New York Daily News' Scores

For 6,911 reviews, this publication has graded:
  • 42% higher than the average critic
  • 3% same as the average critic
  • 55% lower than the average critic
On average, this publication grades 8.2 points lower than other critics. (0-100 point scale)
Average Movie review score: 57
Highest review score: 100 Fruitvale Station
Lowest review score: 0 The Fourth Kind
Score distribution:
6911 movie reviews
  1. The lightweight bauble is perfect entertainment for now.
  2. With the exception of one truly glorious dance solo, the movie treats its hero - and his equally uncool family - with undisguised disdain.
  3. Lovett's history is heavy on hedonism, but he does deliver a succinct perspective on this celebratory era - between the sad bookends of repression and loss.
  4. There's enough affection and insight here to make Lee's next movie worth watching for.
  5. So desperately eager to please: Gaudreault doesn't offer much in the way of wit or originality, but he's determined to win us over with sheer enthusiasm.
  6. Given the subject matter, the movie is almost fatally lacking in passion.
  7. Ozpetek moves things along at a snail's pace and lays the sentiment down thickly. But it's a potent tale, wonderfully acted by Mezzogiorno and Massimo Girotti as the old man.
  8. CQ
    May have more enthusiasm and attitude than good story sense, but it, too, is the work of someone who might be at this game for a long time.
    • New York Daily News
  9. David Cronenberg is one of the most intellectual film makers around.
    • New York Daily News
  10. Beautifully assembled and edited by Fenton Bailey and Randy Barbato ("The Eyes of Tammy Faye") and is often very funny.
  11. There are jolts galore in a movie stuffed with the basic tricks of the evil-spirit trade - banging noises in the attic, slamming doors and windows, spinning clocks, shaking beds, rabid beasts, disappearing children and the occasional moment of eyeball-rolling possession.
  12. There's nothing here for kids, or, for that matter, anyone who claims to be an adult. But if the title makes perfect sense to you, the movie probably will, too.
  13. Fathers and sons with problems expressing their feelings makes for a story that is universal, and that has also been done to death. Thankfully, the boxing scenes are extensive and pack the appropriate punch.
  14. Less a complete story than a work-in-progress.
  15. Whether you're charmed or bored by the movie depends entirely on your feelings for Amelie, a young woman whose hyper-quirky personality both takes some getting used to and grows old fast.
  16. This intelligently acted and well-paced story avoids most of the clichés.
  17. Doesn't probe quite as deeply as it should.
  18. Writer, director and star Anthony Hopkins releases his inner muse with Slipstream, and guess who shows up - David Lynch!
  19. It's unabashedly derivative and spooky enough to keep you up at night.
  20. Adrien Brody is cornering the market on roles where he's hunted, haunted and under-nourished.
  21. A missed opportunity to shed light on one of America's most turbulent times.
  22. One of those purposely head-scratching films meant to be viewed more than once. The extra ticket sales should easily cover Carruth's initial $7,000 budget.
  23. A loving tribute to one of the most important figures in hip hop. From Jay-Z to himself.
  24. Carell and Freeman are great together and Wanda Sykes' acerbic humor is perfect for her role as Evan's perplexed assistant.
  25. Unremittingly explosive, Head-On is not an easy film to watch. It is, however, a memorable one.
  26. If French film makers would consider the story they have to tell as paramount to the technique of telling it, I'm sure they would interest a wider audience than they do now. [05 Sep 1962, p.37]
    • New York Daily News
  27. There's humor and expected back-story pathos.
  28. A passable, but entirely uninspired "Spy Kids" wanna-be.
  29. Although the movie is not as hilarious as you'd hope from the screwball setup, Gainsbourg and Attal make a solid comedy team.
    • New York Daily News
  30. A fragmented, episodic feel and a conclusion that seems both remote and remote-controlled.

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