For 6,911 reviews, this publication has graded:
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42% higher than the average critic
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3% same as the average critic
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55% lower than the average critic
On average, this publication grades 8.2 points lower than other critics.
(0-100 point scale)
Average Movie review score: 57
| Highest review score: | Fruitvale Station | |
|---|---|---|
| Lowest review score: | The Fourth Kind |
Score distribution:
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Positive: 2,885 out of 6911
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Mixed: 2,801 out of 6911
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Negative: 1,225 out of 6911
6911
movie
reviews
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Reviewed by
Joe Neumaier
Farahani — seen in “Body of Lies” and “Chicken With Plums” — is equally vibrant in a performance, and a film, that dares us to listen.- New York Daily News
- Posted Aug 14, 2013
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Unfortunately, for all the beauty, director Gilles Bourdos goes no further than simply observing surfaces.- New York Daily News
- Posted Mar 28, 2013
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Jack Mathews
You won't find many insights into the personalities, or even a hint of the demons that plagued Garcia until his death, but seeing the two men together -- keeps a smile on your face and your feet tapping throughout.- New York Daily News
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Jordan Hoffman
Israeli directors Aharon Keshales and Navot Papushado take a classic ethical debate and turn it into a dark — and darkly funny — thriller, which Quentin Tarantino named the best film of 2013.- New York Daily News
- Posted Jan 16, 2014
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Jack Mathews
You may have to go back to 1973's "Paper Moon" and the father/daughter work of Ryan O'Neal and 10-year-old Tatum for equal excellence in nepotism.- New York Daily News
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Jami Bernard
It's a diary, collage, meditation, elegy. But, unless you're going for a Ph.D. in code-breaking, it's also a bore.- New York Daily News
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Jami Bernard
The dogs are fantastic. The humans need more work with their trainers.- New York Daily News
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The serious tone of director Amma Asante’s film goes far in undercutting any gloss. It looks more like a murky Rembrandt than an episode of “Downton Abbey.”- New York Daily News
- Posted May 1, 2014
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Elizabeth Weitzman
Rarely has Paris seemed more enchanting than in Danièle Thompson's optimistic ode to Gallic romance.- New York Daily News
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Elizabeth Weitzman
A curse would be a great improvement on the wishy-washy wickedness of this movie.- New York Daily News
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Jami Bernard
A smart, old-fashioned spy thriller in which the weapon of choice is brainpower.- New York Daily News
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Jami Bernard
Here’s a British spin on the familiar struggle of the couch potato who plans any minute now to get off his duff.- New York Daily News
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Jami Bernard
Director Samira Makhmalbaf made this raw and effective parable with the recognizable help of her father, legendary director Mohsen Makhmalbaf.- New York Daily News
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Elizabeth Weitzman
Though buoyed by excellent, unflinching performances, this melancholy drama reflects the dismally monotonous lives of its subjects just a little too well.- New York Daily News
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Jack Mathews
A metaphysical shaggy-dog story, whose unpredictable punchline is its only redeeming feature.- New York Daily News
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Elizabeth Weitzman
A fan's dream, A.J. Schnack's worshipful documentary about the musical duo They Might Be Giants does a nice job reflecting the thoughtful, quirky sensibility of its subjects' songs. Just don't expect to learn much about the guys themselves.- New York Daily News
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Jack Mathews
The laugh ratio in this run-on of skits is pretty low, at least to the unaltered mind of one who's seen enough of these films and eaten enough White Castle burgers to last a lifetime.- New York Daily News
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Elizabeth Weitzman
Some stories are more compellingly told than others, but all, like Trank's film, are deserving of attention.- New York Daily News
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Elizabeth Weitzman
Thought-provoking, but not quite as profound as it pretends to be.- New York Daily News
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Stephen Whitty
Swiss Army Man's greatest challenge is to its audience. Just, exactly, how much will we sit still for? Endless scenes of Dano in role-playing drag, sporting a rag-mop wig and giving dating tips to a corpse? Frequent closeups of Radcliffe's furry flatulent buttocks?- New York Daily News
- Posted Jun 22, 2016
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Elizabeth Weitzman
Why does the movie waste so much time on empty adoration from celebrity fans and skim past the significant tragedies that contributed to her complex life? Parental neglect, sexual assault, severe mental illness — all of these factors shaped the woman Page became. But perhaps even today, no one wants to consider the sadness behind her 1,000-watt smile.- New York Daily News
- Posted Nov 21, 2013
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Elizabeth Weitzman
Writer/director Patric Chiha brings a knowledgeable weariness to his feature debut, as his story heads toward an end that feels familiar in all the right ways.- New York Daily News
- Posted Jan 12, 2012
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Joe Neumaier
Andrew Cohn and Davy Rothbart’s doc, exec-produced by Steve Buscemi and Stanley Tucci, is one more sad, serious eulogy for a way of life.- New York Daily News
- Posted Nov 7, 2013
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Elizabeth Weitzman
You'll need a taste for nostalgia to really appreciate Fright Night, which knowingly blends Eighties cheese with Nineties snark - a combination that works better than it sounds.- New York Daily News
- Posted Aug 18, 2011
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Stephen Whitty
Youth is fleeting. "Youth" is not. In fact, you may feel yourself getting older just watching it.- New York Daily News
- Posted Dec 2, 2015
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Jami Bernard
Best of all is newcomer Justine Clarke playing a dour illustrator. Clarke's fascinating features register emotions at war, but always governed by a sense of self-deprecating humor.- New York Daily News
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Joe Neumaier
Parents should know that the ending makes the last moments of this family-friendly documentary as tough as "Bambi." But the lessons about friendship are gigantic, indeed.- New York Daily News
- Posted Sep 23, 2011
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Elizabeth Weitzman
Both Adams and Judd have been let down by Hollywood. Here they have the freedom to express their uniquely Southern takes on music, faith, family and femininity. This intensely personal film may not bring either of them widespread acclaim, but it's a small triumph nonetheless.- New York Daily News
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Joe Neumaier
The good-natured cast helps distract from a barely sketched plot and outrageously cheap production values.- New York Daily News
- Posted Jan 28, 2011
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Elizabeth Weitzman
A crushingly dark vision of male rage and female vulnerability, Hélène Angel's accomplished first feature hits you like an anvil -- after it's all over.- New York Daily News
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