New York Daily News' Scores

For 6,911 reviews, this publication has graded:
  • 42% higher than the average critic
  • 3% same as the average critic
  • 55% lower than the average critic
On average, this publication grades 8.2 points lower than other critics. (0-100 point scale)
Average Movie review score: 57
Highest review score: 100 Fruitvale Station
Lowest review score: 0 The Fourth Kind
Score distribution:
6911 movie reviews
  1. It's an intelligent, chilling movie, but one that can't quite shake those stage origins.
  2. Once again, the director's eye is faultless as he captures both the essence and beauty of the art of Jang Seung-up, Korea's legendary 19th-century painter. But he doesn't capture the artist's soul.
  3. A disquieting, and somewhat disjointed, call to arms, Theodore Braun's heartfelt documentary is undeniably important. But it may not be quite focused enough to ignite the passion he so clearly wants his audience to feel.
  4. The film is somewhat hampered by the refusal of the parents in two of the three families to participate in it. Though the children provide an eloquent, impassioned presence, their parents' absence is overwhelming.
  5. This is an insider's tour - the uninitiated are, frankly, not likely to be converted.
  6. It's frightening because it's so effective in fomenting fear and because it's so easy to recruit bombers among repressed and hopeless societies.
  7. Day's primary mistake is an occasional attempt to get serious. With a deft comic touch and a topic that's still timely, he doesn't need to play it straight.
  8. All the full-blown wackiness turns a rather sweet movie into one that's decidedly overripe.
  9. RV
    The funny thing about RV - no, it's not the jokes, which mostly bomb - is that the characters are actually pretty likable. It's an odd achievement for a road-trip comedy that wants desperately to be loved for its potty jokes, not its humanity.
  10. Some of the banter is fun, like Randal's debate with Elias over the relative merits of "Star Wars" vs. "The Lord of the Rings." But most is just trash-talk as shoptalk.
  11. Green's aggressively whimsical autobiography, which he narrates entirely in rhyme, will challenge all but the most open-minded audiences.
  12. Starts out as fresh as your popcorn, but turns stale before you finish it.
  13. The result is a handsome, action-packed biographical drama with a credibility gap wider than the screen.
  14. Coming from a big shot like Levinson, An Everlasting Piece feels like a gently amusing but undeniably minor diversion that, for whatever reason, needed to be gotten out of his system.
  15. You know this movie is French (apart from the subtitles), because everyone looks great, gets naked and later breaks into a peppy musical number about the joys of lobster and shellfish.
  16. The skiers' explanations, on the order of "no risk, no adventure," won't wash with people born without the daredevil gene and watching them fly down these vertical blankets of snow, often out of control, is a little like watching a train wreck
  17. What makes this one stand out is the tugging, melancholy romance hiding behind the curtain of blood.
    • New York Daily News
  18. The performances are impeccable, but while director Joachim Lafosse carefully creates an atmosphere of suffocating dread, he could have let a little more air into this simmering hothouse.
  19. Looking for plot holes? You can't miss them. But if you go in hoping for a good time, you'll find that, too.
  20. Levin learned nothing that should surprise anyone who is both sentient and sane. But in tracing much of this contemporary anti-Semitism to a phony 19th-century document in which Jewish leaders lay out plans for taking over the world, we at least get some understanding of how some twisted people justify their hatred and fear of Jews.
  21. Bright is pretty to look at, but it's a slow-moving, meandering work that isn't as complex or mysterious as it appears.
  22. Polley, the paraplegic incest victim in Atom Egoyan's "The Sweet Hereafter," gives a mesmerizing central performance.
  23. The result of Moskowitz's sleuthing is Stone Reader, a combination mystery, book celebration and -- sorry to say -- intrusively annoying self-portrait of the filmmaker.
  24. The film is hampered by a somewhat shallow, soap-operatic climax. But Knoller is superb as a practical man trying to balance reason and emotion. Fox does an excellent job capturing the claustrophobia of army life, made all the more suffocating by having to hide one's true self.
  25. Intermittently funny.
  26. Berg has an excellent eye for violent extravaganza and the action - especially a 10-15 minute set piece midway through - is as cleansing as a high colonic.
  27. Niccol doesn't always get the mix right, and the tone here is inconsistent. But the movie remains compelling, largely because of Cage's dry, deadpan delivery.
  28. Miller's film shows how quickly Americans facing perceived foreign threats are willing to ignore basic liberties. Sound familiar?
  29. Not a single moment of creativity or intrigue is to be found in the big-screen debut of the Disney Channel's most popular sitcom character.
  30. At least Williams and Crystal, old pals off the screen, seem to be enjoying themselves.

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