New York Daily News' Scores

For 6,911 reviews, this publication has graded:
  • 42% higher than the average critic
  • 3% same as the average critic
  • 55% lower than the average critic
On average, this publication grades 8.2 points lower than other critics. (0-100 point scale)
Average Movie review score: 57
Highest review score: 100 Fruitvale Station
Lowest review score: 0 The Fourth Kind
Score distribution:
6911 movie reviews
  1. There can never be too many stories of human grace and perseverance like those of Nova, or Nate, or Adam, all teens who've been encouraged to channel their resentments and desires into art.
  2. Younger kids looking for the cute connection between hesitant teen Hiccup and his loyal dragon, Toothless, may be stunned by the film’s violent tone. At the same time, it’s the unflinching edge that gives the film its unexpected depth.
  3. Career Girls reaches a little too often and unconvincingly for convenience... But Leigh remains one of the few film makers today to make movies that are solely character-driven, in which personal insight is its own reward. [8 Aug 1997, p.46]
    • New York Daily News
  4. It's hard not to wonder if Press might have offered a similarly impactful portrait in a more concise manner.
  5. This isn't a family -- or a film -- you'll ­easily forget.
  6. A riveting rock documentary.
  7. The notable lack of chemistry between Cruz and Homar is a crucial absence in a film about all-consuming romance. And though each part is great fun to watch, the whole feels unfinished.
  8. An immensely uplifting movie whose final, unforgettable frames come as close as anything to answering the big questions about why we bother in a dog-eat-dog world.
  9. Among the unforgettable images is that of artificial limbs floating to earth on parachutes, while below, one-legged men on crutches race each other to the prizes.
  10. Director Alexandre Moors turns the project into something of an art film, requiring patience for repetitive editing and slow-burn scenes before the movie ultimately works itself under your skin.
  11. Adventureland has the structure of a Tilt-a-Whirl ride: It goes where you expect, and may fill you with dread.
  12. Directors Adam Del Deo and James D. Stern focus primarily on the casting process for the 2006 revival, parading so many personalities past us that we don't really get to know anyone. Bypassing the original for the recreation? That ain't it, kid.
  13. Newcomers may be disappointed by such a slender effort, but fans of revered Iranian director Abbas Kiarostami will find plenty to appreciate in his observant followup to 2010’s acclaimed “Certified Copy.”
  14. Even those who never joined the cult of A Tribe Called Quest will find this clear-eyed chronicle of their career irresistible.
  15. It's got style and charisma to spare, with all the characters acting from fiery reserves of self-interest, including Christopher Plummer as a bank president with a secret in his safe-deposit box.
  16. The real romance here is between the filmmakers and the cultural moment they hope to document. From that perspective, it's a welcome - if not quite award-worthy - valentine.
  17. Assayas may have been inspired by biographical memories, but “Air” is so sensitively observed that it simultaneously evokes a universal, and eternal, state of adolescence as well.
  18. This incredibly moving, touchingly honest and transcendent chronicle of how a handful of people coped after Sept. 11 is not only one of the best distillations of that day, but a monument to humanity lost and gained.
  19. To see an expensive, big-studio movie freed from creative constraints and directorial cynicism is always a rare and wondrous experience. In a season of bloated indulgence, it’s also fair to call it a marvel.
  20. His story, like the current release "A Separation," shows a glimpse inside Iran of everyday reversals of fortune, and how easy it is to get caught in the crosshairs of bureaucracy, bad judgment and bad luck.
  21. Australian director Cate Shortland’s straightforward approach to the blinders worn by Hitler Youth creates a disconcerting and eerie film, made even more memorable since it’s seen through the prism of childhood’s end.
  22. Movies about junkies are often brutal to watch, but Jesus' Son has such a light touch, you have little to fear. Little to gain, too.
  23. If you're looking for a bit of an uplift, you could do worse among the gloom of so many holiday dramas.
  24. Deftly weaving double plotlines, gorgeous camera work, and deep compassion, Miike contrasts ritualistic "honor" with the truly honorable, as poor but noble squires face off against powerful lords cushioned by tradition and pride.
  25. The tone remains uneasily divided between lightly realistic character comedy and the darkest, chilliest kind of farce.
  26. An astonishingly intimate and painful coming-of-age story.
  27. Unlike Glenn Ford, a soft-spoken studio star who was cast against type as Wade 50 years ago, Crowe is a perfect fit. Not because of his bad boy behavior offscreen, but because he can blend charm and menace better than anyone.
  28. Much is left undeveloped, from Jane's ghostly anxieties to Rochester's evolving complexity. Wasikowska and Fassbender lack chemistry, and the latter never finds his character's depth.
  29. A lovely film and another impressive calling card for Bayona, who can mix genres in an innovative way like his former producer, Guillermo del Toro. He's created a deeply emotional film about loss that will probably have you crying by film's end.
  30. Even if we can't live his cowboy life, Buck Brannaman's world is well worth visiting.

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