New York Daily News' Scores

For 6,911 reviews, this publication has graded:
  • 42% higher than the average critic
  • 3% same as the average critic
  • 55% lower than the average critic
On average, this publication grades 8.2 points lower than other critics. (0-100 point scale)
Average Movie review score: 57
Highest review score: 100 Fruitvale Station
Lowest review score: 0 The Fourth Kind
Score distribution:
6911 movie reviews
  1. Not a great movie, but it certainly does justice to the great historical event it dramatizes.
  2. The play's most acclaimed performance - rotund Richard Griffiths as the closeted teacher Hector - is great in the movie, too.
  3. The first two stories are so well-drawn you hate to leave them. But Miller's femaleempowerment anthology carries a smart whiff of other literary looks at ordinary, extraordinary women, such as Grace Paley's "Enormous Changes at the Last Minute."
  4. Craggy oldsters Mick Jagger and James Coburn steal the show from the young uns in The Man From Elysian Fields, a mostly entertaining twist on the Faust story about a writer who sells himself cheap.
  5. Might be thought of as "Memento" for people who didn't get "Memento."
    • New York Daily News
  6. Even when their picture wanders from any reasonable path, it's never less than stunning to look at.
  7. Even with the requisite melodrama, it's a rollicking, optimistic movie.
  8. No matter how silly the situation, each member of the uniformly strong cast creates a nice balance between sentimental and sweet - which is just how every holiday gathering should feel.
  9. The film's only dialogue is composed of Young's songs lip-synched and acted out by the cast. This makes for a very literal, somewhat stilted experience.
  10. No one will accuse The Ringer of being tasteful, but when you're not laughing, you may find yourself genuinely touched.
  11. Simpson and Yates give a good idea why individuals are drawn to extreme sports.
  12. Fanning and Russell are a perfect, sweet-and-sour pair. And, of course, the horse is absolutely beautiful - which, in the end, is what this all comes down to, anyway.
  13. A near-saving grace is Christopher Walken, perfectly cast as the creepy store clerk who gives Michael the magic remote, then follows him through life like a gleefully incompetent guardian angel.
  14. The framing sequences with Downey and the climactic scenes between father and son are a mess. Downey, at 41, is too old to be playing a character who can be no more than 31 or 32, and 50-year-old Eric Roberts is an even greater distraction as Montiel's imprisoned friend Antonio.
  15. While Duff is fairly flavorless, Muniz proves that four seasons of "Malcolm" have made him a pro at navigating surreal silliness. Even when the script fails him, his well-honed instincts save the day.
  16. While it's not quite as satisfying as Chabrol's underappreciated "Merci pour le chocolat" (2000), it's still nasty fun at the expense of the upper middle class.
  17. Sadr-Ameli's unflagging empathy and Alidousti's confident performance keep us rooting for this young heroine, who refuses to accept the limits forced upon her by both society and the law.
  18. You won't find many insights into the personalities, or even a hint of the demons that plagued Garcia until his death, but seeing the two men together -- keeps a smile on your face and your feet tapping throughout.
  19. If it's not one of the five best of 1999, it's a personal best for Weaver, and that's pretty good.
  20. Not quite as funny as it wants to be. Mostly, it's just silly. But as always, the Coens are entertaining themselves first.and their quirky individuality has served them and their fans well so far.
  21. This is compelling stuff, but Jones seems almost pathologically averse to upstaging the songs themselves.
  22. At one point, Junge complains that her memories are banal, and they are -- But when sounds of war penetrate the bunker and the end is near, the details become high drama.
    • New York Daily News
  23. A by-the-numbers tearjerker notable mostly for the most adorable little sluggers this side of the "Bad News Bears."
  24. The four ladies of Friends With Money are people I wouldn't want to ride the bus with (not that some of them would be caught dead on public transportation). They're whiners with little self-knowledge. Perhaps that's what holds them together, but it's not pretty.
  25. It's the many thoughtful, eloquent interviews with Fellini himself that serve as the heart of the film.
  26. The performances are all on-target. Shelley Long and Gary Cole reprise the lady and her fellow, with Tim Matheson as the interloper, Christine Taylor as the hair-obsessed Marcia and Jennifer Elise Cox as Jan, the mouth-breather.
  27. Though a bit long and occasionally ­awkward, this drama ultimately does ­justice to its inspiration - the true-life tale of boxer-turned-transsexual Nong Toom.
  28. Ultimately, it's too much information coming too fast.
  29. It clearly wants to be more, but it's failed by its lightweight leads.
  30. What has changed most dramatically over the years is the camera's ability to shoot as if it were stationed on the wall of those rolling pipelines. For some, this is the next best thing to being there.

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