New York Daily News' Scores

For 6,911 reviews, this publication has graded:
  • 42% higher than the average critic
  • 3% same as the average critic
  • 55% lower than the average critic
On average, this publication grades 8.2 points lower than other critics. (0-100 point scale)
Average Movie review score: 57
Highest review score: 100 Fruitvale Station
Lowest review score: 0 The Fourth Kind
Score distribution:
6911 movie reviews
  1. Straightforward and immensely powerful, the movie offers a blunt assessment of the war from soldiers currently fighting it, and their perspective is not pretty.
    • 66 Metascore
    • 100 Critic Score
    Zowie! What a picture! Humor, drama, romance, action, thrill! And how!
  2. The supporting cast, including Ving Rhames, Laurence Fishburne and gorgeous Maggie Q, is underused, but the movie delivers the goods.
  3. Actors Trevor Wright and Brad Rowe are good enough to turn a formulaic coming-out tale into a sweet romance.
  4. Given that fundamentalist faith and sober logic are irreconcilable enemies, though, Baer's analysis inevitably leads to a grim roadblock, at which he can do little more than tally the toll.
  5. Enjoy Christmas in Paris, if you don't have enough problems of your own, with this slice of family life from French director Daniele Thompson.
  6. The stories are sharply written and well composed. Some are high tech on a low-tech budget, but where they find their strength -- in the emotions of their characters -- money is no object.
  7. What’s most surprising is that this talky dramedy was a massive smash at home in France, outearning blockbusters like “The Avengers.”
  8. Right now, he's the perfect "Avengers" antidote.
  9. The movie rises thanks to an ace in the hole: Bryan Cranston, whose stirring star turn hooks us completely.
  10. How you respond to Pitch Perfect will depend primarily on how you feel about its obvious inspirations: "Glee," "Bring It On" and the food-poisoning scene from "Bridesmaids."
  11. Panayotopoulou does handle the material with sensitivity, but she relies too much on her young hero's unlikely precocity, which unwittingly diminishes the intensity of a child's very real grief.
  12. The persistent whimsy gets a bit wearisome, but it's hard to dismiss any film so determined to make us happy.
  13. Felix and Meira is tender and sad, and wonderfully shot in snowy Quebec, but ultimately fails to connect. It’s such a gentle whisper of a film, it’s hard to hear what it wants to say.
  14. The efforts of Beavan's clan are so extreme that they spark some interest, but their environmental commitment feels a bit too self-serving to have the impact that's clearly desired.
  15. First-time feature director Omid Nooshin deftly downplays his budgetary limitations. He creates a sense of tension on the confining set and draws as much as possible out of a strong cast, led by Scott.
  16. Combining the dysfunctional family reunion and the home invasion thriller, You’re Next tries, somewhat valiantly, to add new twists to the usual bloody horror-flick shenanigans. But aside from a few fresh chords, it’s same-old, same-old.
  17. Kekilli sensitively portrays Umay's conflicted despair, and the relationship with her son is beautifully rendered.
  18. If you're not in that demographic, don't dismiss it. You'll miss out on a genuinely sweet, perfectly acted, remarkably brave little movie that should make audiences swoon for something they thought was gone - a smart dramedy for grown-ups.
  19. The Manhattan movie of the year, Francis Lawrence's I Am Legend, offers a stunning glimpse into how the city - as we know it today - might look in 2012 if it were abandoned in 2009.
  20. There were a lot of people who came to regret investing their time and money in Park's brash dream. You won't be one of them.
  21. A thoroughly entertaining animated comedy that's sweet enough for the youngest moviegoers, and smart enough for the most cynical chaperone.
  22. Some consider Leigh Bowery a visionary performance artist. Others will see a selfindulgent narcissist. You may want to decide for yourself.
  23. The lone gem of the anthology takes place in the loft of a trendy L.A. restaurant where a snooty Steve Coogan learns from starstruck Alfred Molina that the actors are cousins...This is the longest of the shorts, and has a payoff ending that nearly makes the whole thing worthwhile.
  24. Besides the personal stories, de Sève deftly puts the issue in historical and political perspective through an overview of the evolution of marriage, plus a slew of talking heads representing both sides of the battle.
  25. Garcia's somber narration is a turnoff, but this plucky little diatribe gets you thinking about the larger implications facing future generations.
  26. A meandering, amusing trifle, Werner Herzog's latest film is as cheekily flaky as his recent "Grizzly Man" was sharply down-to-earth.
  27. It stands alone as the best "Star Wars" entry since 1980's "The Empire Strikes Back." Yes, it's that good.
  28. Busch lovingly and meticulously channels such grand dames as Joan Crawford, Barbara Stanwyck and Norma Shearer in a way that surpasses imitation, camp and drag show. He captures their essence, and therefore the essence of cinema itself.
  29. Just when it seems he's left himself with no way out, he comes up with a finish guaranteed to leave you breathless.

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