New York Daily News' Scores

For 6,911 reviews, this publication has graded:
  • 42% higher than the average critic
  • 3% same as the average critic
  • 55% lower than the average critic
On average, this publication grades 8.2 points lower than other critics. (0-100 point scale)
Average Movie review score: 57
Highest review score: 100 Fruitvale Station
Lowest review score: 0 The Fourth Kind
Score distribution:
6911 movie reviews
  1. Farahani — seen in “Body of Lies” and “Chicken With Plums” — is equally vibrant in a performance, and a film, that dares us to listen.
    • 64 Metascore
    • 60 Critic Score
    Unfortunately, for all the beauty, director Gilles Bourdos goes no further than simply observing surfaces.
  2. You won't find many insights into the personalities, or even a hint of the demons that plagued Garcia until his death, but seeing the two men together -- keeps a smile on your face and your feet tapping throughout.
  3. Israeli directors Aharon Keshales and Navot Papushado take a classic ethical debate and turn it into a dark — and darkly funny — thriller, which Quentin Tarantino named the best film of 2013.
  4. You may have to go back to 1973's "Paper Moon" and the father/daughter work of Ryan O'Neal and 10-year-old Tatum for equal excellence in nepotism.
  5. It's a diary, collage, meditation, elegy. But, unless you're going for a Ph.D. in code-breaking, it's also a bore.
  6. The dogs are fantastic. The humans need more work with their trainers.
    • 64 Metascore
    • 80 Critic Score
    The serious tone of director Amma Asante’s film goes far in undercutting any gloss. It looks more like a murky Rembrandt than an episode of “Downton Abbey.”
  7. Rarely has Paris seemed more enchanting than in Danièle Thompson's optimistic ode to Gallic romance.
  8. A curse would be a great improvement on the wishy-washy wickedness of this movie.
  9. A smart, old-fashioned spy thriller in which the weapon of choice is brainpower.
    • New York Daily News
  10. Here’s a British spin on the familiar struggle of the couch potato who plans any minute now to get off his duff.
  11. Director Samira Makhmalbaf made this raw and effective parable with the recognizable help of her father, legendary director Mohsen Makhmalbaf.
  12. Though buoyed by excellent, unflinching performances, this melancholy drama reflects the dismally monotonous lives of its subjects just a little too well.
  13. A metaphysical shaggy-dog story, whose unpredictable punchline is its only redeeming feature.
  14. A fan's dream, A.J. Schnack's worshipful documentary about the musical duo They Might Be Giants does a nice job reflecting the thoughtful, quirky sensibility of its subjects' songs. Just don't expect to learn much about the guys themselves.
  15. The laugh ratio in this run-on of skits is pretty low, at least to the unaltered mind of one who's seen enough of these films and eaten enough White Castle burgers to last a lifetime.
  16. Some stories are more compellingly told than others, but all, like Trank's film, are deserving of attention.
  17. Thought-provoking, but not quite as profound as it pretends to be.
  18. Swiss Army Man's greatest challenge is to its audience. Just, exactly, how much will we sit still for? Endless scenes of Dano in role-playing drag, sporting a rag-mop wig and giving dating tips to a corpse? Frequent closeups of Radcliffe's furry flatulent buttocks?
  19. Why does the movie waste so much time on empty adoration from celebrity fans and skim past the significant tragedies that contributed to her complex life? Parental neglect, sexual assault, severe mental illness — all of these factors shaped the woman Page became. But perhaps even today, no one wants to consider the sadness behind her 1,000-watt smile.
  20. Writer/director Patric Chiha brings a knowledgeable weariness to his feature debut, as his story heads toward an end that feels familiar in all the right ways.
  21. Andrew Cohn and Davy Rothbart’s doc, exec-produced by Steve Buscemi and Stanley Tucci, is one more sad, serious eulogy for a way of life.
  22. You'll need a taste for nostalgia to really appreciate Fright Night, which knowingly blends Eighties cheese with Nineties snark - a combination that works better than it sounds.
  23. Youth is fleeting. "Youth" is not. In fact, you may feel yourself getting older just watching it.
  24. Best of all is newcomer Justine Clarke playing a dour illustrator. Clarke's fascinating features register emotions at war, but always governed by a sense of self-deprecating humor.
  25. Parents should know that the ending makes the last moments of this family-friendly documentary as tough as "Bambi." But the lessons about friendship are gigantic, indeed.
  26. Both Adams and Judd have been let down by Hollywood. Here they have the freedom to express their uniquely Southern takes on music, faith, family and femininity. This intensely personal film may not bring either of them widespread acclaim, but it's a small triumph nonetheless.
  27. The good-natured cast helps distract from a barely sketched plot and outrageously cheap production values.
  28. A crushingly dark vision of male rage and female vulnerability, Hélène Angel's accomplished first feature hits you like an anvil -- after it's all over.

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