For 6,911 reviews, this publication has graded:
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42% higher than the average critic
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3% same as the average critic
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55% lower than the average critic
On average, this publication grades 8.2 points lower than other critics.
(0-100 point scale)
Average Movie review score: 57
| Highest review score: | Fruitvale Station | |
|---|---|---|
| Lowest review score: | The Fourth Kind |
Score distribution:
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Positive: 2,885 out of 6911
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Mixed: 2,801 out of 6911
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Negative: 1,225 out of 6911
6911
movie
reviews
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Reviewed by
Elizabeth Weitzman
Straightforward and immensely powerful, the movie offers a blunt assessment of the war from soldiers currently fighting it, and their perspective is not pretty.- New York Daily News
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Zowie! What a picture! Humor, drama, romance, action, thrill! And how!- New York Daily News
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Jami Bernard
The supporting cast, including Ving Rhames, Laurence Fishburne and gorgeous Maggie Q, is underused, but the movie delivers the goods.- New York Daily News
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Elizabeth Weitzman
Actors Trevor Wright and Brad Rowe are good enough to turn a formulaic coming-out tale into a sweet romance.- New York Daily News
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Elizabeth Weitzman
Given that fundamentalist faith and sober logic are irreconcilable enemies, though, Baer's analysis inevitably leads to a grim roadblock, at which he can do little more than tally the toll.- New York Daily News
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Jack Mathews
Enjoy Christmas in Paris, if you don't have enough problems of your own, with this slice of family life from French director Daniele Thompson.- New York Daily News
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Jack Mathews
The stories are sharply written and well composed. Some are high tech on a low-tech budget, but where they find their strength -- in the emotions of their characters -- money is no object.- New York Daily News
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Elizabeth Weitzman
What’s most surprising is that this talky dramedy was a massive smash at home in France, outearning blockbusters like “The Avengers.”- New York Daily News
- Posted Dec 12, 2013
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- New York Daily News
- Posted May 14, 2018
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Reviewed by
Joe Dziemianowicz
The movie rises thanks to an ace in the hole: Bryan Cranston, whose stirring star turn hooks us completely.- New York Daily News
- Posted Jul 8, 2016
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Elizabeth Weitzman
How you respond to Pitch Perfect will depend primarily on how you feel about its obvious inspirations: "Glee," "Bring It On" and the food-poisoning scene from "Bridesmaids."- New York Daily News
- Posted Sep 27, 2012
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Elizabeth Weitzman
Panayotopoulou does handle the material with sensitivity, but she relies too much on her young hero's unlikely precocity, which unwittingly diminishes the intensity of a child's very real grief.- New York Daily News
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Elizabeth Weitzman
The persistent whimsy gets a bit wearisome, but it's hard to dismiss any film so determined to make us happy.- New York Daily News
- Posted Feb 23, 2012
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Jordan Hoffman
Felix and Meira is tender and sad, and wonderfully shot in snowy Quebec, but ultimately fails to connect. It’s such a gentle whisper of a film, it’s hard to hear what it wants to say.- New York Daily News
- Posted Apr 16, 2015
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Elizabeth Weitzman
The efforts of Beavan's clan are so extreme that they spark some interest, but their environmental commitment feels a bit too self-serving to have the impact that's clearly desired.- New York Daily News
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Elizabeth Weitzman
First-time feature director Omid Nooshin deftly downplays his budgetary limitations. He creates a sense of tension on the confining set and draws as much as possible out of a strong cast, led by Scott.- New York Daily News
- Posted Apr 24, 2014
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Joe Neumaier
Combining the dysfunctional family reunion and the home invasion thriller, You’re Next tries, somewhat valiantly, to add new twists to the usual bloody horror-flick shenanigans. But aside from a few fresh chords, it’s same-old, same-old.- New York Daily News
- Posted Aug 22, 2013
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Joe Neumaier
Kekilli sensitively portrays Umay's conflicted despair, and the relationship with her son is beautifully rendered.- New York Daily News
- Posted Jan 28, 2011
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Joe Neumaier
If you're not in that demographic, don't dismiss it. You'll miss out on a genuinely sweet, perfectly acted, remarkably brave little movie that should make audiences swoon for something they thought was gone - a smart dramedy for grown-ups.- New York Daily News
- Posted Aug 8, 2012
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Jack Mathews
The Manhattan movie of the year, Francis Lawrence's I Am Legend, offers a stunning glimpse into how the city - as we know it today - might look in 2012 if it were abandoned in 2009.- New York Daily News
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Elizabeth Weitzman
There were a lot of people who came to regret investing their time and money in Park's brash dream. You won't be one of them.- New York Daily News
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Elizabeth Weitzman
A thoroughly entertaining animated comedy that's sweet enough for the youngest moviegoers, and smart enough for the most cynical chaperone.- New York Daily News
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Elizabeth Weitzman
Some consider Leigh Bowery a visionary performance artist. Others will see a selfindulgent narcissist. You may want to decide for yourself.- New York Daily News
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Jack Mathews
The lone gem of the anthology takes place in the loft of a trendy L.A. restaurant where a snooty Steve Coogan learns from starstruck Alfred Molina that the actors are cousins...This is the longest of the shorts, and has a payoff ending that nearly makes the whole thing worthwhile.- New York Daily News
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Robert Dominguez
Besides the personal stories, de Sève deftly puts the issue in historical and political perspective through an overview of the evolution of marriage, plus a slew of talking heads representing both sides of the battle.- New York Daily News
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Jami Bernard
Garcia's somber narration is a turnoff, but this plucky little diatribe gets you thinking about the larger implications facing future generations.- New York Daily News
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Elizabeth Weitzman
A meandering, amusing trifle, Werner Herzog's latest film is as cheekily flaky as his recent "Grizzly Man" was sharply down-to-earth.- New York Daily News
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Ethan Sacks
It stands alone as the best "Star Wars" entry since 1980's "The Empire Strikes Back." Yes, it's that good.- New York Daily News
- Posted Dec 13, 2016
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Jami Bernard
Busch lovingly and meticulously channels such grand dames as Joan Crawford, Barbara Stanwyck and Norma Shearer in a way that surpasses imitation, camp and drag show. He captures their essence, and therefore the essence of cinema itself.- New York Daily News
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Elizabeth Weitzman
Just when it seems he's left himself with no way out, he comes up with a finish guaranteed to leave you breathless.- New York Daily News
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