New York Daily News' Scores

For 6,911 reviews, this publication has graded:
  • 42% higher than the average critic
  • 3% same as the average critic
  • 55% lower than the average critic
On average, this publication grades 8.2 points lower than other critics. (0-100 point scale)
Average Movie review score: 57
Highest review score: 100 Fruitvale Station
Lowest review score: 0 The Fourth Kind
Score distribution:
6911 movie reviews
  1. Penn is projecting heroic qualities onto a young guy who simply got in over his head.
  2. The old footage is definitely compelling, but once Moss trains his focus on the quotidian present, the movie takes on too much water to stay afloat.
  3. The movie ever so slowly builds to a startling finale, one that puts new meaning into passive-aggressive relationships.
  4. Rife with beautiful imagery and loads of symbolism, though none of the stories is particularly compelling on its own.
  5. The film makers are so anxious to please their audience that they turn the last act into a preposterous cat-and-mouse game that nullifies the integrity of the story.
  6. Inexplicable human bondage is a literary staple of film as well as literature, but Kurys ("Entre Nous"), usually so sure-handed with her actors, has trouble making this bond compelling.
  7. Although the period feeling is convincing, Forman doesn't seem to know exactly what he wants to say about this intensely complex era - and that leaves his cast floundering.
  8. This is an important New York story, and Spaisman makes an inspiring subject.
  9. There's plenty of passion beneath this movie's unadorned surface.
  10. There's no avoiding the fact that it's a one-joke movie, 86 minutes in the telling, and without any serious social underpinnings, it grows old pretty fast.
  11. The film's asset, in a walk, is Bening, whose comic timing puts Shandling to shame.
  12. Dayan's weakly structured biopic Cet Amour-là is, to be kind, less than inspired. But as a showcase for legendary French actress Jeanne Moreau, it's a tour de force.
  13. Much of this is pretty funny, in its perverse, disorienting style, and there's an irrepressible sunniness to the relationship between Lola and Hlynur's mother.
    • New York Daily News
  14. Its leisurely pace and reliance on Ambrose's pale-lashed gaze make it more of an interior monologue. That may not please viewers who crave action, but those with patience will be rewarded.
  15. Trixie has "cult favorite" written all over it. That is to say, the general public is likely to say ixnay.
  16. Gosling's performance is a stunner, although the story-telling is otherwise pedestrian. It is the movie's blessing and curse that it does not shy away from Danny's murderous, inexplicable contradictions — or explain them.
  17. The veteran Cranham and young Bill play their incompatible characters with dead-pan aplomb, and Derek Jacobi adds heft as Churchill's chief intelligence officer.
  18. Though intermittently shrill, Shopping does have enough moments of insight to blunt charges of sexist stereotyping.
  19. A movie with better parts than a whole. But where it's right, it's really right.
  20. It's beautiful to look at, and marvelously edited, but it's hard to know exactly what he's getting at. [28 May 1999]
    • New York Daily News
  21. Though it's ultimately rather heavy-handed, this drama about an Iranian-American family is heartfelt and topical.
  22. Only slightly less awkward than its young protagonists, Todd Stephens' earnest coming-of-age drama is able to coast a long way on two engaging performances and some endearing moments.
  23. Farmiga is excellent as a woman who is like the mouse she feeds to her son's pet snake - trapped and about to be eaten alive by ordinary circumstance.
  24. Will Rugrats fans love it -- Wee, we -- er, oui, oui.
  25. Gram Parsons' last rites were among the most extra­ordinary in rock history. Too bad this retelling of the singer's final adventure is so tame.
  26. The parts are more valuable than the whole in Angelina Maccarone's Unveiled.
  27. A sports movie for people who may not care about sports but can't resist a heart-tugging underdog story.
  28. The performances by Smith, Brewster and veteran David Morse, as a morbidly depressed widower, elevate Nearing Grace to something near grace.
  29. While Shelly's stylized vision and sentimental intentions don't always gel, they do result in a warm, often charming fantasy.
  30. It's certainly not scary; it's not even suspenseful. The tension in Hannibal is purely sexual.

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