New York Daily News' Scores

For 6,911 reviews, this publication has graded:
  • 42% higher than the average critic
  • 3% same as the average critic
  • 55% lower than the average critic
On average, this publication grades 8.2 points lower than other critics. (0-100 point scale)
Average Movie review score: 57
Highest review score: 100 Fruitvale Station
Lowest review score: 0 The Fourth Kind
Score distribution:
6911 movie reviews
  1. For a kiddie flick, The Book of Life pushes boundaries, as the topic of death is undeniably front and center. But like Mexico’s Day of the Dead, the movie enjoyably, and successfully, mixes the macabre with the celebratory.
  2. Director and co-writer Denis Dercourt infuses Melanie's calculating seduction of the family with a sense of genuine menace. You will not be bored.
  3. A phallocentric documentary could easily be nothing but snickers and mockery, but the directors offer a work filled with warmth, humor and humanism.
  4. Sometimes these characters say things worth hearing. But too often, and in contrast to her first feature, "Me and You and Everyone We Know," July's calculated delivery doesn't reveal the profundity required to elevate it beyond a self-conscious deadpan.
  5. It's a triumph of the human spirit that so many people in deadly jobs are able, nevertheless, to marry and have a few happy moments despite lives of hellish labor. Glawogger's intrepid camera finds both the shame and the grace in it.
  6. Branagh, working from a script by Chris Weitz, gives the film emotional heft. James’ performance — never saccharine, often staunchly independent — makes the story’s more regressive elements float away.
  7. Once in a Lifetime performs a belated autopsy on the Cosmos and the North American Soccer League and basically concludes that they died of impatience.
  8. Stories about mythic figures at the end of their days are compelling — but they still need some zing. That’s what Mr. Holmes is missing.
  9. China has classified Internet addiction as a clinical disorder, calling it the single most dangerous threat to the health and well-being of Chinese teenagers. That’s a tough superlative to achieve, considering the levels of air and water pollution in China.
  10. It often feels as if the filmmakers expect us to be equally seduced by Ruby's wide-eyed winsomeness. That's a shame, as we can sense the deeper film beneath the surface. Because Ruby remains conceptual, this ambitious project lacks the dimension of the similarly meta-minded Charlie Kaufman projects that apparently inspired it.
  11. Rock School celebrates music, family, hard work and, yes, Paul Green. Best of all, it shows the flexibility of children to learn and adapt -- even when their teacher is nuts.
  12. Sharp, erotic performances are the mainstay of Olivier Assayas' unnerving Demonlover, a visually stylish movie that equates and fuses high-stakes corporate negotiations with the video-game mentality.
  13. Rory Culkin’s turn in the deeply felt and haunting Gabriel is so powerful you can’t look away.
  14. The actors - including Aidan Quinn as Lena's lover - work hard to balance a mood that fluctuates between stillness and stagnancy.
  15. It would be easy to say that the final minutes of this mixed-up thriller make everything before it meaningless, but that would indicate the odd conclusion has meaning, too.
  16. Mostly, it's a story of violence, and it's superbly told.
  17. This is an insider's tour - the uninitiated are, frankly, not likely to be converted.
  18. The actors are up to the challenges of the many serious moments, but the sweetest ones are the most memorable. It's nice to see Loach's gentler side.
  19. Once upon a time, Black's charisma might have been enough to carry the movie.
  20. It's as harrowing as moviegoing gets.
  21. Kids may not notice or care, but the movie, which advocates kindness, comes with an irony. It’s a film about embracing differences and seeing beyond appearances, but it rarely bucks convention or gets more than skin deep.
  22. Ridley and Benjamin have done more than capture Hendrix’s moves and sounds. They’ve captured his spirit.
  23. Director Jennifer Kroot’s good-natured biography is so appealing that even non-Trekkies may be convinced we needed a full-length documentary about the man who was Sulu.
  24. As he proved in the far funnier and livelier "Sixteen Candles," Hughes has a wonderful knack for communicating the feelings of teenagers, as well as an obvious rapport with his exceptional cast — who deserve top grades.
  25. Almada steadfastly reserves judgment, which means we don't learn if there are members of the Mexican community who disapprove of corrido's hard-edged lyrics. But she makes a pretty good case for its passionate fans. Like them, we're left unable to get the music - and the musicians - out of our heads.
  26. Their ultimate success is a classic victory for the little guy.
  27. Those who've read and loved the book should be satisfied, but it's reasonable to hope for more from the final entry.
  28. A disquieting, and somewhat disjointed, call to arms, Theodore Braun's heartfelt documentary is undeniably important. But it may not be quite focused enough to ignite the passion he so clearly wants his audience to feel.
  29. Zelary succeeds as moving indictment of war.
  30. It's a must for those who like thrills laced with a sense of humor.

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