New York Daily News' Scores

For 6,911 reviews, this publication has graded:
  • 42% higher than the average critic
  • 3% same as the average critic
  • 55% lower than the average critic
On average, this publication grades 8.2 points lower than other critics. (0-100 point scale)
Average Movie review score: 57
Highest review score: 100 Fruitvale Station
Lowest review score: 0 The Fourth Kind
Score distribution:
6911 movie reviews
  1. The script gets so silly, the Monty Python troupe would reject it.
  2. An audacious, snappy visual and emotional feast of dishes both familiar and fresh. It's the first really good movie of 2001.
  3. Sidewalk Stories manages to expose the modern-day realities of New York while at the same time recapturing the sentimentality and charm of the classic films of the silent era. [03 Nov 1989, p.47]
    • New York Daily News
  4. Miami Vice is the last of the predicted summer blockbusters, and it delivers a reasonable amount of popcorn excitement. But if nostalgia for the TV show is the source of your interest, expect some disappointment.
  5. Bittersweet, funny, sad and invariably romantic.
  6. The song for which Piaf is best-known - "Non, Je Ne Regrette Rien" ("No Regrets") - leads to a killer finale with Cotillard perfectly lip-synching Piaf's recording of it. Trust me; you'll want to own it.
  7. The cast, including Orlando Bloom and Evangeline Lilly as warrior elves, is also excellent (though we don’t get even a glimpse of Andy Serkis’ Gollum). And individually, each escapade does hold its own thrills.
  8. Overly familiar but endearing nonetheless, this coming-of-age indie from Alexis Dos Santos is most likely to appeal to those who recognize themselves in the story's lost heroes.
  9. A good-natured and highly enjoyable goof.
  10. This lovely, low-key debut from Aurora Guerrero doesn't aim to make any grand statements. It doesn't need to. The sweetness and sincerity Guerrero and her leads infuse into their intimate coming-of-age story is more than enough.
  11. As complex as its subject's life and - like her - both flawed and fascinating.
  12. Director Marc Webb's action-adventure is grounded in a recognizable reality, but is also full of thrills. It's dark and mysterious, but doesn't skimp on fun.
  13. The actors click into high gear, and Premium Rush delivers.
  14. Clearly intended as a reminder that one person can move - or, at least, save - mountains.
  15. Marshall makes a good case for its hero as one of the brightest, boldest lawyers to ever walk into a courtroom. So why is it sometimes such a trial?
  16. Splice is an unholy mess because it fuses together the worst parts of every bad medical-monster thriller, and then boldly cranks up the ridiculous.
  17. A delightful and endearing romantic comedy with the shape and resonance of a Jane Austen novel.
  18. Best of all, and worth the price of admission, is Cedric the Entertainer.
  19. It's a wonderfully silly family movie that holds its audience in high regard.
  20. While not nearly as elaborate as either film, Heist plays like a combination of "The Sting" and "Mission: Impossible."
  21. Elf
    A non-sappy and genuinely adorable confection. It wiped away the Scrooge in me for 90 enchanting minutes.
  22. The man-versus-the-natural world story is in Weir's wheelhouse, and Harris and Farrell get into a scene-stealing duel. Worth the trek.
  23. If ever a movie could convince the masses to don communal shoes, this is the one.
  24. Even while trying to access my inner giggly, dreamy adolescent, I found the movie as irritating as a chigger under the skin. The cast is pretty and inoffensive, with America Ferrera, using charisma and fierce emotions to stand out from the pack.
  25. To sing the praises of the movie but not give away the revelations is difficult. Let’s just say this: The less you know about what happens in this funny, tasty twisteroo, the better.
  26. The movie is pretty good.
  27. Director David Yates, who helmed the last four "Harry Potter" films, is in his element with this mix of wand-waving and rollicking adventure. He keeps the overstuffed story zipping along for the most part. And he's thrown in all the eye-popping wonders that $180 million can buy.
  28. Our time spent with Nenette feel as stifling and airless as hers.
  29. With the film's hypnotic emphasis on artistry and architecture, most viewers will probably get their satisfaction from the striking visual elements, particularly the stop-motion animation.
  30. Best of all is newcomer Connell, the kind of charismatic kid who would have been cast in "Freaks and Geeks" ten years ago.

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