and thanks to supporting actors Moore, Sutherland and a sly Woody Harrelson for adding color and comedy.
  2. I Love You Phillip Morris not only blasts gay stereotypes back decades, it could actually make people wish for a third "Ace Ventura" movie. Both of those are an accomplishment, though neither is a compliment.
  3. Directors Maiken Baird and Michelle Major may have begun this documentary with the intention of profiling two of the most successful siblings in sports. But any reality TV viewer knows that bad behavior is always more compelling than likability. So this movie’s title becomes, perhaps to the filmmakers’ own surprise, a little misleading.
  4. Director Bertrand Tavernier’s amusing new political satire isn’t toothless, but it could use more bite.
  5. Compelling and highly informative.
  6. Meadows is very good with the boys' relationship, and achieves his and Fraser's central goal of showing how childhood bonds can be simultaneously fragile and strong.
  7. Both a witty ode to and a poignant lament for the choices we make.
  8. Though the film is dark and the ideas run deep, it's perversely fun to think about.
  9. The slick but moving Saving Mr. Banks transcends its corporate pedigree to become a great Disney movie about making a Disney movie.
    • 65 Metascore
    • 60 Critic Score
    The Warriors is a comic book morality tale, Westside Story crossed with A Clockwork Orange. The movie is so perversely fascinating in a variety of ways that it’s too bad the imagination demonstrated wasn’t used for something better than what turns out to be one more exploitation film in which the audience is encouraged to cheer the sights and sounds of mayhem.
  10. A slow, solid movie that, like Rita, sneaks up on you with its intelligence and pluck.
  11. In a nice bit of sorcery, Disney’s taken their 1991 animated classic — and their 1993 Broadway hit — and combined them into a groundbreaking delight, anchored by a breakthrough performance by Emma Watson.
  12. This insightful doc from director Andrew Rossi addresses topics that get more polarizing each year: the high cost of college, the factors that dictate who’s educated in this country and the culture that surrounds those decisions.
  13. It's big, bright, savvy, and so expansive you'll undoubtedly leave feeling you got your money's worth.
  14. Poitier relieves the melodrama, thankfully, by livening up the picture with his sense of humor. [29 Apr 1972, p.187]
    • New York Daily News
  15. Armstrong is usually a strong and original director of actors (her 1979 "My Brilliant Career" launched the inimitable Judy Davis). But here, her taste seems to have deserted her. [31Dec1997 Pg.30]
    • New York Daily News
  16. As intriguing and unusual as its title, this anime debut from CGI mastermind Michael Arias bursts with enough ideas for three movies.
  17. Further proving his mastery of creating tension and thrills, Scott has effectively created a satisfying hybrid of "Alien," "Prometheus" and even James Cameron's "Aliens."
  18. The movie is not up to the company’s highest standards, but it’s certainly better than most other kid flicks you’ll see this year.
  19. It's buckshot humor that is funny when it lands; cringe-worthy when it doesn't.
  20. Scurlock barely acknowledges the logical reality of any credit card transaction: If you choose to buy something, you will have to pay for it eventually.
  21. It is no small compliment to Pierce Brosnan to say that his performance in writer-director Richard Shephard's goofy black comedy The Matador could only be rivaled by Christopher Walken.
  22. Frenzied, gothic nonsense.
  23. Intermittently compelling drama.
    • New York Daily News
  24. Dunst and Williams...turn ditsiness into a frenetic comic duet.
  25. May actually appeal more to women than men because of the steely heroine, the pitting of love of family against love of filthy lucre -- and the mom-fights-back plot.
    • New York Daily News
  26. The strong script (with updated flourishes by "Bad Santa" writers Glenn Ficarra and John Requa) and some of the vibrant child characters pull it through, with the comically reptilian Thornton egging them on with one inappropriate shocker after another.
  27. Is the story being told worth a movie on its own merits? No way. Time Code exists as an esthetic event -- either a trick or a treat, depending on your expectations.
  28. Superb, ultimately exhilarating account of Coney Island basketball phenom Sebastian Telfair's senior year at Lincoln High.
  29. Likely to draw a range of responses. Many will be transported by its gorgeous construction and breathless emotion. Others will find it patently ridiculous.

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